񅧏 No.
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µçÓ°¼°µ¼ÑÝ
(Òâ/Ó¢/ÖÐ)Ã
Name and Director (IT/EN/CN)
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±¸×¢
Note
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NA-6501
(6601)
Agent
505: Todesfalle Beirut / Agent
505: Death Trap Beirut (Manfred
R. Kohler) / ÌØ¹¤505´óÕ½±´Â³ÌØ
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A couple of
beautiful girls are murdered while sunbathing at a luxury hotel.
The killer too is murdered, but able to reveal ¨C before dying
- that they were disposed of because the ¡°knew too much¡±. Something
bad is being planned in Beirut, and it has something to do with
a man called The Sheikh, who has only four fingers. It seems this
isn¡¯t a lone incident. The Sheikh is also thought to be behind
the assassination of several prominent scientists. (Here)
Interpol Agent
505 Richard Blake battles a mysterious criminal known as "the
Sheik" who plans to eliminate the population of Beirut by
dropping radioactive mercury on the city. (Here)
(Italian)
L'agente 505 arriva a Beirut dove i servizi segreti sono stati
allertati sulla preparazione di un grave attentato contro l'ordine
internazionale. L'indagine lo conduce avventurosamente nel laboratorio
di uno scienziato impegnato nell'ambizioso progetto di restituire,
mediante l'impiego di una soluzione chimica al mercurio montata
sulla testata di un missile, fertilit¨¤ alle zone desertiche della
Terra e risolvere, finalmente, il dramma della fame e della povert¨¤
nel terzo mondo. La formula, per¨°, ¨¨ caduta nelle mani di un'organizzazione
criminale che pu¨° trasformarla in una spaventosa arma di distruzione
di massa.Scontato intreccio fantaspionistico costruito sul clich¨¦
dell'impavido agente segreto, irresistibile seduttore, abile con
le pistole, astuto e spietato contro i nemici. La rivelazione
che il misterioso super-criminale ¨¨ il personaggio pi¨´ insospettabile
dell'intera vicenda dovrebbe ritmare il racconto sulle cadenze
del colpo di scena, ma le sole note interessanti sono quelle della
colonna sonora composta da Ennio Morricone.Conosciuto anche con
i titoli:Baroud ¨¤ Beyrouth pour F.B.I. 505, Agent 505 - Todesfalle
Beirut, Agente 505 - Desde Beirut con amor, Agent 505 - Death
Trap Beirut, From Beirut with Love (Here)
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±¾Õ¾¼òÒë:
ÌØ¹¤505À´µ½±´Â³ÌØÐݼÙ.ÄÇÀïµÄÏßÈ˱¨¸æÓÐÈËÕýÔÚ×¼±¸¶Ô¹ú¼ÊÖÈÐò·¢ÆðÖØ´ó¹¥»÷.Ò»¸ö¿ÆÑ§ÊµÑéÊÒÕýÔÚÑо¿Ò»ÖÖº¬¹¯µÄ»¯Ñ§ÈÜÒº,¿ÉÒÔ±ä³ÉÒ»¸ö¿ÉŵĴó¹æÄ£É±ÉËÐÔÎäÆ÷²¢ÂäÈë·¸×ï×éÖ¯ÊÖÖÐ....
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NA-6502
(6518) Agente
077: Missione Bloody Mary / Ian
Fleming's Goldfinger
(Sergio Grieco
as Terence Hathaway) / ÌØ¹¤077-ѪսÂêÀöÐж¯
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IMDBÏÔʾ
Directed
by Sergio
Grieco (as Terence Hathaway)
Original
Music by Angelo Francesco Lavagnino soundtrackÏÔʾ
Composer(s): Angelo Francesco Lavagnino Ennio Morricone (main
theme) ÔÚӰƬƬͷ(0'54")Ò²ÓÐÀàËÆÏÔʾ
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Mentre
sta finendo il progetto di una potentissima arma segreta, uno scienziato
sparisce e ricompare... cadavere. 077 indaga. I film di spionaggio
italiani non superano mai un certo livello, ma non si pu¨° negare
che questo di Grieco (alias Terence Hathaway) ha una sua dignit¨¤:
abbastanza spettacolare e movimentato, ligio agli elementi convenzionali
del filone.(Here)
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±¾Õ¾¼òÒë: Ò»¸ö¿ÆÑ§¼ÒÔÚÍê³ÉÒ»¸ö¹¦ÄÜÇ¿´óµÄÃØÃÜÎäÆ÷Éè¼ÆºóÉñÃØµÄÏûʧ£¬ºóÀ´ÓÖ·¢ÏÖÁËËûµÄʬÌå.ÌØ¹¤077¿ªÊ¼½øÐе÷²é... |
NA-6503
(6515)
Altissima
pressione / Highest
Pressure
(Enzo Trapani)
(Ö±Òë ¸ßѹ)
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Robert,
an aspiring singer-songwriter, manages, together with a group of
friends, to persuade one of their fathers to open up a night-club.
Everyone helps to do it up and they call it the "Caciotta club".
Meanwhile, Robert meets a girl called Serenella at a show. Serenella's
father is a very influential man with a lot of interesting contacts
for Robert and so, even though he is engaged to Lia, Robert decides
to cultivate his new friendship in the interests of his career.
Sure enough, thanks to Serenella, the young singer gets his first
audition and manages to make his first record. However, carried
away by his success, Robert forgets Lia, who heart-broken disappears
from the scene determined that her life is not longer worth living.
Luckily though, her younger sister raises the alarm and the group
from the "Caciotta Club" rush off to find her. She is
found thanks to Robert's new song which is playing on the radio
all over the city. .(Here) |
±¾Õ¾¼òÒë: ÂÞ²®ÌØÊÇÒ»¸öÓб§¸ºµÄ¸èÊÖ,»¹ÓÐһȺÅóÓÑ£¬Ò»Æð˵·þËû¸¸Ç׿ªÒ»¸öÒ¹×ܻᡣÂÞ²®ÌØÔÚÑݳöʱÈÏʶÁËÒ»¸ö½ÐÉ¯ÂØÀµÄÅ®º¢,ËýµÄ¸¸Ç×ÊÇÒ»¸öºÜÓÐÓ°ÏìÁ¦µÄÈË,¶øÇÒ¶ÔÂÞ²®ÌغܸÐÐËȤ.¾¡¹ÜÂÞ²®ÌØÒѺÍÀòÑǶ©ÁË»é,µ«ÎªÁËËûµÄÊÂÒµËû»¹ÊǾö¶¨È¥½á½»ÐÂÅóÓÑ.ȷʵ,µÃÒæÓÚÉ¯ÂØÀµÄ°ïÖú,ÄêÇáµÄ¸èÊÖͨ¹ýÊÔ¾µ²¢ÇÒÂ¼ÖÆÁËËûµÄµÚÒ»ÕųªÆ¬.ËûÈ¡µÃÁ˳ɹ¦,µ«ËûÈ´ºöÂÔÁËÒѾÐÄËéµÄÀòÑÇ.ËýÈÏΪ×Ô¼ºµÄÉúÃüÒѾʧȥÁ˼ÛÖµ.ÐÒºÃËýµÄÃÃÃþ¯¾õ²¢´ÓÒ¹×ܻᱼ³öÈ¥ÕÒËý.ÕâʱËý´ÓÊÕÒô»úÀïÌýµ½,ÂÞ²®ÌصÄиèÕýÔÚÕû¸ö³ÇÊлØÏì...
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NA-6504
(6501) Gli
amanti d'oltre tomba / Lovers
from Beyond the Tomb
(Mario Caiano)
(Ö±Òë ¶ñÃγDZ¤)
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A
sadistic count tortures and murders his unfaithful wife and her
lover, then removes their hearts from their bodies. Years later,
the count remarries and the new wife experiences nightmares and
hauntings. The ghosts of the slain return to exact their bloody
revenge, until their hearts are destroyed.(Here) |
±¾Õ¾¼òÒë: Ò»¸ö²Ð¿á³ÉÐԵIJ®¾ôÕÛÄ¥ºÍıɱÁËËûµÄ²»ÖÒÆÞ×ÓºÍËýµÄÇéÈË,È»ºóÍÚ³öËûÃǵÄÐÄÔà.¶àÄêÒÔºó²®¾ôÔÙ»é,µ«ËûµÄجÃÎÁ¬Ã಻¶Ï.±»É±º¦ÕßµÄÓÄÁé·µ»ØËûµÄÉí±ß²¢Òª½øÐÐѪÐȵĸ´³ð,Ö±µ½ËûµÄÐÄÔà±»´Ý»Ù.
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Alessandro,
a young epileptic with paranoid inclinations, decides to relieve
Augusto, the only sound brother, from the burden of a numerous family
plagued with hereditary diseases. After a first aborted attempt,
the dreadful series of accidents/murders is started by pushing the
blind mother into a ravine. Then comes the turn of Leone, the idiotic
brother. Will Alessandro be able to bring to completion his obsessive
project ? (Here) |
."Ų»¿É¶ô"½²ÊöÁËÒ»¸öׯ԰Ö÷ºÍÖвú½×¼¶µÄ»ûÐμÒÍ¥·Ö±ÀÀëÎöµÄ¹ý³Ì,±íÏÖÁËÒ»¸ö´øÓм«¶Ë¸öÈËÖ÷ÒåÇãÏòµÄÇàÄê·´¿¹¼ÒÍ¥ÖÐÁîÈËÖÏÏ¢µÄ³ÉÔ±¹ØÏµ,·´¿¹´«Í³Éç»áÖÈÐòµÄÕþÖÎÔ¢ÑÔ¹ÊÊÂ.³ÉΪһÅú±»³ÆÖ®ÎªÒâ´óÀû¡°ÅÑÄæµçÓ°¡±µÄ´ú±í×÷Æ·.ӰƬÖеļÒÍ¥¾ÍÏóÒ»³¡ÀëÆæµÄ¶ñÃÎ:ĸÇ×˫ĿʧÃ÷,Ö÷È˹«É£µÂÂÞÊÇñ²ðﲡÈË,ËûµÄÐÖµÜÖÇÁ¦·¢Óý²»È«,ÃÃÃÃЪ˹µ×Àï²¢ÓÐÂÒÂ×µÄñ±ÐÔ,ÁíÒ»¸ö¡°Õý³£¡±µÄ¸ç¸çÈ´ÒªÑø»îËùÓеÄÈË.¾¡¹ÜÈç´Ë,ËûÃÇ»¹ÒªËÀÊØ×Å´«Í³µÄÀñÒǺÍÖÈÐò.¶ÔÉ£µÂÂÞÀ´Ëµ,¶ÔÏÖ´æµÄÁîÈËÖÏÏ¢µÄÈ˼ʹØÏµ³ýÁË·ßÅµÄÆÆ»µÖ®Íâ±ðÎÞ³ö·.Ëû¿ªÊ¼ÆóÍ¼ÖÆÔì³µ»öıɱȫ¼Ò.ºóÀ´°ÑĸÇ×ÍÆÈëÉîÔ¨,ÈÃÐÖµÜÔÚÏ´ÔèÅèÀïÑÍËÀ.ÔÚĸÇ׵Ĺ׾ÅÔ,ËûÌøÆðÁËÁîÈËë¹Çã¤È»µÄÎ赸,ÒÔ±í´ïËûµÄ·´ÅÑÐÔ¸ñºÍ·¢Ð¹ÄÚÐĵķßÅ.¶ø¶ÔÉ£µÂÂÞ×Ô¼ºÕâÒ²ÊÇÒ»ÖÖ×ÔÎÒ»ÙÃð.ÔÚ×îºóÒ»³¡Ï·Àï,ËûµÄñ²ðﲡ·¢×÷,ÖÂʹËûÔÚÌý×Å"²è»¨Å®"ÒôÀÖÖм«¶ÈÐ˷ܵØËÀÈ¥.±¾Æ¬ÊÇÇàÄêµ¼Ñݱ´Â寿°ÂµÄ³ÉÃû×÷.ÆÌÌì¸ÇµØµÄÔÞÓþºÍÕùÂÛʹÕⲿӰƬÔÚÒâ´óÀûºÍÅ·ÖÞ¼¸ºõ¼ÒÓ÷»§Ïþ.´Ó¶øµì¶¨ÁËËûºÍÁíһλµ¼Ñݱ´ÍÐÂ³Ææ±»¹²Í¬ÓþΪÒâ´óÀûеçÓ°µÄÁ캽È˵Ļù´¡.´ËÆ¬Ôø»ñµÃ1965Äê¶ÈÒâ´óÀû¡°×î¼Ñ´´×÷¾ç±¾½±¡±Óë¡°×î¼Ñµ¼Ñݽ±¡±.
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Having
been assigned by his publisher to write a biography of Omar Sivori,
the great footballer, Ugo Sanfelice heads for Torino. Given he is
not very knowledgeable about soccer, Ugo tries -several times but
in vain - to obtain an appointment from Sivori. Forced to fall back
upon persons being or having been in contact with the elusive star,
he gets to know young forward-center Moretti and soon becomes friendly
with him. The young man confides in him and tells him the whole
truth about his own "career" : the training in a small
provincial team, the promising debut alongside Sivori, the desertion
of his fianc¨¦e, the premature decline due to a dissolute life. When
Sanfelice finally meets Sivori, he finds that the star is no match
- humanely at least - for Moretti and he gives up writing the book
at all (Here) |
±¾Õ¾¼òÒë:
Ó¦³ö°æÉ̵ÄÒªÇó,Óê¹ûҪΪΰ´óµÄ×ãÇòÔ˶¯Ô±°ÂÂí¶û
Î÷ÎÖÀïдһ±¾´«¼Ç.ËûÀ´µ½Á˶¼Áé.ÓÉÓÚËû¶ÔӢʽ×ãÇò²»ÊìϤ,Ëû¼¸´ÎÔ¼»áÎ÷ÎÖÀﶼδÄÜÈçÔ¸.ºóÀ´ËûÈÏʶÁËһλÄêÇáµÄǰ·æÄªÀ×µÙ²¢ºÜ¿ì½áΪºÃÓÑ.ÄêÇáÈ˸æËßËûÐí¶àÕæÏà:¹ØÓÚÔÚÊ¡¶ÓÀïµÄѵÁ·,Î÷ÎÖÀïµÄ³ÉÃû,ËýµÄδ»éÆÞµÄÒÅÆú,ÓÉÓÚÉú»î·Åµ´¶øÒýÆðµÄÔçË¥.µ±Óê¹û×îÖÕ»á¼ûÎ÷ÎÖÀïʱ,Ëû·¢ÏÖÎ÷ÎÖÀï²»Åä×÷Ò»¸öÃ÷ÐÇ,²¢·ÅÆúÁËдÊéµÄ´òËã. |
NA-6507
(6502) Il
ritorno di Ringo / The
Return of Ringo
(Duccio Tessari)
/ ÁÖ¸ç¹éÀ´
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Once
again billed as Montgomery Wood, Giuliano Gemma plays a civil war
soldier who returns to his family land to find his family decimated,
his property taken over by a family of Mexican bandits and his fiancee
about to marry the Mexican gangster behind all this. Bent on revenge,
he goes undercover disguised as a Mexican and discovers he has a
daughter! (Here) |
±¾Õ¾¼òÒë:
Ò»¸öÊ¿±øÄÚÕ½ÒԺ󷵻ؼÒÏç,È´·¢ÏÖËûµÄºÜ¶à¼ÒÈ˱»É±º¦.ËûµÄÍÁµØ±»Ä«Î÷¸çµÄ·Ëͽ°ÔÕ¼.¶øËûµÄδ»éÆÞ½«ÒªºÍÄ«Î÷¸ç·Ëͽ½á»é.ΪÁ˸´³ð,Ëûαװ³ÉÒ»¸öÄ«Î÷¸çÈË,¶øÇÒ·¢ÏÖÁËËûÓÐÒ»¸öÅ®¶ù!
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A
film commissioned by the Algerian government that shows the Algerian
revolution from both sides. The French foreign legion has left Vietnam
in defeat and has something to prove. The Algerians are seeking
independence. The two clash. The torture used by the French is contrasted
with the Algerian's use of bombs in soda shops. A look at war as
a nasty thing that harms and sullies everyone who participates in
it. (Here) |
±¾Æ¬ÊÇÅ·ÖÞµçÓ°ÅúÅÐÖ³ÃñÖ÷ÒåµÄÏÈÇýµä·¶Ö®×÷.Õⲿ°ë¼Í¼Ƭ»ñµÃÁË1966ÄêÍþÄá˹µçÓ°½Ú½ðʨ½±,¹ú¼ÊÓ°ÆÀÈË´ó½±,ÍþÄá˹³ÇÊд󽱼°ÌáÃû3Ïî°Â˹¿¨.ӰƬÒÔ°¢¶û¼°ÀûÑÇÕùÈ¡¶ÀÁ¢Îª±³¾°£¬½²ÊöÁËÔÚ°¢¶û¼°¶ûÕâ×ù³ÇÊÐÀï,µØÏÂÔ˶¯×éÖ¯¡ª¡ªÃñ×å½â·ÅÕóÏßͬ·¨¹úÈ˵ÄÕ½¶·.1954Äê10ÔÂ1ÈÕ£¬ÒÔ·¨Êô°¢¶û¼°ÀûÑÇÊ×¶¼°¢¶û¼°¶ûµÄ¿¨Ë¹°ÍÇøÎªÖÐÐÄ£¬±¬·¢Á˰¢¶û¼°ÀûÑÇÈ˵ķ´¿¹Ô˶¯¡£·¨¹úÕþ¸®ÅÉÂíÇ𽫾üÂÊÁìËÄÊ®Íò´ó¾ü½ø×¤£¬µ«ÊDZ©ÂÒÈÔ²ã³ö²»Ç°¢ÀÀ²¨°²ÔÖ»ÊÇÒ»¸öÒÔ°ÇÇÔΪÉúµÄС͵,ÓÉÓÚËûµÄ¹û¸ÒºÍÉíÌåÁ¦ÐÐ,¶øÍ¬Ê±Óë±öÃ×Ìá³ÉΪ°¢¶û¼°ÀûÑǶÀÁ¢Ô˶¯µÄÁìµ¼Õß.ÓÉÓÚÅÑͽµÄ³öÂô,°¢ÀïµÄ²ØÉíÖ®´¦±»·¢ÏÖ,µ«Ëû¾Ü²»Í¶½µ,·¨¹úÈËÏÂÁîÕ¨µôÄǸöµØ·½,°¢ÀïËÀÁË,µ«°¢¶û¼°ÀûÑÇÈËÃñµÄ¶·ÕùÇéÐ÷ÊÆ²»¿Éµ²,×îÖÕÉý¼¶ÎªÉ½ºé°ã±©·¢µÄ¶ÀÁ¢Õ½Õù²¢ÓÚ1962Äê»ñµÃ¶ÀÁ¢. |
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Alfredo (Ugo_Tognazzi)
is a traveling salesman who enjoys his job because he can continue
his many amorous adventures. Soon he is overcome with the consequences
of his actions and feels the pressure of too many paramours. Alfredo
chooses a way out by assuming the identity of a man who has recently
drowned. He watches in anonymity as his wife and his many lovers
gather together for his funeral in this engaging comedy of manners.
(Here)
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±¾Õ¾¼òÒë:
°¢¶û¸¥À×¶àÊÇÒ»¸öÁ÷¶¯µÄÍÆÏúÔ±,Ëûϲ»¶Õâ·Ý¹¤×÷,ÒòΪÕâ¿ÉÒÔʹËûÓлú»á²»¶ÏµØÌ¸Çé˵°®.ûÓжà¾Ã,Ëû¾Í¸ÐÊܵ½ÁËÇ鸾̫¶àµÄѹÁ¦.ΪÁËѰÕÒ³ö·,°¢¶û¸¥À×¶à¼Ù°ç³ÉÒ»¸ö×î½üÄçË®ÉíÍöÄÐÈ˵ÄÉí·Ý.ËûÔò¶ãÔÚÒ»ÅÔ¿´µ½ÁËÓÐËûµÄÆÞ×ÓºÍËûµÄÐí¶àÇéÈËÒ»Æð²Î¼ÓµÄÒ»³¡¶¯È˵Äϲ¾çÔáÀñ |
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(Italian)
Carla ¨¨ la fidanzata di Gianni. Una sera s'incontra con Giorgio
e ci scappa un bacio. Gianni che l'ha vista vuole lasciarla. Canzoni
e sentimentalismo a tutto vapore: un vero tripudio dell'Italia in
rosa. C'¨¨ persino l'Ave Maria di Schubert.
Poco tempo ¨¨ trascorso dal suo fidanzamento con Carla, figlia del
maresciallo Todisco, quando la recluta Gianni Traimonti di stanza
a Napoli viene invitato a Roma da una casa discografica per incidere
una canzone. Carla accompagna Gianni, dopo aver promesso al padre
di tornare a casa prima di sera. Al suo rientro a Napoli la ragazza
incontra un amico di Gianni, Giorgio, figlio di un ricchissimo armatore
napoletano, il quale non fa mistero dei suoi sentimenti per la ragazza,
colmandola di costosi regali. Confusa e smarrita, Carla non sa negare
un ulteriore appuntamento a Giorgio il quale, con la forza, riesce
a carpirle un bacio. All'incontro ¨¨ presente, ben nascosto, Gianni.
Egli non esita a rompere il fidanzamento; ma dal contenuto di alcune
lettere di Carla, sottratte a suo tempo da Giorgio, il giovane non
tarda a convincersi della completa innocenza della ragazza e fra
i due ritornano la pace e l'amore..(Here)
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±¾Õ¾¼òÒë:
¿¨ÀÊÇÔ¼º²µÄδ»éÆÞ£¬ÔÚ¼¸´ÎÉç½»»î¶¯ÖУ¬ÓÉÓÚ¿¨ÀÈÏʶÁËһЩÐÂÅóÓÑ£¬Ô¼º²¶Ô¿¨À²úÉúÁËÑÏÖØµÄÎó»á¶øÒªºÍ¿¨À¶Ï¾ø»éÔ¼¡£µ«ÊÇÒ»¸öżȻµÄ»ú»áËû¿´µ½ÁË¿¨À±»µÁµÄÐżþ£¬Íêȫ֤ʵÁË¿¨ÀµÄÇå°×¡£Á½ÈËÏû³ýÎó»áÖØ¹éÓںà |
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Two
bounty hunters are after the same man, Indio. At first, they go
their own ways, but eventually get together to try and find him.
But are they after him for the same reason ? (Here) |
ÕⲿµçÓ°ÊÇÀ³°ºÄÚÓëĪÀ￵ÄÚºÍÒÁË¹ÌØÎéµÂºÏ×÷µÄ¡°ïÚ¿Í"Èý²¿ÇúµÄµÚ¶þ²¿,Ò²ÊÇÀî·¶
¿ËÀï·òÒ»Ãù¾ªÈ˵Ĵú±í×÷.ǹ·¨ÈçÉñµÄÃɸçºÍζŏñÉÏУרÃÅΪÁËÉͽð¶ø×·²¶Í¨¼©·¸.ËûÃǾù´òËãʹ³ö¿´¼Ò±¾Á켩ÄÃÌÓ·¸Ó¡°¬¶û£¬ÒÔ¶ÀÏí·áºñµÄÉͽð.µ±µÃϤӡ°¬¶ûÓëÒ»°àº·Í½½«´ò½Ù±¾Õò±£°²×îÑÏÃÜ,´æ¿î×î¶àµÄÒøÐÐʱ,ËûÃDz»Ô¼¶øÍ¬Ç°ÍùÒ»¸öÄ¿µÄµØ.¶þÈ˲»µ«Òª¶Ô¸¶Õâ°àÀäѪµÄÇ¿µÁ,¸üÒªÉè·¨×èÖ¹¶Ô·½ÆÆ»µ×Ô¼º¶ÀµÃÉͽðµÄ¼Æ»®.Ãɸç¾ö¶¨ÏÈÏÂÊÖΪǿ,Óëζŏñ±ÈÊÔǹ·¨;ÁíÒ»·½Ãæ,º··ËÒà´À´ÀÓû¶¯.¾¿¾¹ËûÃǻụÏà¾ö¶·,»¹ÊÇÁªÊÖ¼©·Ë£¿Ò»³¡ÎÞÇéµÄÁÔɱ,Ëæ¼´Õ¹¿ª. |
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A
young singer secretly gets married since he does not want to let
his fans down. After a while the gutter press make up a love story
which seriously worries his young bride.(Here) |
±¾Õ¾¼òÒë:
һλÄêÇáµÄ¸èÊÖÃØÃܽá»é£¬ÒòΪËû²»ÏëÈÃËûµÄ¸èÃÔʧÍû.µ«Ã»¹ý¶à¾Ã,Ò»Ôò»ÆÉ«Ð¡±¨±¨µÀµÄ°®Çé¹ÊÊÂȴʹµÃÄêÇáµÄÐÂÄïÓÇÂDz»¿°. |
NA-6513
(6507) Sette
pistole per i MacGregor / Seven
Guns for the MacGregors
(Franco Giraldi)
/ Æßǹ¿Í
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The
MacGregors are a hard-working, hard-playing, whisky-drinking Scottish
clan--with seven sons--that own a horse ranch near the border of
Texas and Mexico. When it comes time to sell some of their stock,
the eldest son, Gregor, leads his brothers and a herd of horses
to the town of Las Mesas, where they expect to get a good price
for their livestock. But, what they find in Las Mesas is a crooked
horse-trader who is in league with a corrupt sheriff both of whom
have strong ties to the vicious bandit chief Santillana. The horse-dealer
offers the MacGregors a paltry sum for their animals and tries to
force them to take his deal. This triggers a brawl for which the
MacGregors end up in jail. The boys manage a successful jailbreak
only to discover that their horses have been stolen by the crooked
dealer and Santillana. Gregor decides something must be done to
break the power of this oppressive, corrupt, outlaw regime as well
as get their horses back. Thus, he sets about worming his way into
Santillana's gang. Gregor manages to secure a position with the
bandit bunch thereby giving him the opportunity to pass information
about Santillana's planned robberies to his brothers. The brothers,
in turn, take action to thwart all of Santillana's plans. Eventually,
the bandit chief becomes wise to the deception and turns the tables
on the MacGregors.(Here)
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Âó¿ËÊǵÿËÈøË¹ÖÝÒ»¸öÇÚÀÍÓ¸ҵÄÓ²ºº,ËûÓÐÒ»¸öÑøÂíµÄÄÁ³¡ºÍÆß¸ö¶ù×Ó.µ«ËûÃÇÊܵ½¹´½áÍÁ·Ë,¾¯³¤µÄ²»·¨ÂíÉÌµÄÆÛÕ©,Òò·¢Éú¶·Å¹¶øÈëÓü.µ±Ëû³öÓüʱȴ·¢ÏÖÂíÆ¥Òѱ»ÂíÉ̵ÁÈ¡.Ëû¾öÐÄÒª¿¹ºâÕâÖÖ¸¯°ÜºÍѹÆÈ,°ÑÊôÓÚËûµÄ²Æ¸»¶á»ØÀ´.... |
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Lucio
(Vittorio_Gassman) and his sidekick (Adolfo_Celi) accidently gets
mixed up with a gang of international counterfeiters in this fast-moving
and suspenseful comedy with music from Ennio_Morricone. The crooks
hope to upset the U.S. economy by flooding the world with bogus
bills. Lucio is an overworked businessman who only wants a little
rest and relaxation. Instead, he is skiing in Northern Italy on
one day and the next day enduring the searing heat in the Egyptian
desert.(Here)
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±¾Õ¾¼òÒë: ÔÚĪÀ￵ÄÚ¿ìËÙºÍÁîÈ˽ôÕÅÒÉÂǵÄÐýÂÉÖÐ,¬Î÷°ÂºÍËûµÄ´îµµÎÞÒâÖкÍÒ»»ï¹ú¼Êα±ÒÖÆÔìÕ߻쵽ÁËÒ»Æð.ÕâЩÆ×ÓÏ£Íûͨ¹ý·ºÀÄÊÀ½çµÄ¼Ù±ÒÀ´ÈÅÂÒÃÀ¹úµÄ¾¼Ã.¬Î÷°ÂÊÇÒ»¸ö¹ý¶ÈÀÍÀÛµÄÉÌÈË,ËûÖ»ÏëµÃµ½Ò»µãµãÐÝÏ¢ºÍ·ÅËÉ.µÚÒ»ÌìËûÔÚÒâ´óÀû±±²¿»¬Ñ©,µÚ¶þÌìËûÓÖµ½Á˰£¼°Ñ×ÈȵÄɳĮ.
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Three
segments: in the first one (Il vittimista) a teacher is obsessed
with the idea his wife betrays him. When he goes to a shrink he
lets him understand that his fear has to do with him having cheated
on her for some time. When he dumps the mistress and confesses to
his wife she forgives him while the mistress seems to take it rather
seriously. In the second segment (Sadik) a wife has her husband
dress himself with a comic character costume. In the last segment
(L'autostrada del sole) a man has to spend the night in a mysterious
hotel because of his car breaking down.(Here) |
±¾Õ¾¼òÒë:
ӰƬÓÉÈý¸ö²¿·Ö×é³É:
µÚÒ»²¿·Ö:Ò»¸ö½Ìʦ×ÜÊÇÍýÏë×ÅËûµÄÆÞ×Ó±³ÅÑÁËËû.ËûÈ¥¿´ÐÄÀíÒ½Éú.ËûÈÃËûÃ÷°×£¬ËûµÄ¿Ö¾åÊÇÒòΪËûÓÐÒ»¶Îʱ¼äÆÛÆÁËËý;µÚ¶þ²¿·Ö:Ò»¸öÆÞ×Ó´©×ÅËýÕÉ·ò×Ô¼ºµÄÂþ»ÈËÎïµÄ·þ×°;µÚÈý²¿·Ö:Ò»¸öÄÐÈ˲»µÃ²»ÔÚÒ»¸öÉñÃØµÄÂùÝÀï´ýÁËÒ»Ò¹,ÓÉÓÚËûµÄÆû³µ³öÁË벡 |
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On an empty
road, an old man is walking with his son. They meet a crow that
can speak. They are changed into monks and Saint Francois sent
them to preach for hawks and sparrows. A reflexion about idealism
(Here)
Toto and his
son Ninetto roam the neighbourhood and the countryside of Rome.
During the walk they observe a body being removed from a house
following a murder. They next encounter a talking crow, who is
described in the intertitles thus: "For the benefit of those
who were not paying attention or are in doubt, we remind you that
the Crow is – as you say – a left-wing intellectual of the kind
found living before Palmiro Togliatti's death").The
Crow subsequently recounts the tale of "Fra Ciccillo"
and "Fra Ninetto" (still played by Totò and Ninetto),
two Franciscan friars, who are bid by St. Francis to preach the
Gospel to the hawks and the sparrows. After many months, they
succeeded in preaching the commandment of love unto the species
separately, but are not able to get them to love each other. The
sparrow-hawks continue to kill and eat the sparrows, as it is
in their nature.After
the tale, the journey of Totò and Ninetto carries on, the Crow
still accompanying them. They encounter other individuals: land-owners
who order them out off their land when they are caught defecating;
a family living in absolute poverty with no food and who Toto
threatens to drive out of the house if the rent is not paid; a
group of travelling actors (representing figures marginalised
from society such as women, those that are gay, the elderly, racial
minorities, and the disabled) and who persuade the pair to push
the group's Cadillac car for them; and a rich man who is waiting
for Totò to give him the money he owes him (in contrast to the
earlier episode where Toto had demanded rent). After that, a brief
extract of news footage of the funeral of Palmiro Togliatti, the
long-time leader of the Italian Communist Party. Then, after having
met a prostitute, they end up killing and eating the Crow, whom
they found to be unconscionably boring.Pasolini
declared that Uccellacci e uccellini was his favourite film, as
it was the only one that did not disappoint his expectations.(WIKI)
This richly
symbolic film is really impossible to understand without some
knowledge of 20th Century Italian history, and particularly the
power of the Roman Catholic Church. The Lateran Treaty of 1929
finally politically separated Italy from Church power by creating
the Vatican as a sovereign state. But the trade off was the that
the Church was still left in power over many aspects of everyday
Italian life. For instance, Italy finally established a civilian
divorce law through a bitterly contested 1970 referendum. Before
then, divorce was under strictly in the domain of Church law,
and the Church NEVER granted a divorce, even in extreme cases
like when a spouse was abandoned many years hence. Overall, however,
the power of the Church still resided in the blind allegiance
of Italians at all levels to Church morality. Over decades, this
led to impeding Italy's social and political progress, and greatly
maintained the status quo in the division between the privileged
upper class and the ... £¨IMDB)
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NA-6517
(6509) Una
pistola per Ringo / A
Pistol for Ringo
(Duccio Tessari)
/ ÁÖ¸çµÄǹ
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In
a border town the famous gunslinger Ringo kills four people out
of self defense but is arrested nevertheless. Meanwhile a gang of
Mexicans cross the border and rob the local bank. Their leader is
wounded when they try to escape and therefore the bandits take refuge
on a nearby ranch, taking the occupants hostage. The sheriff is
reluctant to take action because his fianc¨¦e is among the hostages.
The only one who can help him now is Ringo, who is set free and
asked to infiltrate the gang ¡. (Here) |
±¾Õ¾¼òÒë: ÔÚÒ»¸ö±ßÚïСÕòÖøÃûµÄǹÊÖÁÖ¸ç³öÓÚ×ÔÎÀɱËÀÁËËĸöÈË,µ«ËûÈÔÈ»±»¾Ð²¶.ͬʱ,Ò»»ïÄ«Î÷¸çÈËÔ½¹ý±ß½ç,ÇÀ½Ùµ±µØÒøÐÐ.
µ±ËûÃÇÊÔͼÌÓÅÜʱËûÃǵÄÍ·Ä¿ÊÜÉË,ËûÃÇÔÚ¸½½üÒ»¸öÅ©³¡°Ñ¾ÓÃñ¿ÛΪÈËÖÊÒÔѰÇó±Ó»¤.¾¯³¤²»Ô¸Òâ²ÉÈ¡Ðж¯£¬ÒòΪËûµÄδ»éÆÞÒ²ÔÚÈËÖÊÖмä.ÏÖÔÚΨÓÐÁÖ¸ç¿ÉÒÔ°ïËûµÄæ,Ëû±»ÊͷŲ¢ÒªËûÈ¥ÎÔµ×.... |
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Jacques
Perrin was awarded Best Actor at the 1966 Venice Film Festival for
his gripping portrayal of a young writer's descent into madness.
Alienated, neurotic, and plagued by guilt, Perrin retreats from
reality, loses interest in work, and comes to the brink of suicide
before being sent to an asylum for shock therapy. Escaping from
the asylum, Perrin returns to his boyhood home, where he learns
the reasons for his present mental state. The strong supporting
cast, including Lea Padovani and Pier Paolo Capponi, bring credence
to their roles, but it is De Seta's direction, Perrin's controlled
performance, and a relatively subtle score by Ennio Morricone which
keep this film from becoming as overwrought as it might have become
in other hands.(Here) |
±¾Õ¾¼òÒë: ÓÉÓÚÓÇÓô,Éñ¾ÖʺÍÄھεÄÀ§ÈÅ,Ò»¸öÄêÇáµÄ×÷¼ÒÌÓ±ÜÏÖʵ,¶Ô¹¤×÷ʧȥÁËÐËȤ.ÔÚ±»Ë͵½¾«Éñ²¡Ôº½ÓÊÜÐÝ¿ËÖÎÁÆÖ®Ç°,ËûÒѽӽüÁË×ÔɱµÄ±ßÔµ.Ö®ºóËûÌÓÀëÁËÄÇÀï,»Øµ½ËûÓ×ʱµÄ¹ÊÏç,ÔÚÄÇÀï,ËûÑо¿ËûÏÖÔÚ¾«Éñ״̬µÄÔÒò......ÑÅ¿ËÅåÁÖ°çÑÝÖ÷½ÇµÄ¿ÛÈËÐÄÏÒµÄдÕÕ,ʹËû»ñµÃÁË1966ÄêÍþÄá˹µçÓ°×î¼ÑÄÐÑÝÔ±½±.ĪÀ￵ÄÚ΢ÃîµÄÅäÀÖʹµçÓ°±ÜÃâÁËÒò¹ý¶È½ôÕŶøÊ§Ð³
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