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English--> engfpages-000 --> engfpages-f1011-7b
 

engmus-f1011-7b

Morricone's music uploaded by Philippine web friend Jing-7b

The music uploaded by JING and SHERRY. Thanks Phillippine web friend JING and SHERRY

E-mail of JING:rodisonleonardo@yahoo.com

The photos of Jing and his Philippine typical happyness big family (Jing is second from right)

About Jing

Our friend, Rodison C. Leonardo, was born in the Philippines, a native Filipino. You can also call him by his nickname Jing. He's 34 years old, a Roman Catholic. He holds a degree of Bachelor of Science in Electronics and Communication Engineering. There was once an occurrence in his life he wanted to enter Priesthood after his graduation in college. For some personal reasons, he didn't continue to pursue it. Until now it's very hard to admit that he's still a bachelor at his mature age. He only diverts his time to watch film or hear music after his work. He loves film and music. His real hobbies are to collect music in LPs and CDs, and also to collect films in VHS, VCD and DVD as well. He started to like Sir Ennio Morricone's music when he saw the film "The Mission" in 1995. He considered The Mission music 'very influential' to him. Seeking more of Sir Ennio's works, he joined in one of Morricone's prestige forums. There he met many friends in different nations who really loved to help those who were beginners of knowing Sir Ennio and his magnificent scores. He still makes contact to some of them through e-mail. Knowing friends who have one common goal, "to spread the music of Sir Ennio Morricone", is a very remarkable and tremendous experience for him. It's so great to know there's someone in the Philippines who really appreciate Maestro Ennio Morricone, truly the legend of film music.

Many happy to Jing and his big family
See this page for a interview to Ennio M orricone by BBC-HVF preovided by JING >>>>>>

f1011-7a,b Total 9 sets147 music of Morricone (192-320Kbps,171M+475M)

7-5-crossing the line (the big man)

99-06-official
Relative movie
Note
"-official" is in official catalogue

 

crossing the line (the big man)

crossing the line (the big man)
By adhering to the classic fight-movie formula of beleaguered pugilist vs manipulative crime boss in this adaptation of William McIlvanney's novel, Leland and scriptwriter Don Macpherson have made one of Britain's finest existential thrillers in ages. When unemployed Scottish miner Danny Scoular (Neeson) agrees to fight a one-off bare-knuckle bout, he not only risks losing his wife (Whalley-Kilmer) and kids, but enters a hellish domain lorded over by ruthless Glasgow gang boss Matt Mason (Bannen). The tortuous, taciturn script centres on questions of integrity, courage, commitment and betrayal; and the mood of corruption, paranoia and violence is palpable throughout, thanks in no small measure to excellent performances from Neeson and Bannen. There are minor flaws, but as a portrait of one man's desperate struggle to survive against all odds, the film is tough, taut and intelligently critical of the man's world it depicts. GA
See here CD DVD 

 

No.
Name
WMA
001
running in the park
002
main titles
003
beth says 'no'
004
road training 1
005
road training 3
006
rain in the gobi desert
007
journey to fight
008
round four
009
road training 2
010
the wasteland
011
round one
012
round two
013
round six
014
there's blood on that money
015
danny runs home
016
end titles
 

 

 

7-6- hamlet 1990

90-11-official
Relative movie
Note
"-official" is in official catalogue

 

hamlet 1990

hamlet 1990

See here CD1 CD2

 

001
Hamlet (version 1)
002
The king is dead
003
Ophelia (version 1)
004
What a piece of work is man
005
The prayer
006
The ghost
007
The play
008
The banquet
009
Dance for the queen
010
Ophelia (version 2)
011
Hamlet's madness
012
Hamlet (version 2)
013
Simulated madness
014
The closet
015
Second madness
016
To be or not to be
017
Solid flesh
018
The vaults
 

7-7- la bibbia - abramo 1993

94-01
Relative movie
Note

 

la bibbia - abramo 1993
Dear Italian friend Stefano, Thanks for your point out mistake about the 009-010 music, we have revised them. But your E-mail (abajen@talice.it) cannot be connected throughout for many times, so we have to inform you here. Thanks again (Jan.13, 2007, from the site)

 

001
Monodia (titoli di testa)
002
Abramo
003
Canto della promesa
004
Sara
005
Come le stelle del cielo
006
Primi suoni
007
Nomadi
008
Il soffio di dio
009
Abramo e sara
010
Carestia
011
Monodia sospesa
012
Preghiera prima
013
I tre viandanti
014
Egitto
015
Hagar
016
Voci lontane
017
Solitudine di abramo
018
Morija
019
Distruzione di sodoma
020
Preghiera seconda
021
Guerra dei 4 re
022
Una tromba (titoli di coda)

7-8- une pure formalita (a pure formality)1994

94-02-official
Relative movie
Note
"-official" is in official catalogue

 

001
Breathlessly
002
Remembering
003
The palace of nine frontiers
004
The bum
005
A troublesome clue
006
Waiting for the police inspector
007
In search of onoff
008
An odd diary (timing mismatch)
009
Photos
010
Mosaic
011
Leonardo da vinci
012
Contradictions
013
The trap and the mouse
014
Escape from onoff
015
Bloodstains
016
After the nightmare
017
A mere memory lapse
018
Repressed memories
019
Revelation
020
A night in february
021
To obliterate the past

7-9- il fantasma dell' opera (phantom of the opera)1998

98-06-official
Relative movie
Note
"-official" is in official catalogue

 

il fantasma dell' opera (phantom of the opera)1998

 

The Phantom of the Opera" is a magnificent tale that begins when an opera ghost terrorizes the cast and crew of the French Opera House while tutoring a chorus girl. He finally drives the lead soprano crazy so she and her friend leave. The girl is able to sing lead one night but the soprano doesn't want her show stolen so she comes back. The ghost demands they keep giving his protoge lead roles. Meanwhile, His pupil falls in love with the Vicomte de Chagny, but the Phantom is in love with Christine, his student. The Phantom is outraged by their love and kidnaps Christine to be his eternal bride. Will Raoul, the Vicomte, be able to stop this dastardly plan? Watch and find out
See here 01 02

 

001
Sighs and sighs
002
The phantom of the opera
003
Circenderunt me fluctus mortis
004
Threatening cires
005
Romantic pollution
006
Lost in the deep
007
Burlesque
008
Sighs and sighs
009
Interior mirror
010
Playing alone
011
In the dark vaults
012
The phantom
013
The fat woman
014
Bait
015
Sighs and sighs
Previous page     Next page

Honorary Oscar 2006 goes to composer Ennio Morricone

congratulations Morricone most heartily

Ennio Morricone Mini biography: A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialised in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for Per un pugno di dollari (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionised the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. Although his name will always be synonymous with the spaghetti Western, Morricone has also contributed to a huge range of other film genres: comedies, dramas, thrillers, horror films, romances, art movies, exploitation movies -making him one of the film world's most versatile artists. He has written nearly 400 film scores, so a brief summary is impossible, but his most memorable work includes the Leone films, Gillo Pontecorvos _Battaglia di Algeri, La (1965)_ , Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Nuovo cinema Paradiso (1988), plus a rare example of sung opening credits for Pier Paolo Pasolini's Uccellacci e uccellini (1966). It must be stressed that he is *not* behind the work of the entirely separate composers Bruno Nicolai and Nicola Piovani despite allegations made by more than one supposedly reputable film guide! (see here)

 

 

 

The opining date of the site is Aug.8,2003       © 2003 hwg All rights reserved
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