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Movie appreciation-314
Movies with OST music by Morricone
A newly discovered Morricone music film
FB8204 Innamorarsi a cinquant'anni / Falling in love at 50
Editor's note

Recently, while communicating with an Italian friend, Stefano Ggaleone, he provided me with a list of download links for videos about Morricone. Among them, one particularly caught my attention—a film titled "Innamorarsi a cinquant'anni," a recently discovered Italian television movie from 1982 that features Morricone's musical works. This TV movie, produced by Italy's RAI National Broadcasting Corporation and starring renowned actor Cucciolla, is not only unfindable on RAI but also elusive on major platforms like IMDB, WIKI ... After extensive investigation, evidence collection, and contacting Didier, the site webmaster of CHIMAI, he is conducting an in-depth study of this film. It has now been included in the 4th edition of our site's filmography, with the serial number is FB8204

 
Filmography
Original work
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Awards
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Music online
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01-Movie Overview
The film shows that the theme music is composed by Ennio Morricone (000108)
01-1 Overview

Directors:Armando Crispino

Stars:Riccardo Cucciolla, Laura Trotter, Mila Vannucci, Emma Baron, Franca Dominici
Music: Ennio Morricone
Country: Italy

 
01-2 synopsis

Alfredo is a grey employee in his fifties and has only one reason for his life: his old and ill mother. At the death of the woman, the man yields to discomfort. It will help him resume dating a young widow known at the cemetery.(Italian original here)

01-3 La recensione su Innamorarsi a cinquant'anni

Alfredo è un grigio impiegato sulla cinquantina e ha una sola ragione di vita: la madre anziana e malata. Alla morte della donna, l'uomo cede allo sconforto. Lo aiuterà a riprendersi la frequentazione con una giovane vedova conosciuta al cimitero.


Innamorarsi a cinquant'anni è un film di una tristezza notevole, ma non si tratta del classico 'strappalacrime' a tradimento o, peggio ancora, dietro preciso progetto; è piuttosto una storia in odore di Kafka (sceneggiatura di Cesare Frugoni e del regista, Armando Crispino) che racconta le modestissime gesta di un ometto qualunque sovrastato dalle responsabilità, dalle altrui personalità, dal destino ingrato che pare accanirsi contro di lui. È un film televisivo, ma all'epoca la Rai disponeva budget dignitosi per questo tipo di lavori; fa inoltre parte di un'accoppiata di pellicole – l'altra è Due donne (1981) – raccolte sotto il titolo di Lettere al direttore, ma tra loro indipendenti. Crispino fa un buon lavoro dietro la macchina da presa, Riccardo Cucciolla fa lo stesso davanti; i limiti dell'operazione si ritrovano in una trama scarsa di argomenti che gira intorno alle solite situazioni senza risolverle (o risolversi) fino al pre-finale, e anche nella costruzione delle vicende addossata eccessivamente sul pur bravo Cucciolla: ma un intero film di un'ora e qualche minuto non può reggersi su un solo personaggio tanto arido (quantomeno nelle esteriori manifestazioni dei suoi pensieri e sentimenti), umile, dimesso, ritroso. Nel cast compaiono inoltre Laura Trotter e Mila Vannucci; le musiche sono di Ennio Morricone e la fotografia di Roberto Girometti. (Here)4/10.

(Online translation) Alfredo è un grigio impiegato sulla cinquantina e ha una sola ragione di vita: la madre anziana e malata. Alla morte della donna, l'uomo cede allo sconforto. Lo aiuterà a riprendersi la frequentazione con una giovane vedova conosciuta al cimitero.

Falling in love at fifty is a film of remarkable sadness, but it is not the classic 'tear-throwing' betrayal or, worse, behind precise design; It is rather a story in the smell of Kafka (written by Cesare Frugoni and the director, Armando Crispino) that tells the very modest deeds of a neglected person overwhelmed by responsibilities, by other personalities, by the ungrateful fate that seems to be raging against him. It's a television movie, but at the time the RAI had a decent budget for this kind of work; It is also part of a couple of films – the other is Two Women (1981) – collected under the title Letters to the Director, but independent of each other. Crispino does a good job behind the camera, Riccardo Cucciolla does the same in front; The limits of the operation are found in a scarce plot of topics that revolves around the usual situations without solving them (or resolving) until the pre-final, and also in the construction of events overly imposed on the pure good Cucciolla: but an entire film of an hour and a few minutes can not hold on a single character so arid (at least in the external manifestations of his thoughts and feelings), humble, dismissed, backward. The cast also stars Laura Trotter and Mila Vannucci. The music is by Ennio Morricone and the photography by Roberto Girometti.

Richard Cucciolla

Riccardo Cucciolla in Sacco and Vanzetti ( 1971 )

Riccardo Cucciolla ( Bari , 5 September 1924 – Rome , 17 September 1999 ) was an Italian actor , voice actor and dubbing director .

Acting career

A shy character, distant from social life, with a gaunt face and suffering from a young age, deep-set eyes and a penetrating gaze, Riccardo Cucciolla was discovered by the general public in 1971 as the protagonist of a successful film, Sacco and Vanzetti by Giuliano Montaldo , a director who had already noticed and directed him previously in his film Ad ogni costo (1967). It was thanks to his touching and intense interpretation of Nicola Sacco , alongside Gian Maria Volonté in the role of Bartolomeo Vanzetti , that he was awarded the prize for best actor at the 1971 Cannes Film Festival .

In the following years he was an increasingly critically acclaimed performer and worked simultaneously in Italy and abroad, collaborating with highly talented French directors in equally successful films, such as Night on the City (1972) by Jean-Pierre Melville , alongside Richard Crenna , and Borsalino and Co. (1974) by Jacques Deray , contrasting himself in the role of the Italian gangster Volpone with the protagonist Alain Delon .

Also in 1974, director Mario Bava cast him in his film Rabid Dogs (also known as Red Light , released only 20 years later, in 1995), where Cucciolla played a middle-aged man who, while taking his sick son to the hospital, is taken hostage in his car by a group of sadistic criminals. Cucciolla collaborated again in 1982 with Giuliano Montaldo, the director who made him famous with Sacco and Vanzetti , refusing to cast Yves Montand in his place , in the television drama Marco Polo , playing the role of Uncle Zane. His participation in television dramas, series, and fictions was equally numerous and important, from his first famous soap opera Treasure Island in 1959, to his last appearance in 1999, a few months before his death, in Death of a Respectable Girl .

The dubbing

He also worked as a film dubbing artist : for many years he dubbed Roger Moore and numerous other famous foreign actors, made unmistakable in Italy by his voice. He worked extensively in Rai radio drama , starting from the mid-1940s, both in comedies and radio dramas , within the Radio Roma Prose Company . He was also chosen by numerous Italian directors to direct the dubbing of their films: Cucciolla directed the dubbing of Novecento (1976) by Bernardo Bertolucci , And the Ship Sails On (1983) by Federico Fellini , Once Upon a Time in America (1984) by Sergio Leone , as well as the miniseries La piovra (1984) and the film L'inchiesta (1986), both by Damiano Damiani . Cucciolla was also the narrator of the fifth episode of the Don Camillo film series : Il compagno don Camillo (1965).

He died in Rome on September 17, 1999, at the age of 75. He rests in the family tomb at the Flaminio cemetery .

Awards

Cannes Film Festival
1971 – Prix d'interprétation masculine for Sacco and Vanzetti

Silver Ribbon
1972 – Best Actor in a Leading Role for Sacco and Vanzetti

Voices in the shadows
1998 – "Gualtiero de Angelis" Lifetime Achievement Award

02-Scene screenshot
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004353
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03 Music listening
1 The opening theme extracted from the movie (000023-000142)
2 The info from CHIMAI
It includes TV series: "Lettere al direttore" -1 Due donne , -2 Innamorarsi a cinquant'anni
Reused Tracks Listen
1 La Donna invisibile (1969)

La donna invisibile

2 Veruschka (1971)

La spiaggia

3 Revolver (1973) Quasi un Vivaldi (1)
5 I Bambini ci chiedono perché (1972) I bambini ci chiedono perché (Tema)
6 I Bambini ci chiedono perché (1972) I piccoli (versione II)
7 I Bambini ci chiedono perché (1972)

Angeli

4 La Donna invisibile (1969) Eros profondo
8 La Donna invisibile (1969) Incontro trasversale
9 Veruschka (1971) Intervallo II
10 Veruschka (1971)) Astratto III
11 Veruschka (1971) La bambola (2)
 
04 Postscripts
This is a movie discovered by chance, and so far, at least two things can be confirmed: 1. Morricone wrote the theme song for it. 2 Many of Morricone's movie music is referenced in the two films. Based on these two points, I have temporarily included it as FB8204 in the 4th edition of the chronology. If there are more discoveries in the future, it may also be like FA7226 "Lo e... ", FA7913" Dieci per vivre "is changed to FA category. I spent two days searching and researching, and found some information, such as one of the two movie collections "Letters to the Editor" by RAI TV, and the other being FB8104 "Due Donne". In addition, it is mentioned in the explanation below the YT video that it may have used some music from the 1971 movie "Volushka" (FA7123)
Afterwards, I contacted CHIMAI's webmaster Didier, who replied that it was indeed a newly discovered Morricone music movie. Its music has many similarities with another known movie, "Due donne" possibly from movies such as "Volushka" (FA7123), "Bible... In The Beginning" (FB6404), "I bambini ci chiedono perché" (FA7207), and so on. He has added this movie to his filmography. (See screenshot, green hook indicate originality, red cross indicate non originality) However, accurate judgment still requires some time. In addition, he also spoken that he plans to mention this movie in the 30th issue of the electronic magazine "MAESTRO" to be published in 2027
Watching this movie, two things left a deep impression on me: one is the beginning, especially the music. In the cemetery lined with pine and cypress trees, the sound of mourning bells rang , and Alfredo gradually walked out of the cemetery surrounded by several friends. The music was rapid and the bells were deafening, indicating an uneasy development. Another unforgettable scene for me was when Alfred fell in love and hosted Claudia for the first time. He couldn't help but change into a new outfit. At the dining table, Claudia looked slightly surprised and said to him, "You're wearing a new tie!" (004353). The expressions of the two actors are so lifelike and impressive!
The movie ends with Alfred's failure. In the end, he had to say with a bitter smile, 'I forgot you were still so young' (005835)
In real life, both domestically and internationally. You can see some love stories that are talked about eagerly, some even spanning the age of thirty or forty, but they always have their underlying reasons. In various philosophical theories around the world, most emphasize balance. Chinese Taoism advocates the concept of "yin-yang harmony", Confucianism advocates the "doctrine of the mean", Aristotle advocates the "ethics of the middle way"... Love is no exception, both men and women need a balance. In many examples we have seen, there are many factors that can fill the age gap, such as fame, status, knowledge, wealth, etc. Otherwise, it is difficult to achieve a satisfactory outcome, and Alfredo's pain lies in this. For young friends, this is also a piece of advice!
 
05 Download Infomation
Starting from April 20, 2026, within 10 days, this website will provide fans with a 519MB MP4 format file with a duration of 64'08“
Download available within 10 days from April 20 to 30, 2026
One person doing it is life, everyone doing it is career!
2026.4.20

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