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English-->engmus-000-->engmius-086-090 Same CN

 

 

A catalog of Morricone's music mus-086 --> mus-090

mus-086 "anche se volessi lavorare, che faccio"-1972

73-32-official
Relative movie
Note
"-official" is in official catalogue
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397 albums' 5596 tracks composed by Ennio Morricone (Total size 2.8G)
83 more famous movies composed by Ennio Morricone (Total size 64.0G)
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No.
Name
WMA
 
001
lei se ne more
002
ora a te, poi a me
003
tramonto
004
an-ghin-go
005
per la strada
006
anche se volessi lavorare, che faccio
007
tramonto
008
ora pro nobis
009
lei se ne more
010
an-ghin-go

 

mus-087"BLOODLINE"-1979

79-02
Relative movie
Note

 

001
Main title(love theme)
 
002
Mountain murder
003
No accident
004
An almost perfect indiscretion
005
Another bloodline murder
006
Out of the past
007
Pills on parade
008
Bloodline murder
009
Dinner at Maxim's
010
Horrible discovery
011
Resolution(end title)

 

mus-088 "danger diabolik"-1967

68-02-official
Relative movie
Note
"-official" is in official catalogue

 

001
deep down (main title english)
 
002
yes sir no sir (dialogue)
003
charading chauffeurs in waiting
004
main theme
005
into the cave
006
diabolik's hideout
007
the shower (deep down 2)
008
logical suggestion (dialogue)
009
money orgy
010
criminal-justice solution (dialogue)
011
headlines (organfreakout 1)
012
valmont's gogo pad
013
dumped by dimockracy (dialogue)
014
evas holy dress (deep down 3)
015
diabolik capture-conference (dialogue)
016
gunfight at red sands
017
evas sketchy i.d. (dialogue)
018
metamorphosis (organ freakout 2)
019
emerald bikini (deep down 4)
020
doctor vinear's i.d.prescription (dialogue)
021
downhill decoy
022
vinear's x-out session death-life (dialogue)
023
jenko's plan derails
024
guinnesss gold bar (dialogue)
025
bubbles (extracting au from h2o)
026
under wah-wah (extracted au from h2o)
027
now go!!
028
eva alone (dialogue)
029
the pyrite wink (deep down 5)
030
last laff
031
deep down christy (release parade 5052)
032
o.k. connery christy (release parade 5035)
033
valmont (underworld don) philosophies (dialogue medley)

 

mus-089 "IL PRINCIPE DEL DESERTO"-1989

89-04
Relative movie
Note
"-official" is in official catalogue

 

001
Il figlio e la nostalgia
 
002
Il principe del deserto
003
Sguardo nascosto
004
Lei,una voce
005
Attimi d'amore
006
Riflessioni sulle radici
007
Il nonno
008
Preparazione alla corsa
009
Dissolvenze desertiche
010
Sola,nuda
011
Lo scrigno
012
Una strana tromba
013
Arrivano
014
Il figlio e la nostalgia
015
Scorpione
016
Morte di mulay
017
Ninna nanna per un'insonnia
018
Tra sentimento e tensione
019
Insolita rincorsa
020
Una luce,mille luci
021
Nostlgia
022
Il principe del deserto
023
Prima del ritrovamento

 

mus-090 "IL SEGRETO"-1974

74-03-official
Relative movie
Note
"-official" is in official catalogue

 

001
Il segreto(finale 1)
 
002
Dal mare
 
003
Nebulosa prima
 
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Ennio Morricone Mini biography: A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialised in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for Per un pugno di dollari (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionised the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. Although his name will always be synonymous with the spaghetti Western, Morricone has also contributed to a huge range of other film genres: comedies, dramas, thrillers, horror films, romances, art movies, exploitation movies -making him one of the film world's most versatile artists. He has written nearly 400 film scores, so a brief summary is impossible, but his most memorable work includes the Leone films, Gillo Pontecorvos _Battaglia di Algeri, La (1965)_ , Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Nuovo cinema Paradiso (1988), plus a rare example of sung opening credits for Pier Paolo Pasolini's Uccellacci e uccellini (1966). It must be stressed that he is *not* behind the work of the entirely separate composers Bruno Nicolai and Nicola Piovani despite allegations made by more than one supposedly reputable film guide! (see here)
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