English-->engmus-000-->engmus-036-040 |
Same
CN |
A
catalog of Morricone's music mus-036 --> mus-040
mus-036
"Cosi come esei/Stay as you are"--1978
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78-11-official
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Relative
movie
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Note
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Only
20 Kbps low bit rate was provided for personal enjoy
here
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You
can immediately get all passwords of the Ennio
Morricone resource
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397
albums' 5596 tracks composed by Ennio Morricone
(Total size 2.8G)
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83
more famous movies composed by Ennio Morricone
(Total size 64.0G)
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All
sheet music in the
sheet music column (308 pieces sheet music,
total size 297M. Provide a one-time full download)
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And
other significant Morricone resources (see
here)
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The
Ennio Morricone large resources library
has been rebuilt and opened and free
download for VIP >>>>>>
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No.
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Name
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WMA
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001
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COSI'
COME SEI
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002
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A
NASTASSIA
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003
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AMORE
PER AMORE
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004
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PRELUDIO
D'AMORE
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005
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DANCE
ON (MICHAEL FRASER)
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006
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AMORE
PER AMORE
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007
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COSI'
COME SEI
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008
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SPAZIO
1999
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009
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POSTLUDIO
D'AMORE
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010
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A
NASTASSIA
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011
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VERSO
MADRIDmn
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mus-037
"Invito allo sport"--1979
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78-07
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Relative
movie
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Note
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001
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E
FINALMENTE...
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002
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STAFFETTA
PER DUE
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003
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ESERCIZI
D‘AMORE
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004
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SERENAMENTE
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mus-038
"Marco polo"--1982
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82-03
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Relative
movie
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Note
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001
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MARCO
POLO (TITLES)
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002
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ON
YHE WAY TO THE ORIENT
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003
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MONICA
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004
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THE
LEGEND OF THE GREAT WALL
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005
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MAI-LI'S
SONG
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006
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THE
SOUTH BURNS
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007
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MARCO
POLO (HORMUZ)
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008
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FAREWALL
TO THE MOTHER
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009
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THE
CRUSADERS
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010
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THE
FIRST LOVE
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011
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THE
FORBIDDEN CITY
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012
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MARCO'S
THEME (DEATH IN THE WIND)
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013
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ON
THE WAY TO THE ORIENT (TRIP)
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014
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NOSTALGIA
OF THE FATHER
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015
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THE
GREAT MARCH OF KUBLAI
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016
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THE
HOLY SEPULCHRE
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017
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THE
MONGOLS
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018
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MARCO'S
THEME (DIALOUGE)
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019
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THE
DREAMS
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020
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ADOLESCENCE
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Enter
here to get the 36 music of Marco Polo
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mus-039
"Thieves after dark"--1983
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84-02-official
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Relative
movie
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Note
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001
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THIEVES
AFER DARK
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002
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UNCONSCIOUS
APPINESS
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003
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FATAL
PREVISION
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004
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A
FAKE
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005
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COUNTERPOINTS
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006
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THEME
OF YOUNG LOVERS
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007
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ROMANCE
OF THIEVES AFTER DARK
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008
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THREE
FRAGMENTS
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009
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YOUNG
LOVERS
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010
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LANCINANT
FOR TWO
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011
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EXPRESSIVE
SUSPENS
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mus-040
"Sahara"--1983
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83-05-official
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Relative
movie
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Note
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001
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THEME
FROM SAHARA
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002
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THE
PARTY
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003
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FATHER'S
DEATH
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004
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ARABIA
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005
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ON
YOUR MARKS...
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006
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GET
SET.... GO
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007
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ARMOUR
CAR
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008
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OASIS
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009
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DESERT
MUSIC
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010
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WATERFALLFALL
KISS
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011
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PANTHER
CHASE
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012
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MORE
DESERT MUSIC
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013
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CAR
TROUBLE
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014
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MORE
CAR TROUBLE
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015
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BATTLE
I
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016
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RASOUL
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017
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BATTLE
II
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018
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BATTLE
III
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019
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END
TITLES
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020
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SAHARA
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The
VIP member special area has been opened in 2011
|
To
meet the Morricone fans's requirement that In-depth study
the series of works of the great master Ennio Morricone
|
Providing
complete summary and play in online of the OST and the flms
of 401 official works of Ennio Morricne
|
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Morricone
soundtracks resource library (Total 5596 tracks) has been
opened, Free download >>>>>>
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Ennio Morricone Mini biography: A classmate of director Sergio
Leone with whom he would form one of the great director/composer
partnerships (right up there with Eisenstein & Prokofiev,
Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone
studied at Rome's Santa Cecilia Conservatory, where he specialised
in trumpet. His first film scores were relatively undistinguished,
but he was hired by Leone for Per un pugno di dollari (1964)
on the strength of some of his song arrangements. His score
for that film, with its sparse arrangements, unorthodox instrumentation
(bells, electric guitars, harmonicas, the distinctive twang
of the jew's harp) and memorable tunes, revolutionised the
way music would be used in Westerns, and it is hard to think
of a post-Morricone Western score that doesn't in some way
reflect his influence. Although his name will always be synonymous
with the spaghetti Western, Morricone has also contributed
to a huge range of other film genres: comedies, dramas, thrillers,
horror films, romances, art movies, exploitation movies -making
him one of the film world's most versatile artists. He has
written nearly 400 film scores, so a brief summary is impossible,
but his most memorable work includes the Leone films, Gillo
Pontecorvos _Battaglia di Algeri, La (1965)_ , Roland Joffé's
The Mission (1986), Brian De Palma's The Untouchables (1987)
and Giuseppe Tornatore's Nuovo cinema Paradiso (1988), plus
a rare example of sung opening credits for Pier Paolo Pasolini's
Uccellacci e uccellini (1966). It must be stressed that he
is *not* behind the work of the entirely separate composers
Bruno Nicolai and Nicola Piovani despite allegations made
by more than one supposedly reputable film guide!
(see
here) |
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