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English-->engmus-000-->engmius-016-020 Same CN

 

 

A catalog of Morricone's music mus-016 --> mus-020

mus-016 "L'ASSOLUTO NATYRALE"--1969

69-21-official
Relative movie
Note
"-official" is in official catalogue
Only 20 Kbps low bit rate was provided for personal enjoy here

 

NO.
NAME
WMA
 
001
L'ASSOLUTO NATURALE
002
SEMPRE PIU' VERITA
003
E' FACILE
004
SEMBRAVI DESIDERARE
005
AMARE ASSOLUTAMENTE
006
IMPARARE A CONOSCERE

 

mus-017 "Metello"--1969

70-10
Relative movie
Note

001
METELLO
 
002
TEMA SCIOPERO
003
PIANINO NELLA STRADA
004
METELLO
005
TEMA SCIOPERO
006
METELLO
007
TEMA SCIOPERO
008
L'ARRIVO DEL RE
009
LA NAJA
010
METELLO

 

mus-018 "Sicilian clan"--1969

69-10-official
Relative movie
Note
"-official" is in official catalogue

001
ITALIAN THEME
 
002
SNACK BAR
003
THE JEWEL SHOW
004
DIALOGUE NO.1
005
JEANNE ON THE BEACH
006
DIALOGUE NO.2
007
LEGOFF'S THEME
008
GANSTER'S THEME
009
ITALIAN THEME
010
THE STAMPS
011
FINALE

 

mus-019 "Vamos a mater conpaneros"--1970

70-03-official
Relative movie
Note
"-official" is in official catalogue

 

001
IL PINGUINO
 
002
VAMOS A MATER COMPANEROS (TITOLI)
003
LA MESSICANA
004
LA LORO PATRIA
005
UN UOMO IN AGGUATO
006
PENSANDO ALLA LIBERTA'
007
CECCHINO
008
IL PINGUINBO

 

mus-020 "La califfa"--1970

70-14-official
Relative movie
Note
"-official" is in official catalogue

 

001
SANGUE SULL' ASFALTO
 
002
LA CALIFFA
003
REQUIEM PER UN OPERAIO
004
SOTTO LA PIOGGIA
005
LE DONNE AL FIUME
006
LA PACE INTERIORE
007
DENTRO LA MACCHINA
008
ADDIO ALLA FABBRICA
009
RICORDO DI UN AMICO
010
LE DONNE AL FIUME
011
LA CENA
012
NOTTURNO
013
LA DONNA E LA CAMPAGNA
014
PRIMA E DOPO L'AMORE
015
GELO E DISPREZO
016
TRITTICO PER ORGANO
017
FARI NELLA NOTTE
018
L'IMPATTO
019
LA PACE INTERIORE
020
LA DONNA E LA GENTA
021
ADDIO ALLA FABBRICA
022
LA CALIFFA(SUITE)
023
FINALE
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Providing complete summary and play in online of the OST and the flms of 401 official works of Ennio Morricne
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Ennio Morricone Mini biography: A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialised in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for Per un pugno di dollari (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionised the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. Although his name will always be synonymous with the spaghetti Western, Morricone has also contributed to a huge range of other film genres: comedies, dramas, thrillers, horror films, romances, art movies, exploitation movies -making him one of the film world's most versatile artists. He has written nearly 400 film scores, so a brief summary is impossible, but his most memorable work includes the Leone films, Gillo Pontecorvos _Battaglia di Algeri, La (1965)_ , Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Nuovo cinema Paradiso (1988), plus a rare example of sung opening credits for Pier Paolo Pasolini's Uccellacci e uccellini (1966). It must be stressed that he is *not* behind the work of the entirely separate composers Bruno Nicolai and Nicola Piovani despite allegations made by more than one supposedly reputable film guide! (see here)
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