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վ2011ͨ,ӭ֧,

mus-f1003 ṩĪ￵-

"Once upon a time in America" and "The legend of 1900"

ҳPengṩ(128kbps).վPENGʾĸл

PengE-mail pengyuhang@httc.net

 
Peng 2003żҽ
84-01-official
صӰҳ
ע
-official ʾΪٷĿ¼

 

A - Once upon a time in America)

NO.
NAME OF THE MUSIC
WMA
001
Once Upon A Time In America
002
Poverty
003
Deborah's Theme
004
Childhood Memories
005
Amapola
006
Friends
007
Prohibition Dirge
008
Cockeye's Song
009
Amapola Part II
010
Childhood Poverty
011
Photographic Memories
012
Friends
013
Friendship & Love
014
Speakeasy
015
Deborah's Theme - Amapola
016
Suite from Once Upon A Time In America
017
Poverty (temp. version)
018
Unused Theme
019
Unused Theme (version 2)

 

B - ϸʦ (The legend of 1900)

98-05-official
صӰҳ
ע
-official ʾΪٷĿ¼

 

001
1900's theme
002
The Legend of the Pianist
003
The Crisis
004
The Crave (composed by Jelly Roll Morton)
005
A Goodbye to Friends
006
Study for Three Hands (music by Ennio Morricone and Amedeo Tommasi)
007
Playing Love
008
A Mozart Reincarnated
009
Child
010
1900's Madness #1 (music by Ennio Morricone and Amedeo )
011
Danny's Blues (composed by Amedeo Tommasi)
012
Second Crisis
013
Peacherine Rag (written by Scott Joplin, performed by The Alexander Ragtime Band Ensemble)
014
Nocturne with No Moon
015
Before the End
016
Playing Love
017
I Can and Then
018
1900's Madness #2 (music by Ennio Morricone and Amedeo)
019
Silent Goodbye
020
Ships and Snow
021
Lost Boys Calling (written by Ennio Morricone and Roger Waters, performed by Roger Waters)

 

ɱվֹSHERRYṩ8,ΪڶҪ,˴һ.

022
tarantellain3rdclass
023
enduring movement
024
police
025
trailer
026
thanksdanny (written by Ennio Morricone and C De Natale, performed by James Sampson)
027
magicwaltz (composed by Amedeo Tommasi)
028
goodbyeduet
029
portraits

 

Ennio Morricone Mini biography: A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialised in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for Per un pugno di dollari (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionised the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. Although his name will always be synonymous with the spaghetti Western, Morricone has also contributed to a huge range of other film genres: comedies, dramas, thrillers, horror films, romances, art movies, exploitation movies -making him one of the film world's most versatile artists. He has written nearly 400 film scores, so a brief summary is impossible, but his most memorable work includes the Leone films, Gillo Pontecorvos _Battaglia di Algeri, La (1965)_ , Roland Joff's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Nuovo cinema Paradiso (1988), plus a rare example of sung opening credits for Pier Paolo Pasolini's Uccellacci e uccellini (1966). It must be stressed that he is *not* behind the work of the entirely separate composers Bruno Nicolai and Nicola Piovani despite allegations made by more than one supposedly reputable film guide!

 
 
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