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主页-->friendpages-000-->friendpages-f1002-2

 

本站2011年起开通赞助窗口,欢迎您的支持,详情见这里

mus-f1002-2 网友上传的莫里康乐曲-MALENA (玛莲娜)

本页乐曲由网友SUYI提供.本站代表广大网友向SUYI表示衷心感谢

Suyi 的E-mail是: thisissuyi@163.com

点击这里可以浏览SUYI的专页>>>>

 
您可以立即得到以下莫里康内爱好者必备资源的所有密码
1. 莫里康内谱曲的397部电影原声音乐资源(总计 5596 首 总容量2.8G )
2.本站历年发布过的莫里康内配乐83部最著名电影高码率视频文件 总容量64G
3.本站琴谱专栏的所有琴谱 (308首莫里康内谱曲的琴谱共计297M提供一次性完整下载)
4.其它大量重要的莫里康内有关资源,详情请见这里
 
 
00-06-official
相关电影页
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-official 表示为官方目录
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WMA格式在线试听
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附:曲名表
01.Inchini Ipocriti E Disperazione 02:04
02. Malena 02:37
03.Passeggiata In Paese 03:17
04.Visioni 02:36
05.Nella Casa... 02:16
06.Malena (End Titles) 04:25
07.Linciaggo 02:46
08.Orgia 01:13
09.Il Ritorno 01:47
10.Bisbigli Della Gente 02:42
11.Ma L'amore No 01:52
12.Casino-Bolero 02:10
13.Altro Casino 02:16
14.Visioni (Fantasie D'Amore) 02:15
15.Cinema D'altri Tempi 03:39
16.Ipocrisie 02:00
17.Pensieri Di Sesso 02:29
18.Momenti Difficili 04:19
 
附:Lina Termini 演唱的Ma l'amore no 歌词(见这里)和1932年出品的同名电影
Ma l'amore no
l'amore mio non puo'
disperdersi nel vento con le rose
tanto e' forte che non cedera' non sfiorera'
io lo vegliero', io lo difendero'
da tutte quelle insidie velenose
che vorrebbero strapparlo al cuor
povero amor
forse te ne andrai
da altre donne le carezze cercherai aime'
e se tornerai
gia' sfiorita ogni bellezza troverai in me
ma l'amore no
l'amore mio non puo'
dissolversi con l'oro dei capelli
finch'io viva sara' vivo in me
solo per te.
Lina Termini 演唱的Ma l'amore no 歌词
A CD collection of songs from Italian movies of the fascist era, typified by the popular song Ma l'amore no, sung by Lina Termini on the soundtrack of the 1942 film of the same name. Actress Alida Valli is in the in the photo, with actor Carlo Lombardi, from the 1939 Ballo al castello, directed by Max Neufeld. (见这里和这里, 这里)

 

Ennio Morricone Mini biography: A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialised in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for Per un pugno di dollari (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionised the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. Although his name will always be synonymous with the spaghetti Western, Morricone has also contributed to a huge range of other film genres: comedies, dramas, thrillers, horror films, romances, art movies, exploitation movies -making him one of the film world's most versatile artists. He has written nearly 400 film scores, so a brief summary is impossible, but his most memorable work includes the Leone films, Gillo Pontecorvos _Battaglia di Algeri, La (1965)_ , Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Nuovo cinema Paradiso (1988), plus a rare example of sung opening credits for Pier Paolo Pasolini's Uccellacci e uccellini (1966). It must be stressed that he is *not* behind the work of the entirely separate composers Bruno Nicolai and Nicola Piovani despite allegations made by more than one supposedly reputable film guide!

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