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English-->engmus-000-->engmius-066-070 Same CN

 

A catalog of Morricone's music mus-066 --> mus-070

mus-066 "macchie solari"-1974

73-01
Relative movie
Note
Only 20 Kbps low bit rate was provided for personal enjoy here

 

No.
Name
WMA
 
001
Macchie solari
 
002
Con voce strozzata
 
003
Passaggio primo
 
004
Passaggio secondo
 
005
Passaggio terzo
 
006
Passaggio quarto
 
007
Preannuncio
 
008
Sesso e potere
 
009
Sul filo
 
010
Ansimando
 
011
Sibili
 
012
Macchie solari(Rare unreleased cue)
 

 

mus-067 "canto morricone vol No.3"

album of songsters
Relative movie
Note

 

001
carol connors_ we are on
 
002
milva_ la califfa
003
mireille mathieu_ nata l
004
milva_ viaggio senza bag
005
lisa gastoni_ chi mai
006
mireille mathieu_ j'oubl
007
milva_ metti una sera a
008
mireille mathieu_ l'eblo
009
massimo ranieri_ io e te
010
mireille mathieu_ quando
011
astrud gilberto_ una don
012
milva_ immagini del temp
013
mireille mathieu_ pas vu
014
lisa gastoni_ chi mai
015
milva_ questa specie d'a
016
daniel beretta_ un amico
017
mireille mathieu_ mon am
018
astrud gilberto_ argomen
019
milva_ ridevi
020
mireille mathieu_ la don
021
daniel beretta_ un amico

 

mus-068 "Il Ritorno di Ringo" -1966

65-02-official
Relative movie
Note
"-official" is in official catalogue

 

001
The Return of Ringo
 
002
The Disguise
 
003
Sheriff Carson
 
004
The Fuentes
 
005
 
006
The Funeral
 
007
Barbaba's Bamba
 
008
The Wedding and the Revenge
 
009
Peace comes back in Mimbres
 

 

mus-069 "le professionnel"-1981

81-06-official
Relative movie
Note
"-official" is in official catalogue

 

About "Chi Mai"
"Chi Mai" was created by Ennio Morricone is in 1971 earliest for movie "Maddalena". Afterward was used again by movie "Le Professionnel" in 1981 and made a variation by Morricone, it just is "The wind,the scream". The theme was also used in a British TV series "The Life and times of David Lloyd George" at 1980s, and it was warmly like by British fans, then established its irresistible status (See here)
001
The wind, the scream-First theme
 
002
Bach-First variation
003
The wind, the scream-First variation
004
Final decision
005
The wind, the scream-Second variation
006
Bach-Second variation
007
From Africa
008
The return-On the name of Bach
009
Bach-Third variation
010
The wind, the scream-Third variation
011
The wind, the scream-Fourth variation
012
Morgan le Fay-2 interludes for harps
013
Chi mai
014
The wind, the scream-Main titles movie version
015
The wind, the scream-Alternate version

 

mus-070 "la donna invisibile"-1969

69-18-official
Relative movie
Note
"-official" is in official catalogue

 

001
la donna invisib
 
002
ritratto d'auto
003
silenziosamente
004
eros profondo
005
in un sogno il
006
mille ricordi
007
alla serenita
008
la moda
009
un bacio
010
incontro trasve
011
ritratto d'autor
012
alla serenita
013
la moda(alt1)
014
la moda(alt2)
The VIP member special area has been opened in 2011
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Providing complete summary and play in online of the OST and the flms of 401 official works of Ennio Morricne
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Ennio Morricone Mini biography: A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialised in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for Per un pugno di dollari (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionised the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. Although his name will always be synonymous with the spaghetti Western, Morricone has also contributed to a huge range of other film genres: comedies, dramas, thrillers, horror films, romances, art movies, exploitation movies -making him one of the film world's most versatile artists. He has written nearly 400 film scores, so a brief summary is impossible, but his most memorable work includes the Leone films, Gillo Pontecorvos _Battaglia di Algeri, La (1965)_ , Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Nuovo cinema Paradiso (1988), plus a rare example of sung opening credits for Pier Paolo Pasolini's Uccellacci e uccellini (1966). It must be stressed that he is *not* behind the work of the entirely separate composers Bruno Nicolai and Nicola Piovani despite allegations made by more than one supposedly reputable film guide! (see here)
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