TB7001-
Il
Decameron / The Decameron
(Pier Paolo Pasolini)
|
|
|
Stars |
Franco Citti |
Ninetto
Davoli |
Jovan
Jovanovic | |
Country |
Italy
| France | West Germany |
Runtime |
112 min |
Date |
1971
(France) |
|
Also
Known As:
|
Argentina
El decameron
Austria Decamerone
Bulgaria (Bulgarian title) §¥§Ö§Ü§Ñ§Þ§Ö§â§à§ß
Brazil Decameron
Denmark Decameron
Spain El Decamer¨®n
Finland (video box title) Decamerone
France Le D¨¦cam¨¦ron
UK The Decameron
Greece (transliterated ISO-LATIN-1 title) To dekaimero
Hungary Dekameron
Norway Decameronen
Poland Dekameron
Portugal Decameron
Soviet Union (Russian title) §¥§Ö§Ü§Ñ§Þ§Ö§â§à§ß
Turkey (festival title) (Turkish title) Dekameron
Turkey (Turkish title) Dekameron'un ask hikayeleri
USA The Decameron
Uruguay (original subtitled version) El decamer¨®n
West Germany Decameron
West Germany Decamerone
World-wide (English title) The Decameron |
|
|
|
An adaptation
of nine stories from Bocaccio's "Decameron": A young man
from Perugia is swindled twice in Naples, but ends up rich; a man
poses as a deaf-mute in a convent of curious nuns; a woman must
hide her lover when her husband comes home early; a scoundrel fools
a priest on his deathbed; three brothers take revenge on their sister's
lover; a young girl sleeps on the roof to meet her boyfriend at
night; a group of painters wait for inspiration; a crafty priest
attempts to seduce his friend's wife; and two friends make a pact
to find out what happen= s after death. Pasolini is up to his old
tricks satirizing the Church, and throwing in liberal doses of life
and love. (IMDB) |
The
film, shot in Neapolitan dialect at the behest of the director,
offers a variety of episodes from the stories most characteristic
of the work of Giovanni Boccaccio, and are linked through a pupil
of the painter Giotto (played by Pasolini himself) who arrives in
Naples to paint a mural.
In the first
episode, Andreuccio of Perugia is cheated by a Neapolitan and
dropped in a trough of excrement. The young man is found in the
pulp by two thieves who are attempting a coup at a nearby church
to steal the jewels from the tomb of a bishop who died a few days
earlier. Andreuccio is persuaded and, with a brilliant ruse, manages
to steal for himself the most beautiful ring of the deceased....(WIKI)
|
See
a special film web page in the web site
>>>> |
|
About
Music
|
|
Pier
Paolo Pasolini (Italy 1922-1975)
|
|
Ennio
Morricone:
was born 10 November 1928) is an Italian composer, orchestrator,
conductor, and former trumpet player. A classmate of director
Sergio Leone with whom he would form one of the great director/composer
partnerships (right up there with Eisenstein & Prokofiev,
Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone
studied at Rome's Santa Cecilia Conservatory, where he specialized
in trumpet. His first film scores were relatively undistinguished,
but he was hired by Leone for Per un pugno di dollari (1964)
on the strength of some of his song arrangements. His score
for that film, with its sparse arrangements, unorthodox
instrumentation (bells, electric guitars, harmonicas, the
distinctive twang of the jew's harp) and memorable tunes,
revolutionized the way music would be used in Westerns,
and it is hard to think of a post-Morricone Western score
that doesn't in some way reflect his influence. Although
his name will always be synonymous with the spaghetti Western,
Morricone has also contributed to a huge range of other
film genres: comedies, dramas, thrillers, horror films,
romances, art movies, exploitation movies - making him one
of the film world's most versatile artists. He has written
nearly 400 film scores, so a brief summary is impossible,
but his most memorable work includes the Leone films, Gillo
Pontecorvo's La battaglia di Algeri (1966) , Roland Joff¨¦'s
The Mission (1986), Brian De Palma's The Untouchables (1987)
and Giuseppe Tornatore's Nuovo Cinema Paradiso (1988), plus
a rare example of sung opening credits for Pier Paolo Pasolini's
Uccellacci e uccellini (1966)......(IMDB,
WIKI)
£¨ÖÐÎĽéÉܼû 01,
02,
03,
04,
05,
06,
07,
08) |
Pier
Paolo Pasolini
; 5 March 1922 ¨C 2 November 1975) was an Italian film director,
poet, writer and intellectual. Pasolini also distinguished
himself as an actor, journalist, philosopher, novelist,
playwright, filmmaker, painter and political figure.
He
remains a controversial personality in Italy to this day
due to his blunt style and the focus of some of his works
on taboo sexual matters, but he is an established major
figure in European literature and cinematic arts. His
murder prompted an outcry in some circles of Italy, with
its circumstances continuing to be a matter of heated
debate.....(WIKI)
|
|
|
Composer:
Ennio Morricone, Pier Paolo Pasolini (ChiMai),
(CHIMAI)
; |
Music
by Ennio Morricone (as Mo Ennio Morricone) (IMDB)
|
The
film creditis shows£¨00:01:42£©£ºMusiche
a cura dell'autore collaborazione del M'ENNIO
MORRICONE
|
|
|
Summary
of the music: The most of mainstream sites are
marked the composer of the film is Ennio Morricone (or both
Morricone and Pasolini). but we cannot find the film in
the Morricone official web site. There is a explanation
in the CHIMAI
web site:"Ennio Morricone did not write or arrange
any music for IL DECAMERON. He was only asked to advise
on what music to use in the film, pre-existing music he
had not written himself. The film's opening credits: "Music
selected by the author [Pasolini] in collaboration with
Maestro Ennio Morricone". So we can see that how important
it is to unify the filmography's definition! Or at least
the official website should have a definition of its own
and make public to the world. Otherwise, it is not possible
to unify that Everyone's understanding (inculde all web
site and fans in the world, see
our article here). The film's OST album has not yet
been released up to now, may be related to this situation. |
|
|
|
|
Above:
Related info in CHIMAI 01,
02,
03
|
|
Related
Albums-No Album (Part)
|
|
|
|
|
|
|
|
|
|
|
OST
of Il
Decameron
(Only
for
Ennio Morricone)
|
No.
|
Name
(Length)
|
Audition
|
Note
|
001
|
No
|
|
No
any album
|
|
|
|
TB7002-Forma
e formula (Documentary-Giovanni Cecchinato)
|
|
|
Stars |
Documentary |
Country |
Italy |
Runtime |
14
min |
Date |
1970 |
|
The
credics in end of thhe film (12'47"-13'25")
|
Realizzazione
sezione cinema montecatini edison
fotografia
giorgio davoli:
luciano milesi
vincenzo paradiso
anmazione: elettra film
hanno collaborato:
pietro barbesta
anna carozzi
enrico corneo
cecilia d'antonio
naide martini
musiche:
ennio morricone
luigi giudici
scott-marlow
regia:
giovanni cecchinato
|
|
|
|
|
|
|
Forma
e formula Archivio Nazionale Cinema d'Impresa £ºIl documentario,
servendosi di un uso efficace dell'animazione, analizza il rapporto
instauratosi nel corso del tempo tra l'uomo e la materia. Fin dall'epoca
preistorica, l'uomo ha sempre cercato di dominare la materia, creando
strumenti e ideando mezzi idonei a pasmarla secondo le proprie esigenze.
Nei tempi moderni, con l'aiuto dell'alchimia prima e della chimica
poi, l'uomo ¨¨ riuscito non solo a trasformare qualsiasi materia
prima, piegandola alle proprie esigenze, ma ha potuto creare egli
stesso nuove materie ottenendo contemporaneamente la forma, l'oggetto
desiderato e la formula, la materia che lo compone. Documentario
prodotto dalla Montedison per la regia di Giovanni Cecchinato (Italia,
1970).
Archivio Nazionale Cinema d'Impresa £¨YouTube£© |
This is a science
and education documentary. It is a combination of animation and
documentary form, studying the evolution of the mankind understanding
to material for millions of years. Speaking from human observation
for celestial bodies and shape of the all things in the world in
the prehistoric society,gradually deep into the study of matter
essence by humans in contemporary society: From the creation of
simple tools to large-scale industrial production; From Alchemy
to Modern Science; From Lavoisier to Mendeleev; From plastic to
integrated circuits; From appearance to essence, from form to formula.In
just 14 minutes, the film quickly reviewed that the hard work and
brilliant achievements with mankind constantly trying to dominate
the world since ancient times.More hope for young students and new
generation, full of a better vision and infinite hope for the future
of society.The film composed by Ennio Morricone, Luigi Giudici and
Scott Marlow. Written by HAN
(IMDB) |
|
About
Music
|
|
Bobby
Scott (USA
1937-1990)
|
|
Ennio
Morricone:
was born 10 November 1928) is an Italian composer, orchestrator,
conductor, and former trumpet player. A classmate of director
Sergio Leone with whom he would form one of the great director/composer
partnerships (right up there with Eisenstein & Prokofiev,
Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone
studied at Rome's Santa Cecilia Conservatory, where he specialized
in trumpet. His first film scores were relatively undistinguished,
but he was hired by Leone for Per un pugno di dollari (1964)
on the strength of some of his song arrangements. His score
for that film, with its sparse arrangements, unorthodox
instrumentation (bells, electric guitars, harmonicas, the
distinctive twang of the jew's harp) and memorable tunes,
revolutionized the way music would be used in Westerns,
and it is hard to think of a post-Morricone Western score
that doesn't in some way reflect his influence. Although
his name will always be synonymous with the spaghetti Western,
Morricone has also contributed to a huge range of other
film genres: comedies, dramas, thrillers, horror films,
romances, art movies, exploitation movies - making him one
of the film world's most versatile artists. He has written
nearly 400 film scores, so a brief summary is impossible,
but his most memorable work includes the Leone films, Gillo
Pontecorvo's La battaglia di Algeri (1966) , Roland Joff¨¦'s
The Mission (1986), Brian De Palma's The Untouchables (1987)
and Giuseppe Tornatore's Nuovo Cinema Paradiso (1988), plus
a rare example of sung opening credits for Pier Paolo Pasolini's
Uccellacci e uccellini (1966)......(IMDB,
WIKI)
£¨ÖÐÎĽéÉܼû 01,
02,
03,
04,
05,
06,
07,
08) |
Luigi
Giudici £¨See Discogs£© |
Bobby
Scott
(Real Name: Robert William Scott) American musician, bandleader,
producer and songwriter (born January 29, 1937 in Mount
Pleasent, New York - died November 05, 1990 in New York
City, New York (cancer).A pianist, vibraphonist, and singer,
he could also play the accordion, cello, clarinet, and double
bass. As a bandleader, he did sessions for Verve, ABC-Paramount,
Bethlehem, and Musicmasters. As a songwriter, he won a Grammy
Award for Best Instrumental Composition for the song "A
Taste of Honey", he also co-wrote the song "He
Ain't Heavy, He's My Brother". (Here) |
Ric
Marlow£ºAmerican
songwriter and actor, born 21 December 1925 in New York
City, USA.£¨Here£© |
Composer:
Ennio Morricone; Luigi Giudici; Bobby Scott; Ric Marlow
and Led Zeppelin (Song "How Many More Times" ¡¶uncredited¡·)
(CHIMAI)
|
It
contains pre-existing Morricone music, but also holds one
inedit which was obviously recorded during the 1968 GRAZIE
ZIA sessions. (CHIMAI) |
The
creditis in the film end shows composers' name£¨00:13:13)
|
|
|
Summary
of the music£ºThe composers
are Ennio Morricone; Luigi Giudici; Bobboy Scott and Ric
Marlow £¨ Song "A Taste of Honey" see
CHIMAI and Discogs£©;
Also Led Zeppelin£¨No the person in the Film's creditis,
only shows in CHIMAI
and marked uncreditis-¡¶ Song "How Many More Times"
(uncredited) ¡·. Morricone contributed two pieces of music£¬
all are used music£¨See below OST list£© |
|
|
|
|
Above:
Related info in CHIMAI 01,
02,
03,
04
|
|
|
|
|
|
|
Metti
una sera a cena (1-3, 1-9)
|
Ennio
Morricone Happening - Acid Sides of the Maestro (1-18)
|
Morricone
in Colour (1-3, 1-9)
|
|
|
|
|
OST
of Forma
e formula
(Only
for
Ennio Morricone)
|
No.
|
Name
(Length)
|
Audition
|
Note
|
001
|
Terrazza vuota (03:06)
|
--------
|
Ennio
Morricone Composer Arranger; Bruno Nicolai Conductor;
(CHIMIA)
|
From
TA6817
Metti una sera a cena (03:07)
|
002
|
Nina (04:43)
|
--------
|
Ennio
Morricone Composer Arranger; Bruno Nicolai Conductor; (CHIMIA) |
From
TA6817
Metti una sera a cena (04:47)
|
|
|
|