| English-->engmus-000-->engmius-086-090 |
Same
CN |
|
A
catalog of Morricone's music mus-086 -->
mus-090
mus-086
"anche
se volessi lavorare, che faccio"-1972
|
|
73-32-official
|
|
Relative movie
|
|
|
Note
|
|
|
|
Only
20 Kbps low bit rate was provided for personal enjoy
here
|
|
|
|
|
|
|
|
No.
|
Name
|
WMA
|
|
|
001
|
lei se
ne more
|
|
|
002
|
ora a te,
poi a me
|
|
|
003
|
tramonto
|
|
|
004
|
an-ghin-go
|
|
|
005
|
per la
strada
|
|
|
006
|
anche se
volessi lavorare, che faccio
|
|
|
007
|
tramonto
|
|
|
008
|
ora pro
nobis
|
|
|
009
|
lei se
ne more
|
|
|
010
|
an-ghin-go
|
|
|
|
mus-087"BLOODLINE"-1979
|
|
79-02
|
|
Relative movie
|
|
|
Note
|
|
|
|
|
001
|
Main title(love
theme)
|
|
|
|
002
|
Mountain
murder
|
|
|
003
|
No accident
|
|
|
004
|
An almost
perfect indiscretion
|
|
|
005
|
Another
bloodline murder
|
|
|
006
|
Out of
the past
|
|
|
007
|
Pills on
parade
|
|
|
008
|
Bloodline
murder
|
|
|
009
|
Dinner
at Maxim's
|
|
|
010
|
Horrible
discovery
|
|
|
011
|
Resolution(end
title)
|
|
|
|
mus-088
"danger
diabolik"-1967
|
|
68-02-official
|
|
Relative movie
|
|
|
Note
|
|
|
|
|
001
|
deep down
(main title english)
|
|
|
|
002
|
yes sir
no sir (dialogue)
|
|
|
003
|
charading
chauffeurs in waiting
|
|
|
004
|
main theme
|
|
|
005
|
into the
cave
|
|
|
006
|
diabolik's
hideout
|
|
|
007
|
the shower
(deep down 2)
|
|
|
008
|
logical
suggestion (dialogue)
|
|
|
009
|
money
orgy
|
|
|
010
|
criminal-justice
solution (dialogue)
|
|
|
011
|
headlines
(organfreakout 1)
|
|
|
012
|
valmont's
gogo pad
|
|
|
013
|
dumped
by dimockracy (dialogue)
|
|
|
014
|
evas holy
dress (deep down 3)
|
|
|
015
|
diabolik
capture-conference (dialogue)
|
|
|
016
|
gunfight
at red sands
|
|
|
017
|
evas sketchy
i.d. (dialogue)
|
|
|
018
|
metamorphosis
(organ freakout 2)
|
|
|
019
|
emerald
bikini (deep down 4)
|
|
|
020
|
doctor
vinear's i.d.prescription (dialogue)
|
|
|
021
|
downhill
decoy
|
|
|
022
|
vinear's
x-out session death-life (dialogue)
|
|
|
023
|
jenko's
plan derails
|
|
|
024
|
guinnesss
gold bar (dialogue)
|
|
|
025
|
bubbles
(extracting au from h2o)
|
|
|
026
|
under
wah-wah (extracted au from h2o)
|
|
|
027
|
now go!!
|
|
|
028
|
eva alone
(dialogue)
|
|
|
029
|
the pyrite
wink (deep down 5)
|
|
|
030
|
last laff
|
|
|
031
|
deep down
christy (release parade 5052)
|
|
|
032
|
o.k. connery
christy (release parade 5035)
|
|
|
033
|
valmont
(underworld don) philosophies (dialogue medley)
|
|
|
|
mus-089
"IL
PRINCIPE DEL DESERTO"-1989
|
|
89-04
|
|
Relative movie
|
|
|
Note
|
|
|
|
|
001
|
Il figlio
e la nostalgia
|
|
|
|
002
|
Il principe
del deserto
|
|
|
003
|
Sguardo
nascosto
|
|
|
004
|
Lei,una
voce
|
|
|
005
|
Attimi
d'amore
|
|
|
006
|
Riflessioni
sulle radici
|
|
|
007
|
Il nonno
|
|
|
008
|
Preparazione
alla corsa
|
|
|
009
|
Dissolvenze
desertiche
|
|
|
010
|
Sola,nuda
|
|
|
011
|
Lo scrigno
|
|
|
012
|
Una strana
tromba
|
|
|
013
|
Arrivano
|
|
|
014
|
Il figlio
e la nostalgia
|
|
|
015
|
Scorpione
|
|
|
016
|
Morte di
mulay
|
|
|
017
|
Ninna nanna
per un'insonnia
|
|
|
018
|
Tra sentimento
e tensione
|
|
|
019
|
Insolita
rincorsa
|
|
|
020
|
Una luce,mille
luci
|
|
|
021
|
Nostlgia
|
|
|
022
|
Il principe
del deserto
|
|
|
023
|
Prima del
ritrovamento
|
|
|
|
mus-090
"IL
SEGRETO"-1974
|
|
74-03-official
|
|
Relative movie
|
|
|
Note
|
|
|
|
|
001
|
Il segreto(finale 1)
|
|
|
|
002
|
Dal mare
|
|
|
|
003
|
Nebulosa prima
|
|
|
|
The
VIP member special area has been opened in 2011
|
|
To
meet the Morricone fans's requirement that In-depth study
the series of works of the great master Ennio Morricone
|
|
Providing
complete summary and play in online of the OST and the flms
of 401 official works of Ennio Morricne
|
|
|
Morricone
soundtracks resource library (Total
5596 tracks)
has been opened, Free download
>>>>>>
|
| |
|
| |
|
|
|
Ennio
Morricone Mini biography: A classmate of director Sergio Leone
with whom he would form one of the great director/composer
partnerships (right up there with Eisenstein & Prokofiev,
Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone
studied at Rome's Santa Cecilia Conservatory, where he specialised
in trumpet. His first film scores were relatively undistinguished,
but he was hired by Leone for Per un pugno di dollari (1964)
on the strength of some of his song arrangements. His score
for that film, with its sparse arrangements, unorthodox instrumentation
(bells, electric guitars, harmonicas, the distinctive twang
of the jew's harp) and memorable tunes, revolutionised the
way music would be used in Westerns, and it is hard to think
of a post-Morricone Western score that doesn't in some way
reflect his influence. Although his name will always be synonymous
with the spaghetti Western, Morricone has also contributed
to a huge range of other film genres: comedies, dramas, thrillers,
horror films, romances, art movies, exploitation movies -making
him one of the film world's most versatile artists. He has
written nearly 400 film scores, so a brief summary is impossible,
but his most memorable work includes the Leone films, Gillo
Pontecorvos _Battaglia di Algeri, La (1965)_ , Roland Joffé's
The Mission (1986), Brian De Palma's The Untouchables (1987)
and Giuseppe Tornatore's Nuovo cinema Paradiso (1988), plus
a rare example of sung opening credits for Pier Paolo Pasolini's
Uccellacci e uccellini (1966). It must be stressed that he
is *not* behind the work of the entirely separate composers
Bruno Nicolai and Nicola Piovani despite allegations made
by more than one supposedly reputable film guide!
(see
here) |
|
