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yo yo ma出了一张新专辑，与莫里康尼合作，用大提琴演绎后者的电影音乐。详情可见SONYCLASSICAL的官方网站。
有关链接如下：
mms://streaming.books.com.tw/audio/2/0020098182_01_05.mp3 Cinema Paradiso: Looking for You (1:43)
mms://streaming.books.com.tw/audio/2/0020098182_01_08.mp3 Once Upon a Time in America: Deborah's Theme (3:32)
mms://streaming.books.com.tw/audio/2/0020098182_01_01.mp3 The Mission: Gabriel's Oboe (3:11)
mms://streaming.books.com.tw/audio/2/0020098182_01_03.mp3 The Legend of 1900: Playing Love (1:49)
mms://streaming.books.com.tw/audio/2/0020098182_01_20.mp3 The Legend of 1900: Playing Love (cello and piano) (1:50)
mms://streaming.books.com.tw/audio/2/0020098182_01_04.mp3 Cinema Paradiso: Nostalgia (1:58)
內容簡介
馬友友首度演出
顏尼歐莫利克奈膾炙人口的經典電影配樂主題曲專輯
前所未有的夢幻合作
「海上鋼琴師」、「教會」、「新天堂樂園」、「真愛伴我行」、「狂沙十萬里」、「四海兄弟」、「黃昏三鏢客」、「鐵面無私」、「越戰創傷」、「嘉莉琺夫人」、「摩西傳」、「馬可波羅」
馬友友與半個世紀以來創作無數最浪漫經典與最受人歡迎的「義大利國寶級配樂大師」顏尼歐莫利克奈攜手合作作品
顏尼歐莫利克奈重新為馬友友量身訂作，重新編排、創作全新管弦樂編曲
前所未有的夢幻合作…
馬友友與「義大利國寶級配樂大師」顏尼歐．莫利克奈攜手合作作品
演出大師最膾炙人口的經典電影配樂主題曲
顏尼歐．莫利克奈為馬友友以大提琴為主角，重新編排、設計管弦樂編曲並親自指揮、製作
義大利國寶級配樂大師顏尼歐o莫利克奈是當代最受歡迎與備受敬重的電影音樂家，風格跨越爵士、流行、前衛、古典及最著名的義大利西部片風格，40多年來，累積的電影/電視音樂作品超過500部，合作的對象囊括當代最知名的大師級歐、美名導。莫利克奈的音樂創作讓他五度入圍奧斯卡最佳電影原著音樂項目，同時也為他贏得無數的獎座，包括2座金球獎、1座葛萊美獎、5座英國影藝學院獎、6座義大利電影獎、8座義大利國家影評學會獎。
2001年的奧斯卡頒獎典禮中，上台演奏奧斯卡得獎音樂作品「臥虎藏龍」的馬友友遇見了以「真愛伴我行」入圍的顏尼歐莫利克奈。這次會面後，莫利克奈開始思考自己的電影音樂以大提琴為主角演出的感覺。當莫利克奈最具情感的浪漫電影音樂，與馬友友充滿生命悸動的大提琴偶然邂逅，譜成大提琴與電影樂章共舞的【馬友友的電影琴緣】--兩位不同領域的音樂人燃燒音樂情感的美麗之作，也成了兩人永生難忘的美好合作經驗。
【馬友友的電影琴緣】專輯中，顏尼歐o莫利克奈重新為「海上鋼琴師」、「新天堂樂園」、「教會」、「四海兄弟」、「真愛伴我行」、「黃昏三鏢客」、「鐵面無私」、「越戰創傷」、「狂沙十萬里」、[嘉莉琺夫人]、[摩西傳]、[馬可波羅]這些跨越半世紀的電影音樂創作重新編排全新的管弦樂編曲，莫利克奈保留了原樂章的結構，同時為馬友友的大提琴編排樂章情緒的切入點，讓馬友友跟他的大提琴有最精彩的揮灑與表達的空間。而馬友友在演繹過程中，一再地讚嘆這些旋律帶給他的震撼與內心的非凡感動，在這樣的心情下，馬友友捕捉莫利克奈旋律的情感，不但與旋律本身演出精采的對位，更釋放出如慕如訴戲味十足的琴音，無論是「教會」裡那種哀莫大於心死的慨歎，還是「黃昏三鏢客」中緊繃的江湖霸氣，我們彷彿又籠罩在莫利克奈那種揉合義大利豪邁情懷與前衛音樂的創作思維的空間，並再次體驗到電影音樂捕捉影像靈魂的精髓。而大提琴音特有的音色，更為每首曲子增添了深入內心的浪漫傷懷。
這個前所未有的夢幻合作，由莫利克奈為馬友友親自指揮羅馬交響樂團伴奏演出。莫利克奈盛讚，馬友友為大提琴與管弦樂之間創造了一份情同手足的深刻情誼，而這些樂章在大提琴演奏下，更是依然保有每一部電影原來的情境氣氛。在與顏尼歐莫利克奈合作過後，馬友友以簡單誠摯的話語讚美這位傳奇的配樂大師--「對我來說，你就是一位偉大的音樂家。」
THE MISSION
教會
01 Gabriel’s Oboe [教會]賈布利耶的雙簧管
02 The Falls [教會]瀑布
GIUSEPPE TORNATORE SUITE
義大利導演朱賽貝扥納多雷導演作品組曲
03 Legend Of 1900: Playing Love [海上鋼琴師] 愛之曲
04 Cinema Paradiso: Nostalgia (from) [新天堂樂園] 鄉愁
05 Cinema Paradiso: Looking for You [新天堂樂園] 尋覓
06 Malena: Main Theme [真愛伴我行] 主題曲
07 A Pure Formality: Main Theme [幽國車站] 主題曲
SERGIO LEONE SUITE
義大利國寶級導演塞吉奧里昂尼導演作品組曲
08 Once Upon A Time In America: Deborah’s Theme [四海兄弟] 黛博拉主題曲
09 Once Upon A Time In America: Cockey’s Song [四海兄弟] 柯奇之歌
10 Once Upon A Time In America: Main Theme [四海兄弟] 主題曲
11 Once Upon A Time In The West: Main Theme [狂沙十萬里] 主題曲
12 The Good, The Bad And The Ugly: Ecstasy Of Gold [黃昏三鏢客] 黃金狂喜
BRIAN DE PALMA SUITE
美國驚悚/動作名導布萊恩狄帕瑪導演作品組曲
13 Casualties of War: Main Theme [越戰創傷] 主題曲
14 The Untouchables: Death Theme [鐵面無私] 死亡主題
MOSES AND MARCO POLO SUITE
電視迷你影集組曲
15 Moses: Journey [摩西傳] 旅程
16 Moses: Main Theme [摩西傳] 主題曲
17 Marco Polo: Main Theme [馬可波羅] 主題曲
THE LADY CALIPH
嘉莉琺夫人
18 Dinner [嘉莉琺夫人] 晚宴
19 Nocturne [嘉莉琺夫人] 夜曲
BONUS TRACKS
20 The Legend Of 1900: Playing Love [海上鋼琴師] 大提琴與鋼琴版
21 The Mission: Gabriel’s Oboe [教會] 大提琴與鋼琴版
馬友友 / 大提琴、顏尼歐．莫利克奈指揮羅馬交響樂團
YO-YO MA PLAYS ENNIO MORRICONE
Stunning compilation: the way these things should be done
A review by JAMES SOUTHALL
Film music compilations are ten-a-penny these days, with most anyone going off to Eastern Europe to record essential new versions of the themes from Lord of the Rings and Gladiator for the mass market. Of course, these are of little or no use to the devoted film music lover and, while they probably suit the casual fan just fine (and no doubt sell in vastly higher numbers than most actual original score albums) they have the unfortunate effect of painting a fairly gloomy picture of film music to the more, shall we say "musically mature" listener. Sometimes, though, the best composers revisit some of their previous music and bring us new versions which are presented in a new and interesting format. This happens unfortunately rarely, but in recent years the composer doing it most impressively has been Ennio Morricone. He's certainly got enough back catalogue to choose from (and is the one film composer above all others for whom "sampler albums" would be very useful indeed) and over the last couple of years the three albums three simply stunning Morricone compilation albums have been released, stunning not only because the music is so good (that is a given) but because he has arranged it in such a striking manner. "Cinema Concerto" was a good sampler of some of the composer's most familiar themes in his reorchestrated concert arrangements; "Music for Film" was a sublime collection of his themes rearranged for piano, viola, violin and flute; and "Arena Concerto" a good followup to "Cinema Concerto".
Now a fourth essential Morricone compilation has been released. "Yo-Yo Ma Plays Ennio Morricone" does what its title implies, but the composer has given us a real treat by offering sometimes significantly-altered versions of his music arranged especially for Ma and his cello, all the while retaining the spirit that made the pieces so impressive in the first place. The idea for the album was borne when the legendary cellist met the equally legendary composer at the Oscar ceremony a couple of years ago.
Morricone has compiled six suites of music, mostly played continuously. The album begins with a fairly short suite from The Mission and it is clear from the outset that this is something special, with Morricone employing the cello not only as the lead instrument but frequently to provide countermelody in other sections ("Gabriel's Oboe" first sees an exquisite cello performance, later developing into the familiar oboe performance with Ma weaving his way around in intriguing and rewarding fashion). This sets the tone for the rest of the album, with Ma's performances raising even the most beautiful of Morricone's themes to new heights. Particular mention must be given to the suite from Sergio Leone movies - "Deborah's Theme" from Once Upon a Time in America is quite wonderful, with the cello providing as lilting a performance of the theme as the soprano did in its original incarnation, and the same could be said of the main theme from Once Upon a Time in the West, which is as heartbreaking a theme as it always has been. One of the album's most striking cues is "Ecstasy of Gold" from The Good, the Bad and the Ugly, arguably the composer's most extraordinary piece of music - but of all the pieces here, it was the one which most made many fans scratch their heads when the album's tracklist was originally announced - it is such an idiosyncratic piece it was difficult to imagine how it could possibly work in this setting, but work it does, beginning with the piece's main melody being heard in a truly mournful, slow arrangement for cello and orchestra before developing into an amazing cacophony of sound which is simply awe-inspiring.
After The Mission and a suite each for directors Giuseppe Tornatore, Sergio Leone and Brian de Palma come two suites of music which may be less familiar to some, but which show off the composer's ability to produce magnificently beautiful themes as well as anything. The first features music from Moses and Marco Polo, the latter of which is one of Morricone's very finest themes, and the second has two pieces from La Califfa which are lusher and fuller, and just as rewarding. Finally (and strangely), exclusively to those who buy the CD from Borders in America come two bonus tracks, featuring beautiful versions of the themes from The Legend of 1900 and The Mission for piano and cello only. These should undoubtedly have been featured on every version of the CD.
With the shockingly low quality of most of 2004's new film music, it is reassuring to be reminded just what the genre can produce in the hands of a truly gifted composer, and this release is undoubtedly the outstanding album of the year so far. Composer and performer are both at the top of their games and this one can't be missed.
Buy this CD from amazon.com by clicking here!
Tracks
The Mission: Gabriel's Oboe (3:11)
The Mission: The Falls (2:27)
The Legend of 1900: Playing Love (1:49)
Cinema Paradiso: Nostalgia (1:58)
Cinema Paradiso: Looking for You (1:43)
Malena: Main Theme (4:21)
A Pure Formality: Ricordare (3:49)
Once Upon a Time in America: Deborah's Theme (3:32)
Once Upon a Time in America: Cockeye's Song (2:13)
Once Upon a Time in America: Main Theme (1:49)
Once Upon a Time in the West: Main Theme (3:21)
The Good, the Bad and the Ugly: Ecstasy of Gold (3:57)
Casualties of War: Main Theme (3:54)
The Untouchables: Death Theme (3:10)
Moses: Journey (2:34)
Moses: Main Theme (2:07)
Marco Polo: Main Theme (3:21)
La Califfa: Dinner (3:51)
La Califfa: Nocturne (2:33)
The Legend of 1900: Playing Love (cello and piano) (1:50)
The Mission: Gabriel's Oboe (cello and piano) (4:27) |
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2004/11/14 12:54:49 |
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