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English-->engmus-000-->engmius-081-085 Same CN

 

 

A catalog of Morricone's music mus-081 --> mus-085

mus-081 "musashi"-2003

03-07
Relative movie
Note
Only 20 Kbps low bit rate was provided for personal enjoy here

 

No.
Name
WMA
 
001
musashi_main_theme
002
romance
003
friendship_and_decision
004
vague_memories
005
hope
006
melancholy
007
going_to_war
008
duel
009
mysterious
010
confrontation
011
Second Night
012
war
013
omen
014
voyage_to_eternity

 

mus-082 "novecento"-1976

76-02-official
Relative movie
Note
"-official" is in official catalogue

 

001
novecento - 01 - romanzo
 
002
novecento - 02 - estate
003
novecento - 03 -autunno - 1922
004
novecento - 04 - regalo di nozze
005
novecento - 05 - testamento
006
novecento - 06 - la polenta
007
novecento - 07 - il primo sciopero
008
novecento - 08 - padre e figlia
009
novecento - 09 - tema di ada
010
novecento - 10 - Apertura della caccia
011
novecento - 11 - verdi e morto
012
novecento - 12 - i nuovi crociati
013
novecento - 13 - il quarto stato
014
novecento - 14 - inverno - 1935
015
novecento - 15 - primavera - 1945
016
novecento - 16 - olmo e alfredo

 

mus-083 "two mules for sister sara"-1969

69-13
Relative movie
Note

 

001
Main Title
 
002
A Time for Miracles
003
Night on the Desert
004
Sister Sara's Theme
005
The Swinging Rope
006
The Braying Mule
007
The Braying Mule
008
La Cantina
009
The Cool Mule
010
The Battle
011
Main Title (Reprise)

mus-084 "una pistola per ringo"-1965

65-09-official
Relative movie
Note
"-official" is in official catalogue

 

001
Angel Face
 
002
Honk Tonky
003
Grotesque Suspense
004
Hesitating Rag
005
Heroic Mexico
006
Bamba Bambina
007
The Wait
008
The Clash
009
The Slaughter
010
A Pistol for Ringo

 

mus-085 "vatel"-1999

00-03-official
Relative movie
Note
"-official" is in official catalogue

 

001
theme de vatel
 
002
l' amour suspendu
003
ouverture pour vatel
004
symphonie avec voix
005
vertige
006
theme de vatel
007
kaleidoscope
008
deuxieme symphonie
009
fete et cynisme
010
hippolyte and aricie 'temple
011
secundo pezzo
012
l' air d'absalom
013
deux courtisanes
014
debut de la fete
015
ouverture de la cour
016
la bourree
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Ennio Morricone Mini biography: A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialised in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for Per un pugno di dollari (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionised the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. Although his name will always be synonymous with the spaghetti Western, Morricone has also contributed to a huge range of other film genres: comedies, dramas, thrillers, horror films, romances, art movies, exploitation movies -making him one of the film world's most versatile artists. He has written nearly 400 film scores, so a brief summary is impossible, but his most memorable work includes the Leone films, Gillo Pontecorvos _Battaglia di Algeri, La (1965)_ , Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Nuovo cinema Paradiso (1988), plus a rare example of sung opening credits for Pier Paolo Pasolini's Uccellacci e uccellini (1966). It must be stressed that he is *not* behind the work of the entirely separate composers Bruno Nicolai and Nicola Piovani despite allegations made by more than one supposedly reputable film guide! (see here)
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