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The Morricone's
music played by Jiapengfang who is a Chinese residing Japan
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The
VIP member special area has been opened in 2011
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To
meet the Morricone fans's requirement that In-depth study
the series of works of the great master Ennio Morricone
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Providing
complete summary and play in online of the OST and the flms
of 401 official works of Ennio Morricne
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The
first set of 9 commemorative DVD discs( containned film
and OST ) have been completed by us,
please
pay attention
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Profile
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Jia Pengfang's Chinese Period
Jia Pengfang started playing
the erhu about the age of 8 under the influence of his brother
who was an erhu player. He started public performances in
concerts and concert tours when he was merely ten years
old. Jia had studied under the prominent erhu players, such
as Shen Liliang, Zhou Yaokun, Wang Guotong, Zheng Fengzhi,
Chen Yaoxing, Min Huifen from the age of 17. In 1978, at
the age of 19, Jia was chosen to be the several successful
candidates accepted to the Central Music Academy's Folk
Music Department from more than five hundred applicants.
At the same time, he was invited to be a member of the largest
Chinese folk music orchestra "China Central Folk Music
Orchestra". Later that year, Jia became an erhu soloist,
and then sub concertmaster of the orchestra.
In 1987, he was introduced as a promising young erhu player
to the world by the Chinese International Broadcasting Station.
He was featured in the music program "Shenzhou Yuetan
(Orchestra of Sacred Country)" of the Chinese Republic
Radio Station. He did more than 300 performances as a soloist
all over China, and was highly acclaimed by the critiques.
He also did many broadcasts for both national and international
stations. Cassette tape "MingYue QianLi Ji XiangSi"
by China Musician Sound Vision Publisher and "Xin Hun
Bie" by China Radio Sound Vision Publisher were published.
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After Moving to Japan
Jia Pengfang moved to Japan in 1988. He joined the composer Katsuhisa
Hattori's record album production as a soloist. He often performed
in Hattori's concerts as a guest performer, which were broadcast
by TBS & NHK. As a recording musician, Jia's work ranges over
various areas;CD production (Shinji Tanimura,
Jo Hisaishi, Soujirou, Kazumi Watanabe, Kiyohiko Semba, Akina Nakamori,
Aska Kaneko, etc.);Movie, TV music ("Mononoke-Hime",
"Cat's Eye", "A City of Sadness", "Chinese
Poem Travel Log", "Gu-Gong as Chinese Old Palace",
etc.);CM music (Nissan, Marui, Suntory, Nichi-Rei,
Kanebou, Asahi-Foods, Mr. Doughnuts, etc.);Game
music ("SanGuoZhi---Three Countries' History", "Chu-Ten",
etc.). In addition, Jia performed in concerts
all over Japan, including the Hiroshima Peace Music Festival, the
Asian Music Festival, and the Japanese Sea Sunset Concert.
In January 1993, Jia held his first recital, which received excellent
reviews and made his reputation. In August, Jia was invited to teach
in workshops organised by the Singapore Southern Music Society.
In May 1994, he released his first CD "Kagen" from Victor,
followed by a concert in June for the marketing. In the summer of
1995, Jia joined the Asian Fantasy Orchestra touring Southeast Asia,
and appeared live in TBS "News 23". In the summer of 1996,
he made a great success with the Asian Fantasy Orchestra tour called
"Infinite Earth". In May '97, his Chinese folk music group
"Jia Pengfang & TianHua-Ensemble" held its concert.
Jia performed in the United Nations General Assembly Hall, New York,
also in Carnagie Hall, playing with the Tokyo Pops Orchestra and
New York Pops Orchestra.
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Present Activities
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In contrast to Chinese folk music, he also performs with musicians
in other fields, i.e., Pops, Japanese (traditional) music, Classic,
and other styles of folk music, including sessions with Akira Inoue,
Kazumi Watanabe, Kiyohiko Senba, and Mojibee Tokiwazu. He is still
broadening his activities in other related fields.
He recently acquired a Master of Arts degree in
Music at Tokyo University of Arts. He organises "TianHua Erhu
Study Society". He is the leader of Chinese folk music group
"Jia Pengfang & TianHua-Ensemble". He is a member
of the Chinese Musicians Association, the Chinese National Orchestral
Society, and the Eastern Musical Society.
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| Above from: http://www.jiapengfang.com/eindex.html |
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The
Morricone's music played by Jiapengfang--"Romance"
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Issued
by Japanese Pacific Moon co. in 2003 (320 kbps Mp3)
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Only 20Kbps WMA
format are provided in the page
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If
you need the MP3 with higher bitrate in this page, please
click "'Request download" at top icon
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No.
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Name
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listen in
online with WMA format
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001
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Musashi
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002
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Nuovo Cinema Paradiso
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003
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Tema d'Amore
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004
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Deborah's Theme
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005
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Romance
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006
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Playing Love
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007
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Toto E Alfredo
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008
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Malena
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009
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Melancholy
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010
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Musashi（Reprise）
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Ennio
Morricone Mini biography: A classmate of director Sergio Leone
with whom he would form one of the great director/composer partnerships
(right up there with Eisenstein & Prokofiev, Hitchcock &
Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's
Santa Cecilia Conservatory, where he specialised in trumpet.
His first film scores were relatively undistinguished, but he
was hired by Leone for Per un pugno di dollari (1964) on the
strength of some of his song arrangements. His score for that
film, with its sparse arrangements, unorthodox instrumentation
(bells, electric guitars, harmonicas, the distinctive twang
of the jew's harp) and memorable tunes, revolutionised the way
music would be used in Westerns, and it is hard to think of
a post-Morricone Western score that doesn't in some way reflect
his influence. Although his name will always be synonymous with
the spaghetti Western, Morricone has also contributed to a huge
range of other film genres: comedies, dramas, thrillers, horror
films, romances, art movies, exploitation movies -making him
one of the film world's most versatile artists. He has written
nearly 400 film scores, so a brief summary is impossible, but
his most memorable work includes the Leone films, Gillo Pontecorvos
_Battaglia di Algeri, La (1965)_ , Roland Joffé's The Mission
(1986), Brian De Palma's The Untouchables (1987) and Giuseppe
Tornatore's Nuovo cinema Paradiso (1988), plus a rare example
of sung opening credits for Pier Paolo Pasolini's Uccellacci
e uccellini (1966). It must be stressed that he is *not* behind
the work of the entirely separate composers Bruno Nicolai and
Nicola Piovani despite allegations made by more than one supposedly
reputable film guide!
(see
here) |
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