| English-->
engsongster-001-->
engsongster-004 |
|
|
|
engsongster-004
|
| |
|
"Ennio
morricone - canto morricone vol. 1,2,4" (192kbps)
|
|
|
|
The music provided
by the adwiser of the web site Ms.Sherry
|
|
Only
provide a part of watch in online in every movie page.
|
|
Morricone Fans Shareing Landstead
|
|
|
|
|
|
| |
|
canto morricone vol.1-the
60's
|
| |
|
|
| |
|
序号
|
名称
|
WMA格式在线试听
|
|
001
|
Menage All'Italiana(1965)-Ho
Messo Gli Occhi Su Di Te
|
|
|
002
|
Thrilling(1965)-Thrilling
|
|
|
003
|
Se telefonando (1966)
|
|
|
004
|
Il Successo(1963)-Sapore
di sale
|
|
|
005
|
Quattro vestiti (1962)
|
|
|
006
|
Teorema(1968)-Fruscio di
foglie verdi
|
|
|
007
|
Svegliati e uccidi(1966)-Una
stanza vuota
|
|
|
008
|
Menage all'italiana(1965)-In
fondo ai mi occhi miei
|
|
|
009
|
Un Bellissimo novembre(1968)-Nuddu
|
|
|
010
|
I Malamondo(1964)-Questo
vent'anni miei
|
|
|
011
|
La Cuccagna(1962)-Tra tanta
gente
|
|
|
012
|
Danger Diabolik(1968)-Deep
deep down
|
|
|
013
|
Je changerais d'avis (1966)
|
|
|
014
|
I Malamondo(1964)-Funny world
|
|
|
015
|
Il disco rotto (1962)
|
|
|
016
|
Metti una sera a cena(1969)-Hurry
to me
|
|
|
017
|
I Malamondo(1964)-Penso a
te
|
|
|
018
|
La Cuccagna(1962)-Quello
che conta
|
|
|
019
|
I Malamondo(1964)-Funny world
|
|
|
020
|
I Basilischi(1963)-Cantata
basilisca
|
|
|
021
|
Scetate (1965)
|
|
|
|
|
|
|
|
|
|
canto morricone vol.2-western
songs & ballads
|
| |
|
序号
|
名称
|
WMA格式在线试听
|
|
001
|
Tepepa(1968)-al messico che
vorrei
|
|
|
002
|
Da uomo a uomo(1968)-death
rides a horse
|
|
|
003
|
Vamos a matar,companeros!(1970)
|
|
|
004
|
Duello nel Texas(1963)-a
gringo like me
|
|
|
005
|
Una Pistola per Ringo(1965)-Angel
face
|
|
|
006
|
Il Ritorno di Ringo(1966)-The
return of Ringo
|
|
|
007
|
Le Pistole non discutono(1964)-Lonesome
Billy
|
|
|
008
|
La Resa dei conti(1966)-Corri
uomo corri
|
|
|
009
|
Per qualche dollaro in più(1965)-Eye
for an eye
|
|
|
010
|
Per un pugno di dollari(1964)-A
fistful of dollars
|
|
|
011
|
Gli Intoccabili(1968)-La
ballata di Hank McCain
|
|
|
012
|
La ballata di Hank McCain
|
|
|
013
|
La ballata di Hank McCain
|
|
|
014
|
L'Uomo e la magia(1972)-Faith
(u pa ni sha)
|
|
|
015
|
L'Alibi(1969)-Canzone della
libertà
|
|
|
016
|
Sacco e Vanzetti(1971)-La
balatta di Sacco e Vanzetti part 1
|
|
|
017
|
La balatta di Sacco e Vanzetti
- part 2
|
|
|
018
|
La balatta di Sacco e Vanzetti
- part 3
|
|
|
019
|
Here's to you
|
|
|
020
|
The ballad of Sacco &
Vanzetti
|
|
|
021
|
La marche de Sacco et Vanzetti
|
|
|
|
|
|
Canto Morricone vol.4
|
| |
|
序号
|
名称
|
WMA格式在线试听
|
|
001
|
01.Butterfly (1981)-It's
wrong for me to love you
|
|
|
002
|
02.Sostiene Pereira (1995)-A
brisa do corasao
|
|
|
003
|
03.Giù la testa (1971)-Sean
Sean
|
|
|
004
|
04.Love Affair (1994)
|
|
|
005
|
05.La Piovra 5 Il cuore del
problema (1988)-My heart and I [Shortened]
|
|
|
006
|
06.La Notte e il momento(1994)-The
loving game
|
|
|
007
|
07.Ha fatto un sogno (1997)
|
|
|
008
|
08.C'era una volta il west
(1969)-C'era una volta la terra mia
|
|
|
009
|
09.Una Pura formalità (1994)-Ricordare
|
|
|
010
|
10.The Secret of the Sahara
(1987)-Les secrets du Sahara
|
|
|
011
|
11.Sahara (1983)
|
|
|
012
|
12.Metti una sera a cena
(1969)-Hurry to me
|
|
|
013
|
13.Di più (1997)
|
|
|
014
|
14.Maddalena (1971)-Desire
(Chi mai)
|
|
|
015
|
15.Sostiene Pereira (1995)-A
brisa do corasao
|
|
|
016
|
16.Voyage of Terror,The Achille
Lauro Affair(1990)-Could heaven be
|
|
|
017
|
17.Una Pura formalità (1994)-Effacer
le passé
|
|
|
018
|
18.Libera l'amore (1989)
|
|
|
|
|
|
|
| |
|
A lot of people believe that I began
with the cinema, and then started to write "absolute music";
it is not true. I began with writing "absolute music",
and then I worked for the cinema because some directors called to
me. I made experiences of arrangements for the radio, the television,
the theatre... Therefore, I became known and was called for the
cinema.For the film The
Mission, Roland Joffé wanted eclectic music...The film story
is true: it happened in the 18th century, in a period, musically,
of a renewal of the instrumental music. This music is brought by
a priest, playing oboe, in South America. He brings not only the
instrumental music, with his oboe, but the rules of the Trento's
council (1), dating from the end of the 16th century. It established
some rules to put some order in the liturgical music, for which
Palestrina (2) is the main responsible.Here are the two roots of
the occidental music, put in the film The Mission: the liturgical
music rules and the instrumental music. A third element added is
the ethnic music, from the Guaranis. more>>>>>>
|
|
|
|
|
|
| |
|
|
|
Ennio
Morricone Mini biography: A classmate of director Sergio Leone
with whom he would form one of the great director/composer partnerships
(right up there with Eisenstein & Prokofiev, Hitchcock &
Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's
Santa Cecilia Conservatory, where he specialised in trumpet.
His first film scores were relatively undistinguished, but he
was hired by Leone for Per un pugno di dollari (1964) on the
strength of some of his song arrangements. His score for that
film, with its sparse arrangements, unorthodox instrumentation
(bells, electric guitars, harmonicas, the distinctive twang
of the jew's harp) and memorable tunes, revolutionised the way
music would be used in Westerns, and it is hard to think of
a post-Morricone Western score that doesn't in some way reflect
his influence. Although his name will always be synonymous with
the spaghetti Western, Morricone has also contributed to a huge
range of other film genres: comedies, dramas, thrillers, horror
films, romances, art movies, exploitation movies -making him
one of the film world's most versatile artists. He has written
nearly 400 film scores, so a brief summary is impossible, but
his most memorable work includes the Leone films, Gillo Pontecorvos
_Battaglia di Algeri, La (1965)_ , Roland Joffé's The Mission
(1986), Brian De Palma's The Untouchables (1987) and Giuseppe
Tornatore's Nuovo cinema Paradiso (1988), plus a rare example
of sung opening credits for Pier Paolo Pasolini's Uccellacci
e uccellini (1966). It must be stressed that he is *not* behind
the work of the entirely separate composers Bruno Nicolai and
Nicola Piovani despite allegations made by more than one supposedly
reputable film guide!
(see
here) |
|
|