Several competing groups and mavericks (including the lead character Cuchillo) are hunting a gold treasure of $3,000,000. The gold was reserved for the Mexican revolution.(Here)

本站简译: 几个团体和一个独立的角色（主角库奇洛）競相搜捕一个价值三百万美元的黄金宝藏.这些黄金是为了墨西哥革命而保存的

Two drifters meet, and soon become travelling companions. But one of them, Tim (Gemma), is being chased by a crazed killer and his band of gunmen to settle an old score. The two (Adorf being the other) are chased through the west, encountering scrape after scrape until the killers catch up and the score is settled for good.(Here)

The bandit Pratt, looking for Tim, who is responsible for the death of his two sons, attacks a caravan killing all the passengers. Harry, the vagabond, after having robbed the dead, casually meets Tim and they become friends. Running away together from Pratt, they reach Harry’s farm, but their hiding place is soon discovered （Here)

本站简译: 两个流浪者相遇并很快成为流浪的伴侣。 但是他们中的一个人正在被一个疯狂的杀手所追杀....

一伙强盗的头目普拉特，正在寻找蒂姆，为他两个儿子的死报仇。他们袭击了一辆大篷车，杀死了所有的乘客，却发现搞错了人。他随即杀了那个线人并扬长而去。哈利是一个流浪的人，在抢劫了死者之后，偶然遇见了蒂姆，他们变成了朋友。两个人一起从普拉特那里逃脱, 当他们到达哈利的农场时, 他们的藏身之处又很快被追杀他们的人发现......

One night during World War I a German U-boat lands three people in the Orkney Islands. When two are captured, Colonel Foreman of British intelligence tricks one of them, Meyer, into revealing that the third person landed was an infamous German spy known as Fraulein Doktor, whose mission is to kill British Field Marshal Lord Kitchener. Fraulein Doktor learns that the field marshal is aboard the H.M.S. Hampshire , and the Germans sink the ship, killing Kitchener and the 700 men aboard. Her mission completed, Fraulein Doktor injects herself with morphine. Meyer, meanwhile, has told Foreman about another of Fraulein Doktor's deeds: disguised as a housemaid, she won the confidence of Dr. Saforet, the French lesbian inventor of a powerful poison gas formula; murdered her; and stole the formula for the Germans. Colonel Foreman sends Meyer back to Germany as a counterspy, and Colonel Mathesius, the German spy chief, having discovered the plan, encourages Meyer to kill Fraulein Doktor. Although Meyer is attracted to the beautiful spy, he carries out his assignment and returns to England. The Fraulein's "death," however, has been staged by the Germans, and she is already at work on a two-fold suicidal mission. She poses as a Spanish aristocrat and dupes the Belgian ambassador into allowing her to organize a Red Cross train to aid wounded Allies at the front; then smuggles aboard four spies to steal Allied offensive plans from a Belgian chateau. Meanwhile, Colonel Foreman has begun to suspect that Fraulein Doktor is not dead, and he takes Meyer along with him to investigate the hospital train. Though Meyer recognizes Fraulein Doktor in her nurse's uniform, he has become too infatuated to expose her, and her mission is a success. The Germans make use of the stolen plans to launch a counterattack against the Allies employing the insidious poison gas. After the German victory Colonel Foreman and Meyer arrive at a railway station where Fraulein Doktor is treating wounded soldiers. Foreman realizes that he has found the infamous spy, but he is shot dead by Meyer, who, in turn, is killed by a German patrol. Fraulein Doktor laughs maniacally and then breaks into sobs. Meyer's death, her addiction to morphine, and her fanatical patriotism have taken a heavy toll.(Here)

A woman spy working for the Germans during World War I participates in seducing and using French and British civilian and military personnel by which she aids in the bungling of the Allied effort to defeat Germany. Of particular interest and importance to her is deciphering which ship Lord Kitchener will be sailing on for conference in Russia. Afterwards she aids a German U-boat to sink the Hampshire with Kitchener on it taking his life and nearly all on board. Later she steals a formula for Mustard gas which the Germans use to great effect against the Allies on the battlefield. (Here)

Somewhat overshadowed by Joseph Losey's 1975 film on the same subject, the 1968 Italian/Bulgarian biopic Galileo is a worthwhile picture in its own right. Irish stage and screen actor Cyril Cusack is well-cast as Galileo Galilei, famed astronomer and unintentional icon-buster. Stirring up controversy with his theory that the Earth is not the center of the Universe, Galileo is given a going-over by the Vatican legal system. The highlight: "Nevertheless, it does move!" A bit too verbose in its climactic courtroom scenes, Galileo nonetheless does full justice to its protagonist. The musical score is by Ennio Morricone, of The Good, the Bad and the Ugly fame.(Here)

After his encounter with Giordano Bruno in 1592, Galileo convinces himself that the sun, and not the earth, is at the center of universe. The Church considers Galileo's theory a heresy, but he continues his studies in Florence, until he's arrested and tried. Standing before the inquisition court in 1633, he will sign a solemn abjuration. Galileo Galilei and the Church: a controversial and hard subject faced by Liliana Cavani in this TV movie (which was later screened in movie theaters), which portrays Galileo's drama when he opposed himself to a conservative and obscurantist church. Cavani focuses on the contrasts, and powerfully proposes his story with dramatic intensity. (Here)

本站简译: 这是1968年由意大利和保加利亚合拍的一部传记片.伽利略是十六世纪意大利著名的物理学家、天文学家和哲学家.他证明了地球并非是宇宙的中心,这触犯了天主教会的教义,从而受到梵蒂冈宗教裁判所的制裁.他的晚年过着十分悲惨的生活.但是,他仍然坚持说: "不过，它(地球)确实在动！"

Leon Alastray is an outlaw who has been given sanctuary by Father John, whom he then escorts to the village of San Sebastian. The village is deserted, with its cowardly residents hiding in the hills from Indians, who regularly attack the village and steal all their supplies. When Father John is murdered, the villagers mistakenly think the outlaw is the priest. Alastray at first tells them he is not a priest, but they don't believe it, and an apparent miracle seems to prove they are correct. Eventually, he assists them in regaining their confidence and defending themselves.(Here)

In this French/Italian co-production set in Mexico in 1746, Alastray (Anthony Quinn), a gunman on the run from the law, happens upon a Franciscan priest, Father Joseph (Sam Jaffe), while in flight.
Father Joseph shows mercy on the fugitive and allows Alastray to stay with him, but when the locals find out that Joseph is harboring criminals, he's run out of town; Alastray travels with him, disguised as a monk.
While approaching what appears to be a deserted village, Father Joseph is killed by a sniper, and Alastray heads into town. He is met by Teclo (Charles Bronson), a half-breed who calls the village home.
It seems that a band of savage Yaqui Indians have been terrorizing the town and have a special hatred for men of faith; they intend to continue laying waste to the village until the residents beg for mercy and renounce Christianity. The Village leaders want to make Alastray their new spiritual leader, and despite his great reluctance, he agrees, mostly as a means of maintaining his cover. But when Alastray tries to organize the building of a much needed dam, as well as obtaining a stash of weapons so that the citizens may defend themselves, the Yaquis return in force, leading to a decisive confrontation. Guns for San Sebastian also features Anjanette Comer and Silvia Pinal. (Here)

本站简译: 圣塞瓦斯蒂安是一个偏僻的印第安人村庄.由于这里居民的懦弱,因而经常受到歹徒的侵犯和抢劫.来到这里避难的阿拉斯蒂帮助他们树立信心,武装起来保护自己.

简介之二: 亨利·维尼尔执导的一部强调暴力场面的动作片。故事讲述1746年，一名反西班牙殖民政府的墨西哥人为了躲避政府逮捕而逃至一偏僻小村落，却被当地村民误认为是牧师，而他也就将计就计，率领村民抵抗来犯的暴徒。安东尼．奎因在此片的演出很落力，然而故事内容本身则乏善可陈。(这里)

The story is a puzzling one- it begins in London,England where students are controlled by a dictatorship Government where sex is outlawed.The film was supposed to have been banned in Italy and destroyed,but do they really do that to films these days? Nonetheless,the set designs are truly stunning,especially the second half of the film where the runaway lovers end up living in the Italian mountains in a colourful 'funked-up' igloo! ..... Please note this film has never been shown on TV anywhere, the film was seen in an Italian Film Archive.(Here)

(Italian) Tommaso, salito a bordo di un avveniristico treno, arriva in una grande città si trova subito sperduto ed estraneo. Accettando l'invito di un individuo, viene ospitato in un grande edificio dove alcuni docenti stanno sottoponendo gli allievi a un incessante martellamento di slogan per renderli ubbidienti. Quando Bea tenta di ribellarsi, mediante un tranello, viene catturata e messa a morte. Tommaso decide di scappare.

Faenza gioca la carta della metafora politica e racconta un domani che ha i difetti dell'oggi. Ma il ritratto è datato. Quanto al titolo, è la formula dell'acido solfidrico.(Here)

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A young student finds himself involved with a rebellion against authority at a strange university. Eventually, he escapes to a mountain wilderness with one of the female students, but their new life together brings its own problems…Once in a while, trawling through the underbelly of obscure and low-budget cinema brings you to a film that defies analysis. All that can be done is to describe what happens on the screen, and confess yourself completely stumped. This is such a film.

Matters open with a 5-minute educational(?) sequence about the behaviour of rats. When population reaches critical mass, they eat each other. Lovely. Then we meet our hero Tommoso, a small, young man who dresses in shiny shoes with large buckles, green stockings, rolled-up trousers, a blazer, and a bright green shirt. His hair is fluorescent orange. Yes, he looks like a leprechaun. Why? Who knows? He’s enrolled at a rather unusual establishment of higher education (or he may have been kidnapped) where tuition consists of watching little girls killing goldfish, and other informative demonstrations. These are led by US actor Lionel Stander, still several years away from his most famous role as old retainer Max on T\/’s ‘Hart to Hart’ with Robert Wagner and Stefanie Powers.

Not surprisingly, the students would rather be doing media studies or hanging out at the Uni bar, so they stage a rebellion that involves wrapping their Principal in toilet rolls. He gets his own back, though, when he invites the student leader to lunch, and then eats her instead. He’s aided in his nefarious schemes by a very tall and strangely dressed woman who bares an unmistakable resemblance to a giant bird. This is probably significant. Why? Who knows?

Tomato escapes all this horror to a snowy mountainside along with fellow malcontent Alice, where they build a shiny log cabin, and decide to speak only in grunts. Things seem to be going well, if rather slowly for the audience, until Alice gets bored and starts wanting things. Most of these involve nasty role-playing games that push Tomato to the point of death. What’s it got to do with the first half of the film? Who knows? But Tomato isn’t very happy about the way the relationship is developing, and decides to go back to school…Probably to finish his education and take his place in normal society. Who knows?........(Here)

While a Mexican revolutionary lies low as a U.S. rodeo clown, the cynical Polish mercenary who tutored the idealistic peasant tells how he and a dedicated female radical fought for the soul of the guerrilla general Paco, as Mexicans threw off repressive government and all-powerful landowners in the 1910s. Tracked by the vengeful Curly, Paco liberates villages, but is tempted by social banditry's treasures, which Kowalski revels in. (Here)

During the Mexican revolution mine owner Colonel Alfonso Garcia (Eduardo Fajardo) hires Sergei Kowalski (Franco Nero) a Polish mercenary to protect seven tonnes of silver being transported to the US. Kowalski arrives only to discover the repressed peasant workers, led by Paco Roman (Tony Musante), have taken control of the mine by force. Always eager to make good his losses Kowalski persuades Roman, now in a tight spot with Garcia's army bearing down on him, to hire his services. A sadistic homosexual mercenary called Curly (Jack Palance), wanting the silver himself tries to ambush Kowalski, but Roman thwarts his plans and Curly's men are killed. Kowalski renews his partnership with Roman and after liberating a town the bandits are joined by Columba (Giovanna Ralli) an idealist who's farther was hung for being a revolutionary. With the promise of making Roman as famous as Pancho Villa and all the gang rich in exchange for a hefty daily fee plus expenses, under Kowalski's guidance Roman earns the reputation of a great revolutionary liberator. Garcia's army still desperate to capture the bandits are joined by Curly in their search. Kowalski's financial demands for guidance increase but Roman now married to Columbia sees the true importance of the revolution to the Mexican people. Realising his responsibility for his fellow countrymen Roman reneges on the deal and takes all Kowalski's money for the great cause. The bandits keep Kowalski tied up as a prisoner, but in a devastating attack by Garcia's army he escapes. Kowalski tracks Roman to a rodeo where he is in hiding working as a clown, Curly also trails him there and the scene is set for the final showdown. （spaghetti-western）

本站简译: 在1910墨西哥革命时期,一个波兰雇佣兵让墨西哥农民加入游击队帕科将军的的激进斗争,以摆脱专制政府和地主的压迫.帕科虽然解放了农村,但他却被黑帮的财宝所诱惑.....

在墨西哥革命时期一个银矿的矿主阿方索 加西亚雇用了一个波兰的雇佣兵瑟格 科瓦斯基去为他的七吨银子作保镖运送到美国。科瓦斯基来到以后发现由帕科 罗曼领导的被压迫的农民工人已经控制了银矿。为了赚更多的钱，面临帕科和加西亚的军队之间的紧张形势，科瓦斯基劝说帕科雇用他去击败加西亚。一个被称为“卷毛”的人是一个残酷成性，唯利是图的同性恋者，为了抢到银子他打算伏击科瓦斯基，但是帕科阻碍了他的计划并杀死了他的人。科瓦斯基和帕科重新合作。在解放一个村镇以后一个理想主义者科伦巴（鸽子）也加入了这帮匪徒（the bandits）的队伍，她的父亲由于是一个革命者而被吊死。科瓦斯基许诺帕科将成为和潘昭维拉（笔者注，Pancho Villa 著名的墨西哥革命领导人）那样著名的革命者并更加富有，作为交换帕科答应给他大量的佣金。在科瓦斯基的指导下，帕科赢得了伟大革命解放者的声誉。此时加西亚的军队在卷毛的协助下仍在拼死地去抓捕这帮匪徒，科瓦斯基的佣金要求也不断增加。但是现在已经和科伦巴结婚的帕科看到了革命对于墨西哥人民真正的重要意义。由于觉悟到他对于他的同胞的责任，帕科否认了他和科瓦斯基的交易并没收了科瓦斯基所有的钱。匪徒们把科瓦斯基囚禁起来，但是在一次加西亚军队的严重袭击中科瓦斯基逃脱。科瓦斯基在一次牛仔杂技表演中发现了帕科，他在那里扮演一个小丑。这时卷毛也跟踪发现了帕科，最后摊牌的场景出现了。（西部电影网）

The Nun of Monza is the story of a Spanish nun named Virginia de Leyva (Anne Heywood). As Mother Superior, her convent is the picture of saintliness. That is until a young nobleman (Antonio Sabata) takes refuge there after killing a man. Then, all hell breaks loose. All those who inhabit the habit give in to temptation while hysteria and hypocrisy abound. The Mother is accused of breaking her vows and must endure harsh punishments including tortures both physical and psychological. One of the earliest examples of the Italian nunsploitation genre.　(Here)

Luciano Odorisio's Italian-made exploitation film La Monaca di Monza travels into the deepest and darkest recesses of a Catholic convent, where a nobleman (Alessandro Gassman) and a nun (Myriem Roussel) engage in a passionate love affair. Little can they foresee the dangerous and calamitous consequences that this will yield -- consequences involving betrayal, vengeance, and homicide.(Here)

A liberal-thinking author watches his wife as she attempts to seduce his best friend at a dinner party. She ends up taking on another man as well, and the writer has an affair with the another dinner guest. Soon the three men and two women are entangled in a confusing series of partner-swapping sex sprees where everyone's morals are challenged in the wake of the sexual revolution.(Here)

This movie has a very involved plot, concerning an affectionate foursome who meet for dinner as often as they can. One is a writer who has a complex about being left out of things; another is his wifw, beautiful and frigid. Then there is an actor who has a strong inclination towards voyeurism, and a spinster friend who is not unpleasant to look at, and who has a mania for telling dirty stories and jokes. The wife and the actor end up in bed together, but that isn’t really what the actor wants because he cannot see what is taking place. So of his to get into bed with the wife and then he is happy once more, watching. So the foursome became a fivesome: and trouble starts, especially when the poet turns out to be partial to either sex, and the husband decides to write a play about his wife (Here)

Michel (Jean-Louis Trintignant) is a successful bourgeois playwright who fantasizes an affair between his beautiful wife, Nina (Florinda Bolkan), and his best friend, Max (Tony Musante), a bisexual actor. Unbeknownst to him, the pair have in fact been lovers for years, though Max is really in love with Michel. While Nina is occupied with Max, Michel drifts into an affair with a rich, but lonely, single woman (Annie Girardot). The four meet regularly for dinner at the home of Michel and Nina where they indulge in bored, amoral conversation.

As a diversion, Max suggests to Nina that they add a third player to their bedroom games: Ric (Lino Capolicchio), Max's anarchist/poet boyfriend who lives in a dankly luxurious basement and sells himself to both men and women. After a while, Ric finds himself falling in love with Nina and eventually attempts suicide over her. Nina discovers Ric in time to save him and decides to leave Michel to live with Ric. But soon their relationship withers and Nina returns to her husband. It's then that Michel decides to invite Ric into the circle, as they go on meeting at dinner and playing their games of love and seduction.（WIKI)

本站简译: 一个自由主义的作家注视着他的夫人在一次晚宴中试图勾引他的好朋友.而同样这个作家也和另一个晚宴的客人有染.很快三个男人和两个女人陷入一场交换性伙伴的狂欢纵乐之中.在那里每个人的道德受到性革命热潮的挑战

获奖记录 ：1970年 意大利电影新闻记者协会银丝带奖 Best Score (Migliore Musica) 埃尼奥·莫里康内
1969年 戛纳电影节(金棕榈) 最佳影片 (提名) 吉塞皮·帕特洛尼·吉费 （这里）

This film of violence and gangsterdom opens with an attack on the post office at the terminal station in Rome. The raid succeeds and the two gangsters, Enrico and Mario, run off, machine guns in their hads. The police are hot on their trail with forensic research methods, and when the gangsters try to repeat their luck on a supermarket, Mario is arrested. Enrico then threatens two jewellers brothers with death unless they assist in a crime. By this time, the public is asking questions about the repeated violences, and public opinion is on the side of the police .(Here)

(Italian) Evaso dal carcere dov'era stato rinchiuso per rapina, Mario Corda si mette alla ricerca del suo complice Enrico che, dopo aver commesso altri misfatti, gli ha ucciso la moglie. Rendimento finale di conti. è con Gli implacabili uno dei 2 film neri che Cassavetes interpretò a Roma tra il '68 e il '69. Factotum dei generi d'azione, De Martino governa bene le sequenze spettacolari, ma i personaggi non hanno spessore.(Here)

A strange visitor in a wealthy family. He seduces the maid, the son, the mother, the daughter and finally the father before leaving a few days after. After he's gone, none of them can continue living as they did. Who was that visitor ? Could he be God ? (Here)

It was the first time Pasolini worked primarily with professional actors. In this film, an upper-class Milanese family is introduced to, and then abandoned by, a divine force. Two prevalent motifs are the desert and the timelessness of divinity: A mysterious figure known only as "The Visitor" appears in the lives of a typical bourgeois Italian family. His arrival is heralded at the gates of the family's Milanese estate by an arm-flapping postman. The enigmatic stranger soon engages in sexual affairs with all members of the household: the devoutly religious maid, the sensitive son, the sexually repressed mother, the timid daughter and, finally, the tormented father. ....Then one day the herald returns and announces that the stranger will soon leave the household, just as suddenly and mysteriously as he came. In the subsequent void of the stranger's absence, each family member is forced to confront what was previously concealed by the trappings of bourgeois life. The maid returns to the rural village where she was born and is seen to perform miracles; ultimately, she immolates herself by having her body buried in dirt while shedding ecstatic tears of regeneration. The mother seeks sexual encounters with young men; the son leaves the family home to become an artist; the daughter sinks into a catatonic state; and the father strips himself of all material effects, handing his factory over to its workers, removing his clothes at a railway station and wandering naked into the wilderness (actually the volcanic desert slopes of Mount Etna), where he finally screams in primal rage and despair. (WIKI)

In Mexico, at the beginning of the twentieth century, a man is to be executed by Cascorro's men. Doctor Henry Price, en Englishman, arrives in his car and saves him. The nickname of the man is Tepepa and he was a hero of the Revolution. Tepepa asks doctor Price way he saved him and the answer is chilly: to have the pleasure to kill him himself. And he aims his gun at him. (Here)

An English doctor saves a Mexican revolutionary leader (Tepepa) from the firing squad in order to exact personal revenge for the death of his fiancée. But things are not so simple, as the revolutionary is a popular man with the masses and his version of events throws doubt as to his guilt in the matter. The doctor is not swayed but, as political hostilities are renewed, both men are engulfed in the increasing violence and find themselves pursued by the ruthless Colonel Carrosco who is determined to recapture Tepepa and make an example of him to the peons who see him as a hero (Here)

本站简译: 二十世纪初叶的墨西哥,一个即将要被处决的人,被一个名叫亨利 普里斯的英国医生解救. 这个人的绰号叫特培帕,他是一位革命英雄. 特匹帕问医生为什么要救他,回答是冰冷的, 医生说他要自己亲自杀他.但不久他们就发现军队正在追捕他们

Leonardo (Franco Nero) is a painter who retreats to a house in the country to regain his lost inspiration. He is plagued by the presence of an erotic apparition. The gorgeous ghost soon moves the painter to the point he wishes to carry on a relationship with her. Leonardo is several bristles shy of a brush as he sinks deeper into insanity. When his fiancé arrives for a visit, she is murdered and chopped into little pieces by the troubled artist. Vanessa Redgrave and Gabriella Grimaldi also star in this story of madness and horror. (Here)

(Italian) Pittore di successo in crisi creativa, dilaniato dalla volontà di contestazione e dalle richieste del mercato, ha un rapporto schizofrenico di amore/odio con la donna che gli fa da amante, amministratrice e infermiera e, per sfuggirla, si rifugia in una villa veneta disabitata cercando la compagnia di un fantasma. Film sulla pittura (sulla pop art, usando i quadri dell'americano Jim Dine), sulla ricerca disperata della bellezza perduta, sulla morte dell'arte, sui rapporti tra arte e realtà, “è prima di ogni altra cosa un giro di boa tecnico: di tecnica narrativa, di montaggio, di ritmi, di effetti speciali, di fotografia. Senza l'esperienza maturata sarebbero forse impensabili i successivi film” (Here)

Three young people arrive in the city from the provinces to make their fortunes. They become firmly established in their work and social life. They have behind them important people who use them to make money but also provide them with affluence. But their new-found rich existence is shattered when menacing letters start arriving through the post. The letters threaten each with death. The three decide that the letters are being sent by a fourth friend who left the provinces with them, but was later abandoned by them. They find him and bring him back into the group to find out if he is the one who is sending the letters. The find that he is playing a very cunning game, and so they decide that he must die. (Here)

(Italian) Tre ricchi giovani milanesi vengono ricattati da un misterioso personaggio che invia loro messaggi registrati e li accusa d'aver provocato la morte di un tedesco durante un'orgia. Individuato il colpevole in un loro amico pittore, i tre l'uccidono scoprendo poi che non si trattava di un vero ricatto, ma solamente di uno scherzo. (Here)

Super obscure Italian giallo starring Roberto Bisacco and Marilia Branco. Wide screen, English subtitled presentation. Highly obscure and very rare sperimental and anomalous thriller, substancially linked to and inspired by the 1968 protest movement, supported by an awesome soundtrack by Italian maestro Ennio Morricone featuring the sublime Edda Dell'Orso's voice and I cantori moderni di Alessandro Alessandroni. Never issued on DVD shamefully and almost forgotten, it's a movie where Morricone's amazing work adds more power to motion pictures since Morricone's delirious soundtrack was sourced directly from cinematic centripetal moves of shots, focused on some obsessive key themes and enriched by plenty of pop aesthetics and design. The mainly urban set is an incredibly deserted and ghostly Milan during August. Featuring Roberto Bisacco, a blonde-haired (!) Lino Capolicchio and the gorgeous Brazilian actress Marilia Branco, who married Adolfo Celi. (Here)