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Introduce
2013 Morricone's new book (PDF E-BOOK)
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Composing
for the Cinema The
Theory and Praxis of Music in Film
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Author:
Ennio Morricone, Sergio Miceli; Translator: Gillian B. Anderson
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With
nearly 400 scores to his credit, Ennio Morricone is one of the most prolific
and influential film composers working today. He has collaborated with many
significant directors, and his scores for such films as The Good, the Bad,
and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission;
The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the
conviction that something special was achieved—a conviction shared by composers,
scholars, and fans alike.
In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene. |
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Product
Details
Paperback: 310 pages |
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Lessons
transcribed by Rita Pagani and edited by Laura Gallenga
CONTENIDO: Translator's Note 1. Introduction: The Composer
in the Cinema Appendix 1 : Composing for
the Cinema. A Manifesto Filmography |
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In order to fan's reading and studying, a PDF scan file for the book can be provided. Here are a few screenshots (they have been reduced, you can see the original more clear to click its link) | ||
Complete PDF file 301 pages 159M, can be downloaded directly. This document is only for reader of personal learning reference, strictly prohibited public dissemination. Please reader who has this need to pay the service fee 4 USD, and then send email to me, (Please specify to "Composing for the cinema" in order to avoid a mistake), you can get its download address and unzip password soon. Thank you for your understanding and support. | ||
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