Oliver Stone’s
excellent U-Turn sees Sean Penn’s car break down in a
small town in the American south while he’s on the run,
with various shenanigans following involving him and Jennifer
Lopez, whose husband hires him to kill her – and then
she offers him money to kill her husband (Nick Nolte).
Stone enticed the great Ennio Morricone to write the score,
one the final ones he did for Hollywood. The album opens
with half an hour of mostly country songs (including some
classics from Johnny Cash and Patsy Cline) before the
focus turns to Morricone’s score. The film’s a modern-day
western in some ways and of course this composer has quite
some experience in that genre, and he brings the quirkier
aspects of his western style here too, in a score brimming
with creativity. It starts with the sultry main theme,
“Grace”, a breathy female vocal performing the hypnotic
melody.
“U-Turn” is
another great theme, a whole host of fluttering reeds
accompanied by harmonica and guitars supporting the great
tune. “Bobby” has a really noirish tint to it, a slightly
dangerous mystique. “Hallucination Walk” is really hypnotic;
“Go On… Kill Grace” devilishly darkly humorous. “A Banjo
in the Desert” does what it says – the instrument performing
a duet with a harmonica over some trademark Morricone
suspenseful strings. A sequence of more tense music follows
– it doesn’t have the memorable melodies of the score’s
earlier parts, but it’s still full of flavour and very
entertaining. There are some more fantastic pieces, like
the fabulously quirky “Dialogue with the Indian” and the
diabolical action track “End of Sheriff”. Morricone does
manage to build in one heart-meltingly gorgeous piece,
“Old Family Souvenirs”, the theme being heard first performed
by a dreamy female vocal before being taken up by violin,
all with lilting guitar accompaniment. The whole score’s
a wonderful piece of entertainment, so enjoyable throughout.
Highly recommended.
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