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本站2011年起开通赞助窗口,欢迎您的支持,详情见这里

mus-f1003-3 网友提供的莫里康乐曲-

"Film music by Ennio Morricone"(1993)

页乐曲由网友Peng于2004.10.提供(128kbps).本站代表广大网友向PENG表示衷心感谢

Peng的E-mail是 pengyuhang@httc.net

Peng 2003在张家界
Peng 2003在张家界
 
 
序号 NO.
曲名 NAME OF THE MUSIC
WMA格式在线试听
001
The Good, the Bad and the Ugly
002
The Sicilian Clan
003
Chi Mai - BBC TV
004
The Man with the Harmonica
005
La Califfa
006
Gabriels Oboe
007
A Fistful of Dynamite
008
Once Upon A Time In The West
009
Cockey's Song
010
The Mission
011
Come Maddelena
012
Moses Theme
013
The Falls
014
My Name is Nobody
015
Le Vent, le Cri
016
Deborah's Theme
 

Ennio Morricone Mini biography: A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialised in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for Per un pugno di dollari (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionised the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. Although his name will always be synonymous with the spaghetti Western, Morricone has also contributed to a huge range of other film genres: comedies, dramas, thrillers, horror films, romances, art movies, exploitation movies -making him one of the film world's most versatile artists. He has written nearly 400 film scores, so a brief summary is impossible, but his most memorable work includes the Leone films, Gillo Pontecorvos _Battaglia di Algeri, La (1965)_ , Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Nuovo cinema Paradiso (1988), plus a rare example of sung opening credits for Pier Paolo Pasolini's Uccellacci e uccellini (1966). It must be stressed that he is *not* behind the work of the entirely separate composers Bruno Nicolai and Nicola Piovani despite allegations made by more than one supposedly reputable film guide!

 

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