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主页--->m-comment-000--->mb-comment-008-83
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布罗克斯顿评说莫里康内 MB-008-83 |
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FA6817 Metti, una sera a
cena / Love Circle / 爱的轮廻 / 来吃晚餐 |
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作者 乔纳森·布罗克斯顿 （Jonathan Broxton） |
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ENNIO MORRICONE 评论，第8部分 008-83 |
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METTI UNA SERA A CENA （1969年） Metti Una Sera a Cena 是一部关于性实验和性关系的意大利剧情片，由朱塞佩·帕特罗尼·格里菲执导，改编自达里奥·阿金托的剧本，他将格里菲的原创舞台剧改编为银幕。这部电影由让-路易·特林蒂尼昂、弗洛琳达·博尔坎和托尼·穆桑特饰演三个朋友——剧作家、他的妻子和他们的演员同事——他们定期聚在一起共进晚餐，沉迷于无聊、不道德的谈话，并进行无激情的性行为。当演员建议他们在卧室游戏中增加第四个玩家时，情况发生了变化——一个漫不经心的双性恋诗人——他在他们生活中的存在给他们的世界带来了新的兴奋，但也带来了危险。 配乐主要是一系列热带、酷爵士和轻摇滚节奏，上面覆盖着 do-be-do-be-do 的人声，在键盘、吉他、打击乐和郁郁葱葱的弦乐伴奏的旋律创意中喘不过气来。开场的“Metti， Una Sera a Cena”，更流畅、更轻松的“Sauna”，非常可爱;在其他地方，“Terrazza Voita”使用更紧迫的人声和突出的哈蒙德管风琴来增添 1960 年代迷幻的气息，而“Alla Luce del Giorno”是一个时髦的舞蹈节拍，如此朗朗上口，几乎不可能不跟着节拍一起跳舞。 “Croce d'Amore”和“Nina”更传统，更具爵士乐、烟熏味和诱惑力，每首乐曲的后半部分都出现了极好的黑色铜管主题，赋予它们真正的力量感和庄严感。“Uno Che Grida Amore”和“Ti Prego Amami”都有一丝莫里康内意大利面条西部爱情主题的暗示，将双簧管与人声、弦乐和他典型的起伏断奏钢琴相结合。“Ric Happening”使用西塔琴和另类打击乐，因为为什么不呢？歌曲“Hurry to Me”基于主主题“Metti Una Sera a Cena”，由 Giuseppe Patroni-Griffi 和 Jack Fishman 作词，最初由 The Sandpipers 演唱，但后来成为莫里康内最受欢迎的歌曲之一，由 Amii Stewart 和 Hayley Westenra 等艺术家翻唱。 花絮：Metti Una Sera a Cena 的配乐最近在英国体育迷中变得非常流行，尽管他们可能不知道——“Alla Luce del Giorno”被用作 EDM 组合 Planet Funk 于 2001 年发行的歌曲“Chase the Sun”的旋律核心，随后被用作天空体育报道世界飞镖赛事的主题音乐。每当比赛休息时，飞镖迷都会喝醉唱这首歌，我敢打赌，他们中只有不到 1% 的人知道这首歌最初来自 1969 年的意大利性爱剧。 Metti Una Sera a Cena 是莫里康内最著名和最受欢迎的休闲爵士乐配乐之一，所以自然有 287 张不同的专辑。我评论过的是意大利唱片公司 Cinevox 于 1997 年发行的那张，它对最好的东西进行了 40 分钟的总结，但实际上还有几十个其他的提供更长的运行时间、替代提示、奖励曲目等等。 曲目列表： 1. Metti， Una Sera a Cena （4：30）， 2.桑拿 （4：51）， 3.Terrazza Vuota （3：06）， 4.Alla Luce del Giorno （2：01）， 5.爱茉莉十字架 （2：27）， 6.Uno Che Grida Amore （4：40）， 7.里克正在发生 （2：10）， 8.Ti Prego，奄美 （2：04），9。妮娜 （4：43）， 10.Metti， Una Sera a Cena （Main Titles – Alternate Version） （1：55）， 11.妮娜 （替代版本） （4：45）， 12.快点给我（主题曲）（4：05）。Cinevox MDF-309,41 分 17 秒。 |
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2020.10.17 |
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以下是原文
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ENNIO MORRICONE REVIEWS, Part 8-83 |
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METTI UNA SERA A CENA (1969) Metti Una Sera a Cena is an Italian drama film about sexual experimentation and relationships, directed by Giuseppe Patroni Griffi, from a screenplay by Dario Argento, who adapted Griffi’s original stage play for the screen. The film stars Jean-Louis Trintignant, Florinda Bolkan, and Tony Musante as three friends – a playwright, his wife, and their actor colleague – who meet regularly for dinner where they indulge in bored, amoral conversation, and engage in passionless sex. Things change when the actor suggests they add a fourth player to their bedroom games – an insouciant bisexual poet – whose presence in their lives brings a new level of excitement, but also danger, into their world. The score is mostly a series of tropical, cool-jazz, and light rock rhythms overlaid with do-be-do-be-do vocals, breathlessly vocalizing over melodic ideas for keyboards, guitars, percussion, and lush string backings. The opening “Metti, Una Sera a Cena,” the smoother and more relaxed “Sauna,” are just lovely; elsewhere, “Terrazza Voita” uses more urgent vocals and a prominent Hammond organ to add a bity of 1960s psychedelia, while “Alla Luce del Giorno” is a groovy dance beat that’s so catchy it’s almost impossible not to boogie along to the beat. “Croce d’Amore” and “Nina” are much more traditionally jazzy, smoky and seductive, with a terrific noir brass theme that emerges in the second half of each piece and gives them a real sense of power and gravitas. Both “Uno Che Grida Amore” and “Ti Prego Amami” have a hint of Morricone’s spaghetti western love themes, combining oboes with vocals, strings, and his quintessential undulating staccato pianos. “Ric Happening” uses a sitar and offbeat percussion, because why not? The song “Hurry to Me” is based on the main “Metti Una Sera a Cena” theme, has lyrics by Giuseppe Patroni-Griffi and Jack Fishman, and was originally performed by The Sandpipers, but has since gone on to be one of Morricone’s more popular songs, enjoying covers by artists as varied as Amii Stewart and Hayley Westenra. Trivia note: the score for Metti Una Sera a Cena has become quite popular to British sports fans recently, even though they probably don’t know it – “Alla Luce del Giorno” was used as the melodic core of the song “Chase the Sun” released by EDM group Planet Funk in 2001, which was subsequently used as the theme music for Sky Sports’s coverage of World Darts events. Darts fans drunkenly sing the song whenever there is a break in play, and I bet less than 1% of them know it originally came from a 1969 Italian sex drama. The more you know. Metti Una Sera a Cena is one of Morricone’s most famous and popular lounge jazz scores, so naturally there are 287 different albums out there. The one I have reviewed is the one released by Italian label Cinevox in 1997, which gives a nice 40-minute summation of the best stuff, but there are literally dozens of others which provide longer running times, alternate cues, bonus tracks and so much more. Track Listing: 1. Metti, Una Sera a Cena (4:30), 2. Sauna (4:51), 3. Terrazza Vuota (3:06), 4. Alla Luce del Giorno (2:01), 5. Croce d’Amore (2:27), 6. Uno Che Grida Amore (4:40), 7. Ric Happening (2:10), 8. Ti Prego, Amami (2:04), 9. Nina (4:43), 10. Metti, Una Sera a Cena (Main Titles – Alternate Version) (1:55), 11. Nina (Alternate Version) (4:45), 12. Hurry to Me (The Main Theme Song) (4:05). Cinevox MDF-309, 41 minutes 17 seconds. |
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Oct. 17, 2020 |
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Jon 是一位电影音乐评论家和记者，自 1997 年以来一直担任全球最受欢迎的英语电影音乐网站之一 Movie Music UK 的编辑和首席评论员，并且是国际电影音乐评论家协会 （IFMCA） 的主席。在过去的 20多 年中，Jon 撰写了 3,000 多篇评论和文章，并进行了多次作曲家采访。在杂志刊物方面，乔恩曾为《电影配乐月刊》、《原声带杂志》和《电影音乐》等出版物撰写评论和文章，并为普罗米修斯唱片公司的两张经典 Basil Poledouris 配乐专辑《Amanda》和《Flyers / Fire on the Mountain》撰写了衬垫注释。他还为汤姆·胡佛 （Tom Hoover） 于 2011 年出版的《Soundtrack Nation： Interviews with Today's Top Professionals in Film， Videogame， and Television Scorering》一书撰写了一章。在1990年代后期，乔恩是伦敦皇家爱乐乐团的电影音乐顾问，并与他们合作拍摄了约翰·德布尼（John Debney）的音乐电影《相对价值》（Relative Values）和奥利弗·海斯（Oliver Heise）的音乐《佛陀的指环》（The Ring of the Buddha），以及与兰迪·纽曼（Randy Newman）合作的一系列音乐会。2012年，乔恩在波兰克拉科夫举行的第五届年度电影音乐节上担任“电影节学院”主席。他是作曲家和作词家协会的成员，该协会是作曲家、作词家和词曲作者从事电影、电视和多媒体工作的首要非营利组织。 |
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2023 手机版 |
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