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主页--->m-comment-000--->mb-comment-008-86
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布罗克斯顿评说莫里康内 MB-008-86 |
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FA6824 Un bellissimo novembre / That Splendid November / 再见晤爱
/ 偷情世家 |
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作者 乔纳森·布罗克斯顿 （Jonathan Broxton） |
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ENNIO MORRICONE 评论，第8部分 008-86 |
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UN BELLISSIMO NOVEMBRE [那个灿烂的十一月] （1969） 《十一月之战》是一部意大利浪漫剧情片，由毛罗·博洛尼尼执导，改编自埃尔科莱·帕蒂的同名小说。它由加布里埃尔·费尔泽蒂和吉娜·洛洛布里吉达主演，讲述了一个西西里大家庭的各种色情行为，其中父亲（费尔泽蒂）向他的妻子和孩子传授道德和自制力，但鲁莽地追求课外做爱，而他的其他家人也这样做——只是当一个少年（保罗·图尔科饰）爱上了他美丽的阿姨（洛洛布里吉达饰）并在她分享时变得嫉妒时，她和其他男人的床就失控了。 Un Bellissimo Novembre 的可用乐谱包括四个乐谱提示和一首基于主旋律的歌曲。“Nuddu”是一首精致、亲密的作品，由伟大的亚历山德罗·亚历山德里尼 （Alessandro Alessandrini） 创作，由吉他、古典弦乐和口哨旋律组成，以只有莫里康内才能做到的方式令人难以忘怀和令人回味。第二个提示“Sensi”与开场提示的丰富情感完全相反——事实上，它是彻头彻尾的怪异，叮叮当当的打击乐、犹太人的竖琴、刮擦的小提琴泛音和拨奏贝斯以一种完全奇怪的方式碰撞; 然后，当低沉、尖锐的大提琴在提示的后半部分出现时，整个事情呈现出一种令人惊讶的恐怖电影感，这种感觉在某种程度上既可怕又精彩。无尽的创造力。 “Buio Mattino”是一首沉闷的小曲子，用于低沉、阴郁的大提琴和中提琴织体，营造出一种有点压抑的情绪。值得庆幸的是，最终的“Ancora Più Dolcemente”更加欢快，热带波萨诺瓦节奏与吉他、双簧管、弦乐的可爱旋律叠加在一起。最后，《Nuddu》的声乐版是一首由佛朗哥·皮萨诺作词的歌曲，由甜美的嗓音福斯托·西利亚诺演唱，既迷人又温暖浪漫。 总的来说，谱曲有点喜忧参半。“Nuddu”主题很可爱，结论性的“Ancora Più Dolcemente”就像标题所暗示的那样甜蜜，但其余部分从沉闷转向完全的叮叮当当，需要一些努力才能欣赏。考虑到 Un Bellissimo Novembre 的配乐很短，它从未作为独立的原声带专辑发行，但下面列出的五首曲目已被列为 2014 年 Beat Records 发行的 Il Grande Silenzio 的“奖励提示”。此外，多年来，单曲“Nuddu”已被收录在莫里康内的各种合辑中。 曲目列表： 1. Nuddu （2：36）， 2.森西 （2：43）， 3.布约·马蒂诺 （3：05）， 4.Ancora Più Dolcemente （2：44）， 5.Nuddu（声乐）（2：43）。打破记录 CDCR-126,14 分 05 秒。 |
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2020.10.17 |
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以下是原文
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ENNIO MORRICONE REVIEWS, Part 8-86 |
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UN BELLISSIMO NOVEMBRE [THAT SPLENDID NOVEMBER] (1969) Un Bellissimo Novembre is an Italian romantic drama film directed by Mauro Bolognini, based on the novel of the same name by Ercole Patti. It stars Gabriele Ferzetti and Gina Lollobrigida and concerns the various erotic exploits of a large Sicilian family in which the father (Ferzetti) lectures his wife and children about morality and self-control, but pursues extra-curricular lovemaking with reckless abandon, while the rest of his family does the same – only for things to spiral out of control when a teenager (Paolo Turco) falls in love with his beautiful aunt (Lollobrigida) and becomes jealous when she shares her bed with other men. The available score for Un Bellissimo Novembre comprises four score cues and a song based on the main melody. “Nuddu” is a delicate, intimate piece for guitars, classical strings, and a whistled melody by the great Alessandro Alessandrini, haunting and evocative in the way that only Morricone could be. The second cue “Sensi” is the exact opposite of the lush emotion of the opening cue – in fact, it’s downright bizarre, with jangling percussion, a boinging Jew’s harp, scraped violin harmonics, and pizzicato basses that collide in a wholly weird fashion; then, when the low, keening cellos come in during the second half of the cue, the whole thing takes on a surprising horror movie sensibility that is somehow terrible and brilliant at the same time. Endless creativity. “Buio Mattino” is a dour little piece for low, gloomy cello and viola textures, that creates a somewhat depressing mood. Thankfully, the conclusive “Ancora Più Dolcemente” is much more upbeat, a tropical bossa-nova rhythm overlaid with a lovely melodic writing for guitars, oboe, strings. Finally, the vocal version of “Nuddu” is a song with lyrics by Franco Pisano, performed by the honey-voiced , and is both charming and warmly romantic. Overall, the score is a bit of a mixed bag. The “Nuddu” theme is lovely, and the conclusive “Ancora Più Dolcemente” is as sweet as the title suggests, but the rest veers from the dull to the totally dingbats, and will take some effort to appreciate. Considering how short the score for Un Bellissimo Novembre is, it has never been released as a standalone soundtrack album, but the five tracks listed below have been listed as ‘bonus cues’ on the 2014 Beat Records release of Il Grande Silenzio. In addition, the single song “Nuddu” has been included on various Morricone compilations over the years. Track Listing: 1. Nuddu (2:36), 2. Sensi (2:43), 3. Buio Mattino (3:05), 4. Ancora Più Dolcemente (2:44), 5. Nuddu (Vocal) (2:43). Beat Records CDCR-126, 14 minutes 05 seconds. |
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Oct. 17, 2020 |
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本站电影欣赏 |
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在线音乐试听 |
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Jon 是一位电影音乐评论家和记者，自 1997 年以来一直担任全球最受欢迎的英语电影音乐网站之一 Movie Music UK 的编辑和首席评论员，并且是国际电影音乐评论家协会 （IFMCA） 的主席。在过去的 20多 年中，Jon 撰写了 3,000 多篇评论和文章，并进行了多次作曲家采访。在杂志刊物方面，乔恩曾为《电影配乐月刊》、《原声带杂志》和《电影音乐》等出版物撰写评论和文章，并为普罗米修斯唱片公司的两张经典 Basil Poledouris 配乐专辑《Amanda》和《Flyers / Fire on the Mountain》撰写了衬垫注释。他还为汤姆·胡佛 （Tom Hoover） 于 2011 年出版的《Soundtrack Nation： Interviews with Today's Top Professionals in Film， Videogame， and Television Scorering》一书撰写了一章。在1990年代后期，乔恩是伦敦皇家爱乐乐团的电影音乐顾问，并与他们合作拍摄了约翰·德布尼（John Debney）的音乐电影《相对价值》（Relative Values）和奥利弗·海斯（Oliver Heise）的音乐《佛陀的指环》（The Ring of the Buddha），以及与兰迪·纽曼（Randy Newman）合作的一系列音乐会。2012年，乔恩在波兰克拉科夫举行的第五届年度电影音乐节上担任“电影节学院”主席。他是作曲家和作词家协会的成员，该协会是作曲家、作词家和词曲作者从事电影、电视和多媒体工作的首要非营利组织。 |
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2023.12.10 |
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2023 手机版 |
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