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A
downloaded movie used eMule with Morricone's music
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e-engmov-031
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I
demoni di San Pietroburgo /The
Demons of St. Petersburg (07-09)
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Relative
music site
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IMDB(English)
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IMDB(Chinese)
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Note
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It
is shown the movie "I
demoni di San Pietroburgo"
composed
by Ennio Morricone
(CD2-1
00:07:05)
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01-Overview
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Director:
Giuliano Montaldo
Writers:Andrey Konchalovskiy (from an original idea by)
Giuliano Montaldo (writer)
Paolo Serbandini (writer)
See more ? Contact:View company contact information for The
Demons of St. Petersburg on IMDbPro. Release Date:24 April
2008 (Italy) See more ?
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Original
Music: Ennio Morricone |
Runtime:118
min Country:Italy Aspect Ratio:1.85 : 1 Company:Jean
Vigo Italia See
more |
Cast
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Miki
Manojlovic ... Fyodor Dostoevsky
Carolina Crescentini ... Anna
Anita Caprioli ... Aleksandra
Roberto Herlitzka ... Pavlovic
Filippo
Timi ... Gusiev
Sandra Ceccarelli ... Nataliya Ivanovna
Giordano De Plano ... Young Dostoevsky
Patrizia Sacchi ... Advotya
Giovanni Martorana ... Trifonov
Stefano Saccotelli ... Stellovsky
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AKA
I demoni di San Pietroburgo Italy (original title)
I demoni e dio Italy (working title)
Pietarin riivaajat Finland (TV title)
San Pietroburgo Italy (working title)
Sankt Peterburgs demoner Finland (TV title) (Swedish title)
The Demons of St. Petersburg International (English title)
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Awards
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Plot
Summary
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Plot
Summary 1:
Story:St. Petersburg, 1860. A member of the imperial family
is assassinated. A few days later, the writer F?dor Michajlovic
Dostoevskij meets with Gusiev, a young man committed to a
psychiatric hospital. Gusiev confesses that he took part in
the terrorist plot and reveals that his fellow conspirators
are planning to kill another of the Tsar’s relatives. The
young man also gives Dostoevsky the address of Alexandra,
their leader. The writer must find her and convince her to
call off the new assassination attempt.(Here) |
Plot
Summary 2: St. Petersburg, 1860. A member
of the Imperial family is assassinated. A few days later the
writer Fyodor Mikhailovich Dostoevsky meets Gusiev, a young
man being treated in a psychiatric hospital. Gusiev confesses
that he is part of the terrorist group involved in the assassination
and reveals that his comrades are planning to kill another
of the Tsar’s relatives. The young man also gives Dostoevsky
the address of Aleksandra, their leader. Dostoevsky must find
her and try and convince her to stop this new attack. The
writer is at his wits end, hounded by his creditors, under
pressure to deliver his next book and plagued by frequent
attacks of epilepsy. By day, with the help of Anna Grigoryevna,
a young stenographer, he dictates “The Gambler”. At night
he continues his desperate search for the terrorist group...
(Here) |
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Plot
Summary3 : Movie Piemonte, Turin and the Demons of Saint
Petersburg
Written on 05/2/09 in Category: Alerts Share on Facebook
After
sold out last week with a screening of "The Wind Blows
Round," Feb. 5 of the film club ' Social Institute
of Turin presents "The Demons of Saint Petersburg"
Of Giuliano Montaldo , in collaboration with " Piedmont
Movie 2009 "and the Association of National Cinema
Museum.
The
movie, filmed in Turin but set in St. Petersburg in 1860,
tells the story of Dostoevsky who, during the writing of
his novel "The Player", intervenes personally
to try to stop an attack. "The Demons of Saint Petersburg"
is both the story of a man reading a fresco artist and a
story that never ceases to repeat itself.
"The
work - says the Cinema Museum - has contributed significantly
last year to increase the visibility of the Piedmont as
a land that attracts the film, chosen as the location of
the Venaria numerous occasions, promoting the film with
the Turin advances given by the director in Piedmont Movie
2008 to the first presentation of the Cinema Massimo.
The
film is also planned at the Festival Piedmont Movie Film
in the overview section, dedicated to films made in Piedmont,
in cinemas or handed out at festivals in 2008, which will
create the other successes of last season as "Il Divo"
by Paolo Sorrentino , "The Anger "by Louis Black"
No Quality to the Heroes "by Paolo Franchi, interesting
and previews as" Turin Black "by Massimo Russo
and "Promeny" Tomas Rehorek.
The
public will attend the screening of the film Montaldo February
5 will receive a free directory of the Cinema in Piedmont
last year, which also has an interesting interview with
Giuliano Montaldo and Miki Manojlovic , the famous actor
who Dostoevsky in " The Demons of Saint Petersburg
". The interview was edited by Vittorio Sclaverani
, Deputy Director Piedmont Movie , which will introduce
the film with Joseph Mariano , head of the film club 's
Social Institute . Info: www.amnc.it and www.piemontemovie.com
; depth information dedicated to the film also www.cinemainpiemonte.it/enciclopedia/
.
St.Petersburg
IN TURIN - Cineforum Social Institute presents "The
Demons of Saint Petersburg", the film by Giuliano Montaldo
made in Turin (February 5). Info: www.amnc.it , www.piemontemovie.com
. .(here)
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02-Comment
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Comment-1:
The
world of Dostoevsky, 2 January 2009
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Before
viewing this one, I was a little sceptical about it all,
but after viewing it (till the last credits faded out) I
know that this is a very good movie.
When
reading Dostoevsky, you get a very strong impression of
the mood and people that live in the world he has written
down. I must admit that I don't know much about his life,
so I cannot say this film is accurate. But that doesn't
really matter, for I Demoni di San Pietroburgo is more
of a story where a writer is confronted with his own world.
But I cannot say much about this, for the story is not
about actions that shape events and how the world reacts,
but people that grow and face themselves.
Montaldo
is the right man to direct this movie. Not only has his
earlier films touched subjects that are akin to the works
of Dostoevsky, but he has shown experience in making a
historical world believable (Marco Polo).
I
don't know any of the actors in this (except for Roberto
Herlitzka) but they are all very good. I will find something
more with Miki Manojlovic in it to see, for his portrayal
was interesting. The people in 'lesser' roles were all
very good.
The
cinematography by Arnaldo Catinari is just excellent.
Every shot is well done, but still in service of the movie.
It's almost always cold and pale. When there is light,
it's lanterns that cast long shadows that serve the dark
world very well.
The
production is very good. Completely believable. I have
no idea where it is filmed, but if it isn't St. Petersburg...it
certainly feels like it. There are numerous extras and
they all look like they belong there. The one special
effect I could detect wasn't that great, but it was still
good enough.
The
editing was good. Few surprises, but it isn't a movie
for strange montage.
And
the music, at last. Ennio Morricone has composed for 40
years for Montaldo now. I can be brief around; he is not
the best because he creates music that you expect, but
because it's just what the movie needs. The score is sometimes
very oldschool suspense-like, with fitting emotional moments.
The music itself might not be very easy to listen too
for some people, but it gives the film just what it needs
at the right moment.
I
own an Italian DVD with English subtitles.
Without
doubt one of those European films that are just rock-solid,
but tend to disappear between the blockbusters that just
get more attention. Still, Montaldo proves it again; he
is one of the best!(IMDB)
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Comment-2:
Great
biopic, but mediocre film, 24 February 2009
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By chance
I was invited to see a showing of this film with an introduction
from the director. This may be why I am willing to offer
it the generous scoring of 6 out of 10 rather than something
lower, because he was there to explain a bit more the production
of his film, his association with Konchalovsky, and the
filming locations. As a mostly accurate historical portrayal
of Russian novelist Fyodor Mikhailovich Dostoevsky, it is
a spot on piece. The details of his life were offered in
such a way to give the audience a feel of the times and
mental state of Dostoevsky, who was himself an epileptic.
Those who are familiar with Dosteovsky will certainly appreciate
the way in which the film discusses his life, while those
who come in with little knowledge of the author will have
to trust the accuracy of the film (and need not fear doing
so). Demoni was filmed in Turin, Italy which the director
felt closely resembled St. Petersburg, a city which was
indeed partially designed by the Swiss-Italian architect
Domenico Trezzini.
This
was a clever move from the director, but as a film I still
feel that it was nothing particularly special. A biopic
of Dostoevsky seemed so strange in Italian, filmed in such
a distinctive Italian style. I felt as a film the production
was a little cheap and resembled an artistic TV-movie rather
than actually standing on its own as an artistic film. Aside
from Miki Manojlovic, who plays the grown Dostoevsky, the
acting was too over the top for my taste. There was not
really a believable spark between any of the actors, relationships
were to be assumed rather than felt. The film was certainly
not something earth-shattering but that's not to say it
isn't watchable. Depends on what you're looking for. (IMDB)
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03-About
the director (Giuliano Montaldo)
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Giuliano
Montaldo
(born February 22, 1930 in Genoa) is an Italian film director.
While he was
still a young student, Montaldo was recruited by the director
Carlo Lizzani for the role of leading actor in the film Achtung!
Banditi! (1951). Following this experience he began an apprenticeship
as an assistant director of Lizzani and Gillo Pontecorvo.
In 1960 he made his debut as a
director with Tiro al piccione, a film about the partisan resistance,
which entered for a competition in Venice Film Festival in 1961.
In 1965 he wrote and directed Una bella grinta, a cynical representation
of the economic boom of Italy, winning the Special Prize of the
Jury at Berlin Film Festival. He then directed the production
Grand Slam (1967) which starred an international cast including
Edward G. Robinson, Klaus Kinski, and Janet Leigh. His cinema
career continued with Gott mit uns (1969), and Sacco and Vanzetti
(1971), a film about the abuses of the military, judicial and
religious power.
In 1982 he
directed the colossal television miniseries Marco Polo, which
won the Emmy Award for Outstanding Miniseries.(See
here)
Giuliano
Montaldo's
works
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Director:
Actor:
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Writer:
Assistant
Director
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04-Fyodor
Mikhailovich Dostoevsky
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Fyodor Mikhaylovich Dostoyevsky
(Russian: Фёдор Михайлович Достое?вский, Fёdor Mihajlovi?
Dostoevskij, pronounced [?f?od?r m???xajl?v??t? d?st??j?fsk??j]
( listen),[4] sometimes transliterated Dostoevsky, Dostoievsky,
Dostojevskij, Dostoevski, Dostojevski or Dostoevskij (November
11, [O.S. October 30] 1821 – February 9, [O.S. January 28]
1881) was a Russian writer and essayist, known for his novels
Crime and Punishment and The Brothers Karamazov.
Dostoyevsky's literary output explores human
psychology in the troubled political, social and spiritual
context of 19th-century Russian society. Considered by many
as a founder or precursor of 20th-century existentialism,
his Notes from Underground (1864), written in the embittered
voice of the anonymous "underground man", was
called by Walter Kaufmann the "best overture for existentialism
ever written."[5] A prominent figure in world literature,
Dostoyevsky is often acknowledged by critics as one of the
greatest psychologists in world literature.
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Family
origins
Mariinsky Hospital in Moscow, Dostoyevsky's birthplace.Dostoyevsky's
mother was Russian. His paternal ancestors were from a village
called Dostoyev in Belarus, in the guberniya (province) of
Minsk, not far from Pinsk; the stress on the family name was
originally on the second syllable, matching that of the town
(Dostóev), but in the nineteenth century was shifted to the
third syllable.[7] According to one account, Dostoyevsky's
paternal ancestors were Polonized nobles (szlachta) of Ruthenian
origin and went to war bearing Polish Radwan Coat of Arms.
Dostoyevsky (Polish "Dostojewski") Radwan armorial
bearings were drawn for the Dostoyevsky Museum in Moscow.[8]
Early
life
Dostoyevsky was the second of six children born to Mikhail
and Maria Dostoyevsky.[9] Dostoyevsky's father Mikhail was
a retired military surgeon and a violent alcoholic, who
had practiced at the Mariinsky Hospital for the Poor in
Moscow. The hospital was located in one of the city's worst
areas; local landmarks included a cemetery for criminals,
a lunatic asylum, and an orphanage for abandoned infants.
This urban landscape made a lasting impression on the young
Dostoyevsky, whose interest in and compassion for the poor,
oppressed and tormented was apparent. Though his parents
forbade it, Dostoyevsky liked to wander out to the hospital
garden, where the suffering patients sat to catch a glimpse
of sun. The young Dostoyevsky loved to spend time with these
patients and hear their stories.......
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Novels
(1846) Bednye lyudi (Бедные люди); English translation: Poor
Folk
(1846) Dvojnik (Двойник. Петербургская
поэма); English translation: The Double: A Petersburg Poem
(1849) Netochka Nezvanova (Неточка Незванова); a proper feminine
name, English transliteration: Netochka Nezvanova (Unfinished)
(1859) Dyadyushkin son (Дядюшкин сон); English translation:
The Uncle's Dream
(1859) Selo Stepanchikovo i ego obitateli (Село Степанчиково
и его обитатели); English translation: The Village of Stepanchikovo
(1861) Unizhennye i oskorblennye (Униженные и оскорбленные);
English translation: The Insulted and Humiliated
(1862) Zapiski iz mertvogo doma (Записки из мертвого дома);
English translation: The House of the Dead
(1864) Zapiski iz podpolya (Записки из подполья); English
translation: Notes from Underground
(1866) Prestuplenie i nakazanie (Преступление и наказание);
English translation: Crime and Punishment
(1867) Igrok (Игрок); English translation: The Gambler
(1869) Idiot (Идиот); English translation: The Idiot
(1870) Vechnyj muzh (Вечный муж); English translation: The
Eternal Husband
(1872) Besy (Бесы); English translation: The Possessed
(1875) Podrostok (Подросток); English translation: The Raw
Youth
(1881) Brat'ya Karamazovy (Братья Карамазовы); English translation:
The Brothers Karamazov (here)
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Another
relative movie in our site "Partner/Il Sosia"
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05-Play
in online of the movie
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06-About
Download the movie
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Original
movie is with FLV format 109'39" 191.2M Italian dun Embedded Chinese
subtitle
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The
movie is provided to download for our member period
Sep.10-30,2010
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Please
login to enter the movie share region to download it (in 07-09 item)
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Providing
English subtitle SRT-RAR file 29K Please
login to enter the movie share region to download it (in 07-09 item)
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Sep.10,
2010
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