|
engmus-f1011-2
6 sets of Morricone's music uploaded
by Philippine web friend Jing -2
The
music uploaded by JING. Thanks Phillippine web
friend JING
E-mail
of JING: rcleonardo@hotmail.com
The
photos of Jing and his Philippine typical happyness
big family (Jing is second from right)
|
About
Jing
Our
friend, Rodison C.
Leonardo, was born in the Philippines,
a native Filipino. You can also call him
by his nickname Jing. He's 34 years old,
a Roman Catholic. He holds a degree of Bachelor
of Science in Electronics and Communication
Engineering. There was once an occurrence
in his life he wanted to enter Priesthood
after his graduation in college. For some
personal reasons, he didn't continue to
pursue it. Until now it's very hard to admit
that he's still a bachelor at his mature
age. He only diverts his time to watch film
or hear music after his work. He loves film
and music. His real hobbies are to collect
music in LPs and CDs, and also to collect
films in VHS, VCD and DVD as well. He started
to like Sir Ennio Morricone's music when
he saw the film "The Mission"
in 1995. He considered The Mission music
'very influential' to him. Seeking more
of Sir Ennio's works, he joined in one of
Morricone's prestige forums. There he met
many friends in different nations who really
loved to help those who were beginners of
knowing Sir Ennio and his magnificent scores.
He still makes contact to some of them through
e-mail. Knowing friends who have one common
goal, "to spread the music of Sir Ennio
Morricone", is a very remarkable and
tremendous experience for him. It's so great
to know there's someone in the Philippines
who really appreciate Maestro Ennio Morricone,
truly the legend of film music.
|
|
|
|
|
|
|
|
|
Many
happy to Jing and his big family
|
Total
6 sets 132 music (192kbps)
|
|
007-Wolf
|
|
94-03-official
|
|
Relative
movie
|
|
|
Note
|
|
|
No.
|
Name
|
|
|
|
001
|
Wolf
and Love
|
|
|
002
|
The
Barn
|
|
|
003
|
The
Dream and the Deer
|
|
|
004
|
The
Moon
|
|
|
005
|
Laura
Goes to Join Wolf
|
|
|
006
|
Laura
and Wolf United
|
|
|
007
|
First
Transition
|
|
|
008
|
The
Howl and the City
|
|
|
009
|
Animals
and Encounters
|
|
|
010
|
Laura
Transformed
|
|
|
011
|
Wolf
|
|
|
012
|
Second
Transition
|
|
|
013
|
Will's
Final Goodbye
|
|
|
014
|
Chase
|
|
|
015
|
Confirmed
Doubts
|
|
|
016
|
The
Talisman
|
|
|
017
|
Third
Transition
|
|
|
018
|
A
Shock for Laura
|
|
|
019
|
Laura
and Will
|
|
|
020
|
Laura
|
|
|
008-Arena
(Live audio of Morricone's concert in
2002)
|
|
03-22
|
|
Relative
movie
|
|
|
Note
|
|
|
001
|
Introduzione
|
|
|
|
002
|
La
Vita E La Leggenda
|
|
|
003
|
Applauso
E Commento
|
|
|
004
|
Modernita
Nel Mito Del Cinema
|
|
|
005
|
Applauso
E Commento
|
|
|
006
|
Cinema
Dell'Impegno 1
|
|
|
007
|
Cinema
Dell'Impegno 2
|
|
|
008
|
Applauso
E Commento
|
|
|
009
|
Cinema
Tragico Lirico Epico
|
|
|
010
|
Applauso
E Commento
|
|
|
011
|
Ripresa
1
|
|
|
012
|
Applauso
E Commento
|
|
|
013
|
Ripresa
2
|
|
|
014
|
Applauso
E Commento
|
|
|
015
|
Ripresa
3
|
|
|
016
|
Applauso
E Commento
|
|
|
017
|
Ripresa
4
|
|
|
018
|
Applauso
E Commento Finalmente
|
|
|
|
|
|
009-Henry
Mancini
|
001
|
Love
Theme from Romeo and Juliet
|
|
|
|
002
|
Breakfast
at Tiffany's
|
|
|
003
|
Cinema
Paradiso Theme
|
|
|
004
|
The
Thorn Birds Theme
|
|
|
005
|
The
Godfather Theme
|
|
|
006
|
Midnight
Cowboy
|
|
|
007
|
Theme
from Love Story
|
|
|
008
|
Misty
|
|
|
009
|
The
Windmills of Your Mind
|
|
|
010
|
Love
Theme from The Adventurers
|
|
|
011
|
Evergreen
|
|
|
012
|
The
Shadow of Your Smile
|
|
|
013
|
Henry
Mancini's Medley
|
|
|
014
|
Raindrops
Keep Fallin' on My Head
|
|
|
015
|
Secret
Love
|
|
|
016
|
Once
Upon A Time in America
|
|
|
017
|
The
Sweetheart Tree
|
|
|
018
|
The
Mission and Gabriel's Oboe
|
|
|
019
|
As
Time Goes By
|
|
|
020
|
The
Untouchables
|
|
|
|
|
|
010-John
Williams
|
001
|
Jurassic
Park
|
|
|
002
|
E.T.
|
|
|
003
|
Stanley
and Iris
|
|
|
004
|
JFK
|
|
|
005
|
Raiders
March (Raiders of the Lost Ark)
|
|
|
006
|
Short
Round's Theme (Indiana Jones)
|
|
|
007
|
Star
Wars
|
|
|
008
|
Superman
|
|
|
009
|
Jaws
|
|
|
010
|
Midway
March (Midway)
|
|
|
011
|
Hook
|
|
|
012
|
Poseidon
Adventure
|
|
|
013
|
Jaws
2
|
|
|
014
|
Earthquake
|
|
|
015
|
Born
on the Fourth of July
|
|
|
|
|
|
011-Beautiful
Soundtracks
|
001
|
Book
of Days
|
|
|
002
|
I'm
Forrest... Forrest Gump
|
|
|
003
|
Humoresque
in G-Flat Major
|
|
|
004
|
Por
Una Cabeza
|
|
|
005
|
Georgetown
|
|
|
006
|
Riverside
Walk
|
|
|
007
|
Canon
|
|
|
008
|
It
Might be You
|
|
|
009
|
Love
Montage
|
|
|
010
|
Beauty
and the Beast
|
|
|
011
|
Love
Theme from Forever Young
|
|
|
012
|
The
Apology
|
|
|
013
|
For
Annette and Warren
|
|
|
014
|
Main
Title from The American President
|
|
|
015
|
Water
Fountain
|
|
|
016
|
On
Golden Pond
|
|
|
017
|
Somewhere
in Time
|
|
|
018
|
End
Theme (You are Karen)
|
|
|
019
|
The
Portrait
|
|
|
020
|
End Credits (Rain Man)
|
|
|
021
|
I will Find You
|
|
|
022
|
Symphony in D Minor No. 9 (Ode
to Joy)
|
|
|
023
|
Holiday Flight
|
|
|
024
|
Chariots of Fire
|
|
|
025
|
The Last Emperor
|
|
|
026
|
Suo Gan
|
|
|
027
|
The John Dunbar Theme
|
|
|
028
|
Omaha Beach
|
|
|
029
|
Adagio for Strings
|
|
|
030
|
Schindler's List
|
|
|
031
|
Theme from Harry's Game
|
|
|
032
|
Love Theme from The Godfather
|
|
|
033
|
Re-entry and Splashdown
|
|
|
|
|
|
012-
Close Encounters (Special Edition)
|
001
|
Opening_Let
There be Light
|
|
|
002
|
Navy Planes
|
|
|
003
|
Lost Squadron
|
|
|
004
|
Roy's First Encounter
|
|
|
005
|
Encounter at Crescendo Summit
|
|
|
006
|
Chasing UFOs
|
|
|
007
|
False Alarm
|
|
|
008
|
Barry's Kidnapping
|
|
|
009
|
The Cover-up
|
|
|
010
|
Stars and Trucks
|
|
|
011
|
Forming the Mountain
|
|
|
012
|
TV Reveals
|
|
|
013
|
Roy and Gillian on the Road
|
|
|
014
|
The Mountain
|
|
|
015
|
Who are You People
|
|
|
016
|
The Escape
|
|
|
017
|
The Escape (Alternate Cue)
|
|
|
018
|
Trucking
|
|
|
019
|
Climbing the Mountain
|
|
|
020
|
Outstretch Hands
|
|
|
021
|
Lightshow
|
|
|
022
|
Barnstorming
|
|
|
023
|
The Mothership
|
|
|
024
|
Wild Signals
|
|
|
025
|
The Returnees
|
|
|
026
|
The Visitors_End Titles (Special
Edition)
|
|
|
|
|
|
|
|
A
lot of people believe that I began with
the cinema, and then started to write
"absolute music"; it is not
true. I began with writing "absolute
music", and then I worked for the
cinema because some directors called
to me. I made experiences of arrangements
for the radio, the television, the theatre...
Therefore, I became known and was called
for the cinema.For the film The
Mission, Roland Joffé wanted eclectic
music...The film story is true: it happened
in the 18th century, in a period, musically,
of a renewal of the instrumental music.
This music is brought by a priest, playing
oboe, in South America. He brings not
only the instrumental music, with his
oboe, but the rules of the Trento's
council (1), dating from the end of
the 16th century. It established some
rules to put some order in the liturgical
music, for which Palestrina (2) is the
main responsible.Here are the two roots
of the occidental music, put in the
film The Mission: the liturgical music
rules and the instrumental music. A
third element added is the ethnic music,
from the Guaranis. more>>>>>>
|
|
Honorary
Oscar 2006 goes to composer Ennio Morricone
congratulations
Morricone most heartily
Ennio Morricone Mini biography:
A classmate of director Sergio Leone with
whom he would form one of the great director/composer
partnerships (right up there with Eisenstein
& Prokofiev, Hitchcock & Herrmann,
Fellini & Rota), Ennio Morricone studied
at Rome's Santa Cecilia Conservatory,
where he specialised in trumpet. His first
film scores were relatively undistinguished,
but he was hired by Leone for Per un pugno
di dollari (1964) on the strength of some
of his song arrangements. His score for
that film, with its sparse arrangements,
unorthodox instrumentation (bells, electric
guitars, harmonicas, the distinctive twang
of the jew's harp) and memorable tunes,
revolutionised the way music would be
used in Westerns, and it is hard to think
of a post-Morricone Western score that
doesn't in some way reflect his influence.
Although his name will always be synonymous
with the spaghetti Western, Morricone
has also contributed to a huge range of
other film genres: comedies, dramas, thrillers,
horror films, romances, art movies, exploitation
movies -making him one of the film world's
most versatile artists. He has written
nearly 400 film scores, so a brief summary
is impossible, but his most memorable
work includes the Leone films, Gillo Pontecorvos
_Battaglia di Algeri, La (1965)_ , Roland
Joffé's The Mission (1986), Brian De Palma's
The Untouchables (1987) and Giuseppe Tornatore's
Nuovo cinema Paradiso (1988), plus a rare
example of sung opening credits for Pier
Paolo Pasolini's Uccellacci e uccellini
(1966). It must be stressed that he is
*not* behind the work of the entirely
separate composers Bruno Nicolai and Nicola
Piovani despite allegations made by more
than one supposedly reputable film guide!
(see
here)
|
Back
Jing-1,
Jiang-3
, Jiang-4
|
|
|
|
|
