English-->engmus-000-->engmius-066-070 |
Same
CN |
A
catalog of Morricone's music mus-066 -->
mus-070
mus-066
"macchie
solari"-1974
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73-01
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Relative movie
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Note
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Only
20 Kbps low bit rate was provided for personal enjoy
here
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No.
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Name
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WMA
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001
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Macchie
solari
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002
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Con voce
strozzata
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003
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Passaggio
primo
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004
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Passaggio
secondo
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005
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Passaggio
terzo
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006
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Passaggio
quarto
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007
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Preannuncio
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008
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Sesso e
potere
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009
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Sul filo
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010
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Ansimando
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011
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Sibili
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012
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Macchie
solari(Rare unreleased cue)
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mus-067
"canto
morricone vol No.3"
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album of songsters
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Relative movie
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Note
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001
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carol
connors_ we are on
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002
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milva_
la califfa
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003
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mireille
mathieu_ nata l
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004
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milva_
viaggio senza bag
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005
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lisa gastoni_
chi mai
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006
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mireille
mathieu_ j'oubl
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007
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milva_
metti una sera a
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008
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mireille
mathieu_ l'eblo
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009
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massimo
ranieri_ io e te
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010
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mireille
mathieu_ quando
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011
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astrud
gilberto_ una don
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012
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milva_
immagini del temp
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013
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mireille
mathieu_ pas vu
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014
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lisa gastoni_
chi mai
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015
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milva_
questa specie d'a
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016
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daniel
beretta_ un amico
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017
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mireille
mathieu_ mon am
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018
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astrud
gilberto_ argomen
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019
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milva_
ridevi
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020
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mireille
mathieu_ la don
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021
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daniel
beretta_ un amico
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mus-068
"Il
Ritorno di Ringo" -1966
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65-02-official
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Relative movie
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Note
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001
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The Return
of Ringo
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002
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The Disguise
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003
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Sheriff
Carson
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004
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The Fuentes
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005
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006
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The Funeral
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007
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Barbaba's
Bamba
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008
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The Wedding
and the Revenge
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009
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Peace
comes back in Mimbres
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mus-069
"le
professionnel"-1981
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81-06-official
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Relative movie
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Note
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About
"Chi Mai"
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"Chi
Mai" was created by Ennio Morricone is in 1971 earliest
for movie "Maddalena". Afterward was used again
by movie "Le Professionnel" in 1981 and made a variation
by Morricone, it just is "The wind,the scream".
The theme was also used in a British TV series "The Life
and times of David Lloyd George" at 1980s, and it was
warmly like by British fans, then established its irresistible
status (See
here) |
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001
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The wind,
the scream-First theme
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002
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Bach-First
variation
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003
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The wind,
the scream-First variation
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004
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Final decision
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005
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The
wind, the scream-Second variation
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006
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Bach-Second
variation
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007
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From Africa
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008
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The return-On
the name of Bach
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009
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Bach-Third
variation
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010
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The wind,
the scream-Third variation
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011
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The wind,
the scream-Fourth variation
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012
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Morgan
le Fay-2 interludes for harps
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013
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Chi mai
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014
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The wind,
the scream-Main titles movie version
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015
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The wind,
the scream-Alternate version
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mus-070
"la donna invisibile"-1969
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69-18-official
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Relative movie
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Note
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001
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la donna
invisib
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002
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ritratto
d'auto
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003
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silenziosamente
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004
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eros profondo
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005
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in un sogno il
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006
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mille
ricordi
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007
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alla serenita
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008
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la moda
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009
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un bacio
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010
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incontro
trasve
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011
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ritratto
d'autor
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012
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alla serenita
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013
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la moda(alt1)
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014
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la moda(alt2)
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The
VIP member special area has been opened in 2011
|
To
meet the Morricone fans's requirement that In-depth study
the series of works of the great master Ennio Morricone
|
Providing
complete summary and play in online of the OST and the flms
of 401 official works of Ennio Morricne
|
|
Morricone
soundtracks resource library (Total
5596 tracks)
has been opened, Free download
>>>>>>
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Ennio
Morricone Mini biography: A classmate of director Sergio Leone
with whom he would form one of the great director/composer
partnerships (right up there with Eisenstein & Prokofiev,
Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone
studied at Rome's Santa Cecilia Conservatory, where he specialised
in trumpet. His first film scores were relatively undistinguished,
but he was hired by Leone for Per un pugno di dollari (1964)
on the strength of some of his song arrangements. His score
for that film, with its sparse arrangements, unorthodox instrumentation
(bells, electric guitars, harmonicas, the distinctive twang
of the jew's harp) and memorable tunes, revolutionised the
way music would be used in Westerns, and it is hard to think
of a post-Morricone Western score that doesn't in some way
reflect his influence. Although his name will always be synonymous
with the spaghetti Western, Morricone has also contributed
to a huge range of other film genres: comedies, dramas, thrillers,
horror films, romances, art movies, exploitation movies -making
him one of the film world's most versatile artists. He has
written nearly 400 film scores, so a brief summary is impossible,
but his most memorable work includes the Leone films, Gillo
Pontecorvos _Battaglia di Algeri, La (1965)_ , Roland Joffé's
The Mission (1986), Brian De Palma's The Untouchables (1987)
and Giuseppe Tornatore's Nuovo cinema Paradiso (1988), plus
a rare example of sung opening credits for Pier Paolo Pasolini's
Uccellacci e uccellini (1966). It must be stressed that he
is *not* behind the work of the entirely separate composers
Bruno Nicolai and Nicola Piovani despite allegations made
by more than one supposedly reputable film guide!
(see
here) |
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