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Morricone Fans
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" " 2CDԭ (Marco Polo)(1982)

ҳPeng2005.6.ṩ(192kbps).վPENGʾĸл

PengE-mail pengyuhang@httc.net

Peng 2003żҽ
 
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82-03
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CD-1
wma ߲
001
Marco Polo Main Theme
002
Monica
003
Nostalgia of the Father
004
Adolescence
005
I Sogni (Versione Estesa)
006
Il Lungo Viaggio Inizia
007
The Crusaders
008
Marco's Theme (Death in the Wind)
009
Al Santo Sepolcro (Versione Estesa)
010
Farewell to the Mother
011
On the way to the Orient (Trip)
012
Marco Polo (Omuz)
013
The Mongrels
014
Marco Polo E I Mongoli
015
Marco's Theme (Dialogue)
016
On the way to the Orient
017
Risveglio Nel Tempio Tibetano
018
Tema Di Marco (Un Nuovo Mondo)
CD-2
001
Musica Di Corte (Arpe)
002
Tema Di Marco (Nel Palazzo Imperiale)
003
Festeggiamenti A Palazzo
004
Una Nuova Civilta
005
Mai-Li's Song
006
Tema Di Marrco (Nuove Sensazioni)
007
Canzone Di Mai-Li (Represa)
008
Musica Di Corte (Represa)
009
Recordo Della Madre
010
The South Burns
011
The Forbidden City
012
Tema Di Marco (Nostalgia Di Venezia)
013
Verso La Grande Muraglia
014
The Legend of the Great Wall
015
Kublai Khan
016
The Great March of Kublai
017
Tema Di Marco (Ritorno Verso Casa)
018
The First Love
 

Ennio Morricone Mini biography: A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialised in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for Per un pugno di dollari (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionised the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. Although his name will always be synonymous with the spaghetti Western, Morricone has also contributed to a huge range of other film genres: comedies, dramas, thrillers, horror films, romances, art movies, exploitation movies -making him one of the film world's most versatile artists. He has written nearly 400 film scores, so a brief summary is impossible, but his most memorable work includes the Leone films, Gillo Pontecorvos _Battaglia di Algeri, La (1965)_ , Roland Joff's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Nuovo cinema Paradiso (1988), plus a rare example of sung opening credits for Pier Paolo Pasolini's Uccellacci e uccellini (1966). It must be stressed that he is *not* behind the work of the entirely separate composers Bruno Nicolai and Nicola Piovani despite allegations made by more than one supposedly reputable film guide!

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