| English-->engmus-000-->engmius-056-060 |
Same
CN |
|
A
catalog of Morricone's music mus-056 -->
mus-060
mus-056
"Days
of heaven"-1978
|
|
78-03-official
|
|
Relative movie
|
|
|
Note
|
|
|
|
Only
20 Kbps low bit rate was provided for personal enjoy
here
|
|
|
|
|
|
|
|
No.
|
Name
|
WMA
|
|
|
001
|
The Harvest
|
|
|
002
|
Threshing
|
|
|
003
|
Happiness
|
|
|
004
|
The Honeymoon
|
|
|
005
|
The Return
|
|
|
006
|
The Chase
|
|
|
007
|
The Fire
|
|
|
008
|
Ashes &
Dust
|
|
|
009
|
Days of
Heaven
|
|
|
010
|
Days of
Heaven
|
|
|
|
|
|
|
|
mus-057
"Disclosure"-1995
|
|
94-08-official
|
|
Relative movie
|
|
|
Note
|
|
|
|
|
001
|
Serene
Family
|
|
|
|
002
|
An Unusual
Approach
|
|
|
003
|
With Energy
And Decision
|
|
|
004
|
Virtual
Reality
|
|
|
005
|
Preparation
And Victory
|
|
|
006
|
Disclosure
|
|
|
007
|
Sad Family
|
|
|
008
|
Unemployed!
|
|
|
009
|
Sex And
Computers
|
|
|
010
|
Computers
And Work
|
|
|
011
|
Sex And
Power
|
|
|
012
|
First Passacaglia
|
|
|
|
mus-058 "La
Dama delle camelie(donna delle camelie)"-1981
Lady Of The Camelias - Soundtrack
(By Ennio Morricone) (1981) >>>>,
>>>>
|
|
80-13
|
|
Relative movie
|
|
|
Note
|
|
|
|
|
001
|
La dame
aux Camelias
|
|
|
|
002
|
L'arrivee
a Paris
|
|
|
003
|
La valse
|
|
|
004
|
La mort
d'un pretre
|
|
|
005
|
Les amants
|
|
|
006
|
Passacaglia
|
|
|
007
|
Unique
amour
|
|
|
008
|
Une fleur
rouge
|
|
|
009
|
La fausse
valse
|
|
|
010
|
La mort
d'Alfonsine
|
|
|
011
|
Fumerie
d'opium
|
|
|
012
|
Des amours
sans amour
|
|
|
|
mus-059
Exorcist II-The Heretic-1977
|
|
77-01-official
|
|
Relative movie
|
|
|
Note
|
|
|
|
|
001
|
Regan's
Theme (Floating Sound)
|
|
|
|
002
|
Dark Revelation
|
|
|
|
003
|
Night
Flight
|
|
|
|
004
|
Exorcism
|
|
|
|
|
mus-060
"frantic"-1988
|
|
88-01-official
|
|
Relative movie
|
|
|
Note
|
|
|
|
|
001
|
I'm gonna
lose you
|
|
|
|
002
|
frantic
|
|
|
|
003
|
on the
roofs of paris
|
|
|
|
004
|
one flugel
horn
|
|
|
|
005
|
six short
interludes
|
|
|
|
006
|
nocturne
for michel
|
|
|
|
007
|
in the
garage
|
|
|
|
008
|
the paris
project
|
|
|
|
009
|
sadly nostalgic
|
|
|
|
010
|
frantic
|
|
|
|
|
The
VIP member special area has been opened in 2011
|
|
To
meet the Morricone fans's requirement that In-depth study
the series of works of the great master Ennio Morricone
|
|
Providing
complete summary and play in online of the OST and the flms
of 401 official works of Ennio Morricne
|
|
|
Morricone
soundtracks resource library (Total
5596 tracks)
has been opened, Free download
>>>>>>
|
| |
|
| |
|
|
|
Ennio
Morricone Mini biography: A classmate of director Sergio Leone
with whom he would form one of the great director/composer
partnerships (right up there with Eisenstein & Prokofiev,
Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone
studied at Rome's Santa Cecilia Conservatory, where he specialised
in trumpet. His first film scores were relatively undistinguished,
but he was hired by Leone for Per un pugno di dollari (1964)
on the strength of some of his song arrangements. His score
for that film, with its sparse arrangements, unorthodox instrumentation
(bells, electric guitars, harmonicas, the distinctive twang
of the jew's harp) and memorable tunes, revolutionised the
way music would be used in Westerns, and it is hard to think
of a post-Morricone Western score that doesn't in some way
reflect his influence. Although his name will always be synonymous
with the spaghetti Western, Morricone has also contributed
to a huge range of other film genres: comedies, dramas, thrillers,
horror films, romances, art movies, exploitation movies -making
him one of the film world's most versatile artists. He has
written nearly 400 film scores, so a brief summary is impossible,
but his most memorable work includes the Leone films, Gillo
Pontecorvos _Battaglia di Algeri, La (1965)_ , Roland Joffé's
The Mission (1986), Brian De Palma's The Untouchables (1987)
and Giuseppe Tornatore's Nuovo cinema Paradiso (1988), plus
a rare example of sung opening credits for Pier Paolo Pasolini's
Uccellacci e uccellini (1966). It must be stressed that he
is *not* behind the work of the entirely separate composers
Bruno Nicolai and Nicola Piovani despite allegations made
by more than one supposedly reputable film guide!
(see
here) |
|
| |
|
|
