񅧏 No.
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µçÓ°¼°µ¼ÑÝ
(Òâ/Ó¢/ÖÐ)Ã
Name and Director (IT/CN)
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±¸×¢
Note
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±§Ç¸ÔÝÎÞÊÓÆµ
Sorry No Video
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All
Writer and supply |
Lionello
Torossi; Luciano Emmer; Richard Basehart; Universal Education
and Visual Arts.; Kartes Video Communications. |
Producer |
Narrator,
Richard Basehart ; English adaptation, Kenneth Donahue ; music,
Ennio Moricone. |
Stars |
Richard
Basehart |
Country |
Italy |
Runtime |
47
min |
Date |
1969 |
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Giotto
and the Pre-Renaissance explores the major works of Florentine painter,
sculptor, and architect Giotto di Bondone. Considered the first
genius of the Italian Renaissance, the innovative artist focused
on religious subjects, lending them powerful emotion and a three-dimensional
quality. This program provides a highly detailed study of Giotto's
key frescoes, including the masterpieces of the Upper and Lower
Church of San Francesco, Assisi, and St. Croce in Florence. Other
related programs are The Greek Temple, Picasso: War, Peace and Love,
Le Corbusier, Goya, and Germany: Dada.(Here
and 01,
02,
03) |
±¾Õ¾¼òÒë: ¸ù¾ÝÕâÒ»¸öÍøÒ³µÄ½éÉÜ,ÕâÊÇÒ»²¿ÓÉLuciano
Emmerµ¼Ñݲ¢ÓÉĪÀ￵ÄÚÆ×ÇúµÄ¼Ç¼Ƭ.ËüËÆºõÊÇÒ»Ì×ÃûΪ"Museum
without walls"(ÎÞǽµÄ²©Îï¹Ý)ͨÓýÌÓýºÍÊÓ¾õÒÕÊõ(Universal
Education and Visual Arts)ÊÓÌý×ÊÁÏÖеÄÒ»¾í,ÔÚ1969Äê·¢Ðе±Ê±ÊÇÒÔVHS¼Ïñ´øÎªÔØÌå·¢ÐеÄ.È«¼¯Ô¼Óм¸Ê®¾í,°üÀ¨Á˱ϼÓË÷(Picasso),¸êÑÅ(Goya)µÈÖøÃûÒÕÊõ¼ÒµÄ×÷Æ·,ÇÇÍÐÊÇÆäÖеÄÒ»¾í.(²Î¼ûÏÂͼ)
ÇÇÍд«Ì½Ë÷ÁË·ðÂÞÂ×Èø»¼Ò£¬µñËܼң¬½¨Öþ¼ÒÇÇÍÐ µÏ °î¶ÙµÄÖ÷Òª×÷Æ·¡£ÇÇÍÐÊÇÒâ´óÀûÎÄÒÕ¸´ÐËʱÆÚµÚһλÌì²Å£¬ËûµÄ´´ÐµÄÒÕÊõ¼ÒÖØµã¾Û½¹ÔÚ×Ú½ÌÖ÷Ì⣬ÕâЩÖ÷Ìâ¸øÓèËûÇ¿ÁÒµÄÇé¸Ð¡£ÕⲿµçÓ°ÌṩÁËÇÇÍйؼü±Ú»µÄ¸ß¶Èϸ½ÚÑо¿£¬°üÀ¨Ê¥¸¥ÀÊÎ÷˹¿ÆµÄÉÏϽÌÌõĽÜ×÷£¬°¢Î÷Î÷£¬ºÍ·ðÂÞÂ×ÈøµÄʥʮ×Ö¡£ÆäËûÏà¹ØµÄÄÚÈÝÈçÏ£À°Éñµî£¬±Ï¼ÓË÷£ºÕ½Õù£¬ºÍƽÓë°®£¬Àտ²¼Î÷Ò®£¬¸êÑź͵¹ú£º´ï´ï¡£
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NA-6902
(6919) Gott
mit uns / The
Fifth Day of Peace
(Giuliano
Montaldo)
/ÉñÓëÎÒÃÇͬÔÚ
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This
World War II drama is based on an actual incident. Two Nazi soldiers
desert and help a Canadian cook when the unit takes over a concentration
camp. Trudeau (Richard Johnson) is the Canadian captain who respects
his German counterpart (Helmut Schneider). An escape attempt has
the Nazis capturing the deserters and the Germans demand they be
turned over to them. The Canadians refuse, but the Germans insist
the deserters face court martial. The Canadian commander forces
the cook to turn over the two men who are shot by the Germans with
Canadian rifles five days after the official end of the war.
(Here)
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±¾Õ¾¼òÒë:
"Gott
mit uns"(Ó¢ÓïÒëΪ"God
with us")ÊÇÀúÊ·Éϵ¹ú¾ü¶ÓÖÐÒ»¾ä¹ÅÀϵij£ÓÃÓï(²Î¼ûÕâÀï)
ÕⲿÓйضþÕ½µÄ¾ç±¾»ùÓÚÒ»¸öÕæÊµÊ¼þ¡£Á½¸öÄÉ´âÊ¿±ø¿ªÁËС²î²¢ÇÒÔÚ²¿¶Ó½Ó¹ÜÒ»¸ö¼¯ÖÐӪʱ°ïÖúÁËÒ»Ãû¼ÓÄôó³øÊ¦¡£ÌØÂ³¶àÊÇһλ¼ÓÄôóÉÏУ,Ëû×ðÖØËûµÄµÂ¹ú¶ÔÊÖ¡£ÓÉÓÚÄÉ´âÊ¿±øÆóͼÌÓÅÜ£¬µÂ¹úÈËÒªÇó°ÑÄÇЩʿ±øÒƽ»¸øËûÃÇ¡£¼ÓÄôóÈ˾ܾøÁË£¬µ«Êǵ¹úÈ˼á³ÖÈÃÌÓÅܵÄÊ¿±øÃæ¶Ô¾üÊ·¨Í¥¡£ÔÚÕ½ÕùÕýʽ½áÊøÎåÌìÒÔºó,¼ÓÄôóµÄ˾Áî¹ÙÇ¿ÖÆ³øÊ¦Òƽ»ÄÇÁ½¸ö±»µÂ¹úÈËÓüÓÄôóµÄÀ´¸£Ç¹ÉäɱµÄÈË(ErikÒë) |
NA-6903
(7013) I
cannibali / The
Year of the Cannibals (Liliana
Cavani)(Ö±Òë ʳÈË×å)
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This
story of youthful rebellion is taken from the ancient Greek classic
"+Antigone." The setting is modern times and Britt_Eklund
plays Antigone in a fictitious land where reality is suspended.
Haimon (Tomas_Milian) goes against the wishes of his father and
the prime minister by wanting to become an animal. Tiresias (Pierre_Clementi)
plays a Christ-like figure. The only resemblance between this version
and the ancient tragedy is that the three principle characters are
slated for an uncertain future among the living. The film was shown
at the 1970 New York Film Festival. .(Here) |
±¾Õ¾¼òÒë: ÕⲿÇà´ºÅÑÄæµÄ¹ÊÊÂÈ¡×ÔÓÚ¹ÅÏ£À°ÃûÖø¡°+°²Ìá¸êÄù¡±.µçÓ°µÄʱ¿Õ±³¾°ÔòÊÇÉ趨Ϊ½ü´úÒ»¸öÐé¹¹µÄ¹ú¶È.º£Ãɲ»¹ËËû¸¸Ç׺ÍÊ×ÏàµÄÔ¸Íû¶øÊÇÏë±äΪһ¸ö¶¯Îï.Ì©ÈðÎ÷˹°çÑÝÁË»ù¶½°ãµÄÈËÎï.Õâ¸öÏÖ´ú°æ±¾ºÍ¹Å´ú±¯¾çÔÖø¶Ô±È,Ö»ÓÐÔÚ¶ÔÓÚδÀ´Éú»î²»È·¶¨ÐÔµÄÈý¸öÌØµãÖÐÓÐÀà֮ͬ´¦.ÕⲿµçÓ°ÔøÔÚ1970ÄêµÄŦԼ¹ú¼ÊµçÓ°½ÚÉÏ·ÅÓ³
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Better
known as Investigation of a Citizen Above Suspicion, this Oscar-winning
political drama stars Gian_Maria_Volonte as the citizen of the title,
an unnamed police inspector. The story finds the inspector calmly
cutting his mistress' throat, then planting evidence that will clear
him of accusation -- and attempting to evade arrest by virtue of
his "clean" public image. Elio_Petri's own anti-establishment
stance was never more pronounced than in this film, where the truth
is whatever the ruling class chooses to acknowledge. The original
Italian title of Investigation of a Citizen Above Suspicion was
Indagine su un Cittadino al di Sopra di Ogna Sospetto.
(Here)
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ÕâÊÇÒâ´óÀûµ¼ÑÝÅåÌØÀï×îÖøÃûµÄÒ»²¿Ó°Æ¬.Ôø»ñê©ÄɵçÓ°½ÚÆÀÉóÍÅÌØ±ð½±,°Â˹¿¨×î¼ÑÍâÓïÆ¬½±µÈÆßÏî´ó½±.ӰƬ½Ò¶Á˾¯²ì»ú¹ØµÄ¶À²Ã¸¯°Ü,´øÓÐÏÊÃ÷µÄÉç»áÅúÅÐÇãÏò,±»ÈÏΪÊÇÒâ´óÀûÕþÖεçÓ°µÄµÚÒ»²¿´ú±í×÷.¸ÃƬ½²ÊöÁËÒ»¸öÉí¸ºÖØÈβ¢±»ÌáÉýµÄ¸ß¼¶¾¯¹Ù,ÓÉÓÚ¶Ô×Ô¼ºÇ鸾·Åµ´ÐÐΪµÄ¼µºÞºÍÑá¶ñ,ÔÚºÍËýÓÄ»áʱɱËÀÁËËý.Ëû×Ô³Öλ¸ßÈ¨ÖØ,×ÔÐŲ»ÊÜ»³ÒÉ,ÓÐÒâµÄÔÚ·¸×ïÏÖ³¡ÁôÏ´óÁ¿×Ù¼£ÒÔ²âÖ¤ËûµÄÏë·¨.°ì°¸µÄ¾¯Ì½ÃÇÒ²ºÜ¿ì·¢ÏÖÁËÕâЩÒɵã,µ«ËûÃÇÈ´¸÷»³Ë½Àû¶Ô´ËÓÐÒâÎÞÒâµØÖÃÖ®²»Àí.Ëæ×۸ÇéµÄ·¢Õ¹,ÐÎÊÆÔ½À´Ô½Ã÷ÏԵضԾ¯¹Ù²»Àû,µ«°ì°¸µÄ¹ÙԱȴÊÔÍ¼×ªÒÆÄ¿±ê,¶ÔËÀÕßµÄǰ·òºÍÓë´ËÊÂÓÐÇ£Á¬µÄ×óÅÉѧÉúÑϼӿ½ÎÊ.Ö±µ½¾¯¹Ù±»ÈËÃ÷È·Ö¸ÈϾ«Éñ±ÀÀ£,×¼±¸Í¶°¸×ÔÊ×֮ʱ,ÁîÈËÕ¦ÉàµÄÊÂÇéÈ´³öÏÖÁË:¾¯²ì¾Ö³¤ºÍͬÊÂÃÇÏÈÊǶÔËûѵ³â,¼Ì¶øÈ´ò½ÅÌß,˵ËûûÓÐÍŶӾ«Éñ,ʵÔڿɶñ,ÒªËûÍ·ÄÔÇåÐÑ,²»Òª×Ô¼º±³ºÚ¹ø,¸ü²»Òª¸øÉÏ˾ºÍͬÊÂÃÇÁ³ÉÏĨºÚ.¾¹ýÕâÒ»·¬ÈÏÕæ½ÌÓý,¾¯¹ÙÖÕÓÚ"»ÏÈ»´óÎò",˵³ö"ÎÒ³ÐÈÏÎÒµÄÇå°×"´Ó¶øÇáÒ×µØÌÓÍÑÁËËûµÄ×ïÐÐ.µçÓ°×îºó³öÏÖÁ˽ݿË×÷¼Ò¿¨·ò¿¨µÄÒ»¶ÎÎÄ×Ö,"ÎÒÃǵõ½µÄÓ¡ÏóÊÇ,ÓÉÓÚËûÊÇ·¨ÂɵÄÖÒʵÐÅͽ,ËùÒÔËûµÈͬÓÚ·¨ÂÉ,²¢¿ÉÒÔÌÓ±ÜÈËÃǵÄÉóÅÐ".ӰƬµÄÖ÷ÌâÇúÐýÂÉÆæÌØ,Òôµ÷¹ÖÒì,¸øÈËÒÔÄÑÍüµÄÓ¡Ïó,ÊÇĪÀ￵ÄÚÒôÀÖ»áÉϵÄÒ»Ö§ÖØÒª±£ÁôÇúÄ¿.¸ü¶à½éÉÜºÍÆÀÂÛÇë¼û±¾Õ¾µçÓ°Ò³ |
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NA-6905
(6921) L'assoluto naturale / She
and He (Mauro
Bolognini) (Ö±Òë ËýÓëËû)
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The
love-hate relationship between a poet and his mistress provides
the basis for this metaphorical drama. The trouble seems to come
from the fact that the two have very different approaches to their
relationship. The poet is interested in a more traditional romance
while his hot-blooded lover would rather spend all their time having
sex.(Here)
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±¾Õ¾¼òÒë: µçÓ°Ãèдһ¸öÊ«È˺ÍËûµÄÇ鸾°®ºÞ½»Ö¯µÄ¹ØÏµ.Á½È˶ÔËûÃÇÖ®¼ä¹ØÏµµÄ²»Í¬Ô¸Íû´øÀ´ÁË·³ÄÕ.Ê«ÈËÐèÒªµÄÊÇÒ»¸ö´«Í³µÄÐËȤ£¬¶øËûµÄÀËÂþÈÈѪÇéÈËÔòÄþÔ¸ÓÃËùÓеÄʱ¼äÈ¥×ö°®
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Stars |
Tony
Musante |
Suzy
Kendall |
Enrico
Maria Salerno |
Country |
Italy
| West Germany |
Runtime |
98 min
| Argentina: 105 min | Germany: 101 min | Netherlands: 92
min | USA: 96 min | Finland: 97 min (1972) | Belgium: 108
min (VHS version) |
Date |
1970 |
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Sam,
an American writer in Rome, witnesses a murder attempt on the wife
of the owner of an art gallery by a sinister man in a raincoat and
black leather gloves - but Sam is powerless to do anything as he
gets trapped between a double set of glass doors in going to her
aid. The woman survives, and the police say that she is the first
surviving victim of a notorious serial killer. But when they fail
to make any progress with the case, Sam decides to investigate on
his own, turning up several clues that point in the direction of
just one possible suspect - assuming that he really knows who he's
looking for...(Here) |
±¾Õ¾¼òÒë:
ÃÀ¹úÓοÍɽķ¸ô×ÅÃÀÊõ¹ÝµÄ²£Á§´°£¬Æ³¼ûÒ»×ÚıɱÆóͼ£¬ËûµÄ¼°Ê±³öÏÖÈÃÐ×ÊÖÌÓ×ßÁË£¬»ñ¾ÈµÄÅ®×Ó·¼ÃûĪÄῨ¡£²»¾Ã£¬É½Ä··Â·ðÊÜÁ˹ƻóËÆµÄ¶ÔÕâ×Úıɱ×ÅÁËÃÔ£¬Ëû¾ö¶¨×·×ÙÐ×ÊÖµÄÏÂÂ䣬Õâ×ÔÈ»ÈÃËûµÄÅ®ÓÑÖìÀö櫺ܲ»¿ì£»¶øÍ¬Ê±ËûºÍÅ®ÓÑÒ²¿ªÊ¼½Óµ½Íþвµç»°£¬µç»°µÄ±³¾°ÉùÒôÀï×ÜÊÇÓÐÒ»ÖÖÄñ½ÐÉù¡£ºóÀ´£¬É½Ä·µÄÒ»¸öÅóÓÑÖÕÓÚ±æÎö³öÕâÊÇÎ÷²®ÀûÑǵÄÒ»ÖÖÕäÇݵĽÐÉù£¬¶¯ÎïÔ°ÀïÓÐÕâÖÖÄñ¡£×Ô´Ë¿ªÊ¼£¬Ó°Æ¬µÄÇé½ÚÔ½À´Ô½¿Ö²À¡¡
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NA-6907
(6918) La donna invisibile / The
Invisible Woman (Paolo
Spinola) / (Ö±Òë ÎÞÐÎÅ®)
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(Italian)
Un uomo osserva ¡°attraverso¡± il corpo della moglie una macchia
sul muro: Laura si rende conto che il marito ¡°non la vede¡±, dunque
non l'ama pi¨´. ¨¨ l'avvio di un racconto del Moravia ¡°surrealista¡±
del realismo. Cos¨¬ comincia il film di Spinola che del racconto
ha conservato intatto anche il finale: a caccia il marito punta
il fucile verso la moglie ¡°invisibile¡±, spara e l'ammazza. Quel
che c'¨¨ tra la A e la Z Spinola se l'¨¨ inventato con l'aiuto di
Dacia Maraini e Ottavio Jemma, sviluppando le premesse moraviane.
Leggibile a 2 livelli, naturalistico e fantastico, quasi moraleggiante.
Suggestiva ambientazione lombarda.(Here)
(Italian)
Moglie di un professore "contestato", Laura s'accorge
che il marito Andrea non l'ama pi¨´, tanto da vedere attraverso
il suo corpo, quasi nemmeno esistesse. Profondamente innamorata
di lui, le cui attenzioni sembrano tutte rivolte a Delfina, un'altra
donna che vive in casa con loro, Laura si strugge, cerca di riaccendere
il suo interesse, confessandogli un'occasionale tradimento, ma
tutto ¨¨ inutile. Un giorno, durante una battuta di caccia, Andrea,
sparando a un fagiano, con uno dei colpi la uccide, ma nemmeno
stavolta si accorge di lei, distesa accanto alla preda e si allontana
al braccio di Delfina. Rivolgendosi a costei, tuttavia, la chiama
Laura.(Here)
A man observes
"through" the body of his wife a stain on the wall:
Laura realizes that her husband "doesn't see it", therefore
does not love him more. And the launch of a tale of Moravia "surreal"
of realism. Thus begins the film of Spinola and the story has
preserved intact the final: hunting the husband tip the gun toward
his wife "invisible", shoots and kills
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±¾Õ¾¼òÒë: ÀÍÀµÄÕÉ·ò˵Ëû͸¹ýËýµÄÉíÌå¿ÉÒÔ¿´µ½ËýµÄÎ۵㣬ÀÍÀÈÏΪËýµÄÕÉ·òÒѾ¿´²»¼ûËý²¢²»ÔÙ°®Ëý£¬ËûµÄ×¢ÒâÁ¦ËƺõÊÇÔÚÁíÒ»ÃûÅ®×ӵ¶û·ÆÄÈÉíÉÏ¡£ÔÚÒ»´ÎÍâ³ö´òÁÔʱ£¬Ëý¿´¼ûËýµÄÕÉ·òÕýÔÚ¾Ùǹ׼±¸ÉäɱËý...
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NA-6908
(6909) La stagione dei sensi / Season
of the Senses (Massimo
Franciosa) / (Ö±Òë ¸Ð¹Ù¼¾½Ú)
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(Italian)
Quattro ragazze, affascinate dal misterioso proprietario di un maniero
su di un'isola sperduta, rivaleggiano per conquistarlo. Finiranno
tutte e quattro vittime dei suoi sadismi.(Here)
Sul finire
dell'estate, quattro ragazze, Monica, Claudia, Mich¨¨le e Marina,
e due giovani, Marco e Peter, s'avventurano al largo su di un
motoscafo. D'improvviso viene a mancare la benzina; la terraferma
¨¨ lontana; vicina ¨¨ la notte: per fortuna c'¨¨, a portata di remi,
un'isola, su cui sorge un antico castello, a picco sull'acqua.
Il giovane che vi abita, Luca (il quale ha appena strangolato
l'amante, gettandone il corpo in un pozzo) non si dimostra molto
ospitale con i nuovi venuti: ombroso e scostante, s'apparta da
solo, mentre essi si accomodano liberamente nel maniero. Il giorno
dopo gli ospiti scovano una latta piena di benzina, che consentirebbe
loro di riprendere il largo: se non che, affascinate dallo strano
padrone di casa, le quattro ragazze decidono di restare. Partiti
i due accompagnatori, comincia tra di loro una specie di gara
per conquistare Luca, ma questi, anzich¨¦ soddisfarle le piega,
sfruttando la loro adorazione per lui, a una serie di sadici giochi
finch¨¦, dopo averle stravolte del tutto, le lega alla torre del
castello e abbandona l'isola.(Here)
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±¾Õ¾ÊÔÒë (¸ù¾ÝÒâÎÄÔÚÏß×Ô¶¯·ÒëÕªÒª±àд,¿ÉÄܲ»Ì«×¼È·ÇëÔÁÂ):
ÔÚÒ»¸öÏÄÄ©µÄÒ¹Íí£¬ËĸöÅ®º¢£¬ÄªÄÝ¿¨£¬¿ËÀÍµÏæ«£¬Ã×Ъ¶ûºÍÂêÀöÄÈÒÔ¼°Á½¸öÄêÇáÈËÂí¿ËºÍ±ËµÃ£¬ÔÚº£ÉÏÓÎÍæÊ±¿ìͧ·¢Éú¹ÊÕÏ.ÐÒÔ˵ÄÊÇËûÃǵÇÉÏÁËÒ»¸öСµº,µ½Ò»¸ö¹ÅÀϵijDZ¤ºÍׯ԰²¢ÔÚÄÇÀï¹ýÒ¹.µÚ¶þÌì,ËĸöÅ®º¢±»ÉñÃØµÄׯ԰Ö÷ËùÎüÒý,ËýÃǾö¶¨ÁôÏÂÀ´ÍæÆðÁËÓÎÏ·,
½á¹ûËýÃdzÉÁËŰ´ý¿ñµÄÊܺ¦Õß....
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Behind every
gun is "The Sicilian Clan!" The
murders in Paris! The robbery in Rome! The double-cross in New
York! Every industry has its first family.(
Here)
This
is a film that proves just how cool things were in the 1960s in
Europe, particularly France and Italy. The ultra-cool Alain Delon
(the French Steve McQueen) is truly superb as the loner hood,
and with an excellent cast (including the legend Jean Gabin),
thrilling story, stylish direction and yet another masterful score
by Ennio Morricone, THE SICILIAN CLAN is a must-see for lovers
of heist thrillers. (Here)
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°¢À¼£®µÂÁú1969ÄêÖ÷ÑݵÄÕⲿ·¸×ﶯ×÷Ƭ£¬ÞðÆúÁËÒ»°ãÒøÐÐÇÀ½Ùºó·ÖÔß²»¾ù¶øÖÕ±»´þ²¶µÄÀÏÌ×Çé½Ú£¬°Ñ½Ù±¦µÄ³¡Ãæ°²ÅÅÔÚ·É»úÉϽøÐУ¬½á¾ÖÔòÊÇÒò¼Ò×åÄÚÒ»´ÎÎÞÒâ½Ò·¢µÄ¼éÇé¶øÖÂÎ÷Î÷ÀﲿÂäÈ«±»´þ²¶¡£Ó°Æ¬²¼¾Ö¿Éν²ã´Î·ÖÃ÷£¬ÓÐ·å»ØÂ·×ªÖ®Ãî¡£´Ó¿ªÄ»Î÷Î÷Àï¼Ò×åÓª¾ÈÇô³µÖеÄÈøµ¤¿ªÊ¼£¬±ãÍÆÕ¹³ö²»ÉÙÏ·¾çÐԵĸ߳±£¬Èç°¢À¼£®µÂÁúÈçºÎÍâ³öÕÙ¼ËÈÇ»ö£»±£ÏÕ¹«Ë¾ËæÔ±µÄ̫̫ÈçºÎ·¢ÏÖÕÉ·ò²»ÔÚ·É»úÉ϶øÔÚ±¨¾¯Ê±Èϳö°¢À¼£®µÂÁú£»Ì½³¤ÈçºÎ¼àÊÓ°¢À¼£®µÂÁúµÄÃÃÃöøÊ¹Î÷Î÷ÀïÐֵܱ»²¶µÈ£¬ÕâЩÉè¼Æ¶¼ÄÜ˳Àï³ÉÕ¶øÇ°ºóºôÓ¦£¬¾çÇéÒ»²½²½ÍÆÏò×îºóȺ·Ë±»²¶µÄ¸ß³±¡£ÄªÀ￵ÄÚ´óʦµÄ¾µäÅäÀÖ,ÊÇËûµÄÒôÀÖ»áµÄ±£ÁôÇúÄ¿,¸üʹµÃÕⲿӰƬ³¤´«¶ø²»Ë¥.¸ü¶àÇë¼ûÕâÀï
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Metello
struggles to escape from the poverty that led to the premature death
of his parents, and that is the lot of the working class in northern
Italy during the second half of the 19th century. Metello fights
his way out from his condition through hard work, a determined will
to resist oppression inherited from his father, but also by taking
advantage of his good looks when dealing with women. Metello progressively
assumes an important role in the organization of an emerging workers
movement, and attempts to conciliate his risky political activities
with his private life. (Here) |
ӰƬϵ¸ù¾ÝÒâ´óÀûÖøÃûÎÄѧ¼ÒÍß˹¿Æ
ÆÕÀ³ÍÐÀïÄá(
Vasco Pratolini) ͬÃûС˵"Metello"¸Ä±à.ӰƬÒÔ1902ÄêÒâ´óÀû½¨Öþ¹¤ÈË´ó°Õ¹¤µÄʷʵΪ±³¾°,ÃèдÁËÊ®¾ÅÊÀ¼ÍÄ©ÆÚµ½¶þÊ®ÊÀ¼Í³õÈýÊ®Äê¼äÒâ´óÀûÔçÆÚ¹¤Òµ×ʱ¾Ö÷Ò巢չʱÆÚÀͶ¯ÕßºÍÆóÒµÖ÷Á½¸ö½×¼¶¶Ô¿¹µÄ³¡¾°,ÒÔÒ»¸öƶ¿àÅ©ÃñµÄ¶ù×Ó÷̩ÂåÁ¦Í¼¸Ä±ä¸öÈËÃüÔË,½ø³Ç´ò¹¤Æ´²©µÄ¼èÄÑÉú»îΪÖ÷Ïß,Ãè»æÁË÷̩Âå¸öÈËÇഺʱ´úÓÑÇé,°®Çé,¼ÒÍ¥,ÊÂÒµµÄ·¢Õ¹,±ä¹ÊºÍÇúÕ۳ɳ¤¹ý³Ì,Õ¹ÏÖÁ˵±ÄêÒâ´óÀûÉç»áµÄÕþÖÎ,¾¼Ã,ÎÄ»¯,ÈËÎĺÍÀúÊ··çò.Õû¸ö¹ÊʶÔÓÚÒ»¸öÊÀ¼Íºóµ±´úÖйú³öÏֵĽø³Ç´ò¹¤µÄµÄÒÚÍòÅ©Ãñ¹¤³±ÒÔ¼°Éç»á·¢Õ¹,ÈÔÈ»¾ßÓÐÖØÒªµÄÏÖʵÒâÒå.ӰƬÓÉĪÀ￵ÅäÀÖµÄÖ÷ÌâÒôÀÖ,¸üÊÇÒ»²¿µçÓ°ºÍÒôÀÖÍêÃÀ½»ÈÚ»¥²¹µÄ¿¬Ä£Ö®×÷,ñöÌý´ËÇú´øÀ´µÄÕðº³,ÍùÍùÁîÿ¸öÒÑÓиöÈËÍùʵÄÖÐÀÏÄêÈËÎÞ²»ÎªÖ®¶¯Ç鷴˼.¶ÔÓÚµçÓ°¼°ÆðÒôÀÖµÄÑо¿Çë¼û±¾Õ¾´ËÒ³ |
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Stars |
Marlon
Brando |
Evaristo
M¨¢rquez |
Norman
Hill |
Country |
Italy
| France |
Runtime |
Argentina:
115 min | Italy: 132 min | UK: 112 min | USA: 112 min | USA:
132 min (restored version) | Germany: 121 min |
Date |
1969 |
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The
professional mercenary Sir William Walker instigates a slave revolt
on the Caribbean island of Queimada in order to help improve the
British sugar trade. Years later he is sent again to deal with the
same rebels that he built up because they have seized to much power
that now threatens British sugar interests.(Here) |
¾ÞÐÇÂíÁú£®°×À¼¶ÈÊÎÑÝÊ®¾ÅÊÀ¼ÍÓ¢¹úÉÌÈËÍþÁ®£®»ª¿Ë£¬¸öÐÔºÃʤ×Ô¸º¡£Ó¢¹úÕþ¸®ÅÉDzËûµ½ÆÏÌÑÑÀ¿ØÖƵļÓÀձȺ£²úÌÇСµºÉÏ·¢¶¯Å«Á¥Åѱ䣬ʹӢ¹úÇÀµÃÌÇÀàóÒ×µÄÓÅÊÆ¡£»ª¿Ë×öµÃºÜ³É¹¦£¬Ëû²¢ÇÒѵÁ·Á˵±µØÈ˺ÉÎ÷£®¶ÅÂå˹³ÉΪ¹ÜÀíÅ«Á¥µÄÊ×Á죬ÒÔΪ×Ô´Ë¿ÉÒÔ°²ÕíÎÞÓÇ¡£²»ÁÏËûÔÚ¸°Ó¢¹úÖØ»ØÐ¡µºÊ±£¬·¢ÏÖ¶ÅÂå˹Òѱä³ÉÄÑÒÔ¼ÝÔ¦µÄ¶ñ°Ô£¬ÓÚÊÇÇ××Ô¶Ô¸¶Ëû¡£È«Æ¬ÅijöÏÊÃ÷µÄÆø·ÕºÍ¾çÁ¦£¬ÂíÁú£®°×À¼¶ÈµÄÑݳöÓÈÆä¾«²Ê£¬½«Ê®¾ÅÊÀ¼ÍÖ³ÃñÕþÖεĺÚÄ»×÷³öÓÐÁ¦µÄ½Ò¶¡£(ÕâÀï)
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NA-6912
(6810) Sai
cosa faceva Stalin alle donne? /
What Did Stalin Do to Women?
(Maurizio Rivelani)
/ (Ö±Òë ˹´óÁÖ¶Ô¸¾Å®ÃǶ¼¸ÉÁËʲô?)
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This
comedic political satire lampoons Russian communist leader Josef
Stalin and ridicules the brief period of communism in Italy following
World War II. The leader has sex on a bedspread with his own likeness.
A hammer and sickle, along with a swastika, is prominently displayed
on the posterior of his lovely mistress. The film continues with
a series of sight gags, puns and short sketches with some brief
interludes of female nudity. The finale finds Stalin's coffin being
removed from the mausoleum in Red Square in Moscow and Italy finding
another government.(Here) |
±¾Õ¾¼òÒë: ÕâÊÇ1969ÄêÒâ´óÀûÖÆ×÷µÄÒ»²¿³°Ð¦¶í¹²Áìµ¼ÈËԼɪ·ò˹´óÁÖµÄÕþÖηí´Ìϲ¾ç,µçÓ°Ò²³±Ð¦Á˶þÕ½ÒÔºóÔÚÒâ´óÀû³öÏֵĶÌÔݵĹ²²úÖ÷ÒåʱÆÚ.Áìµ¼ÈËÔÚ´øÓÐËûµÄФÏñµÄ´²µ¥ÉÏ×÷°®,´ø×ÅÄÉ´â±êÖ¾µÄÁµ¶ºÍ´¸×ÓÔÚËýÇ鸾µÄÍβ¿Í»³öµÄÏÔʾ³öÀ´.µçÓ°ÒÔ²å¿Æ´òÚ»£¬Ë«¹ØÓïµÈ·½Ê½´©²åһЩСƷϵÁÐ.×îºó˹´óÁֵĹײı»´ÓĪ˹¿Æºì³¡ÒÆ×ß¶øÒâ´óÀûÒ²³öÏÖÁËÁíÒ»¸öÕþ¸®
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NA-6913
(6914) Senza sapere niente di lei
(Luigi Comencini)
(Ö±Òë ¶ÔËýÒ»ÎÞËùÖª)
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When
Maria Mancuso dies suddenly before the expiration of her life-insurance
policy, the insurance company sends lawyer Nanni Br¨¤ (Philippe_Leroy)
to investigate. He seduces Cinzia (Paola_Pitagora), one of the late
woman's daughters, in order to obtain more information. When he
falls in love with the girl, he confesses to her his original intentions
and she tries to take her own life. Nanni discovers that Maria Mancuso
was murdered; Cinzia admits to the crime, then crashes the car with
herself and Nanni into a truck, killing them both. (Here) |
±¾Õ¾¼òÒë: ÂêÀöÑÇ
Âü¿âË÷ÔÚÈËÊÙ±£ÏÕÆÚÂú֮ǰͻȻËÀÍö.±£ÏÕ¹«Ë¾ÅÉÂÉʦÄÏÄá ²®À½øÐе÷²é¡£ËûÓÕʹһ¸öÒѹÊÅ®È˵ÄÅ®¶ùÐÁÔòÑÇÒÔ»ñµÃ¸ü¶àµÄÐÅÏ¢¡£µ±ËûÓëÅ®º¢ÐÁÔòÑÇÂäÈë°®ºÓʱ¶ÔËý̹°×ÁË×Ô¼º¶ÔËýÔÀ´µÄÒâͼ,ÆäºóËýÔò²úÉúÁË×ÔɱµÄÄîÍ·¡£²»¾ÃÄÏÄá·¢ÏÖÂêÀöÑÇ
Âü¿âË÷ÊDZ»ÈËıɱÖÂËÀ,ÐÁÔòÑdzÐÈÏÕâÊÇËý·¸µÄ××îºóÔÚËýºÍÄÏÄáÁ½ÈË¿ª³µ³öÐÐʱ,Ëý¼Ý³µ³åÏòÒ»Á¾´ó¿¨³µ£¬½áÊøÁËËûÃÇÁ½È˵ÄÉúÃü.
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NA-6914
(7008) Uccidete
il vitello grasso e arrostitelo (Salvatore
Samperi) (Ö±Òë ɱÁË·ÊÅ£¶¿È¥¿¾)
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The
first color film by writer/director Salvatore_Samperi is this grim
family melodrama, a modern-day reinvention of the tale of the Prodigal
Son. Upon hearing of his father's death, Enrico Merlo (Jean_Sorel)
leaves his boarding school in Switzerland and returns home to Padua.
There he overhears a conversation between his older brother Cesare
(Maurizio Degli Espositi), who has taken over the profitable family
business, and Verde (Maril¨´_Tolo), Cesare's cousin and lover. Their
words persuade Enrico that the two have murdered his father; he
obtains proof when he discovers that his father's death certificate
post-dates his death. But Enrico becomes gravely ill with pneumonia,
all the while refusing to return the incriminating death certificate
to the killers, and so Verde makes sure he is denied his needed
medication and lets him die.(Here) |
±¾Õ¾¼òÒë: ÕâÊÇ×÷¼ÒºÍµ¼ÑÝÈø¶ûÍß¶à
ÐÁÆÕÀûµÄµÚÒ»²¿²ÊÉ«µçÓ°.ÕâÊÇÒ»²¿ÑÏ¿áµÄ¼ÒÍ¥Çé½Ú¾ç£¬½²µÄÊÇÒ»¸öÏÖ´úÉç»á³£¼ûµÄÀË×Ó¹ÊÊ¡£¶÷Àï¿Æ ÷ÂåÔÚÌýµ½Ëû¸¸Ç×È¥ÊÀµÄÏûÏ¢ºó,À뿪ËûÔÚÈðÊ¿µÄ¼ÄËÞѧУ£¬»Øµ½ÁËÅÁ¶àÍß¡£ÔÚÄÇÀËûÎÞÒâÖÐÌýµ½ËûµÄ¸ç¸çÈûÈø¶ûºÍËûµÄ±íÃúÍÇéÈ˸¥¶ûµÂµÄÒ»´Î̸»°.ËûÃǵÄ̸»°Ê¹µÃ¶÷Àï¿ÆÏàÐÅÊÇËûÃÇÁ½¸öÈËıº¦Á˸¸Ç×,ËûÔÚËû¸¸Ç×ËÀÍöÖ¤Ã÷ÊéÉϵÄËÀÍöÈÕÆÚÖеõ½ÁËÖ¤¾Ý.´Ëʱ¶÷Àï¿Æ»¼ÉÏÁËÑÏÖØµÄ·ÎÑ×,µ«ËûÒ»Ö±¾Ü¾ø°ÑÄǸöËÀÍöÖ¤Ã÷Êé½»»¹¸øÉ±ÊÖ,¸¥¶ûµÂÔòÉ跨ʹËûÍ£Ö¹·þÒ©ÒÔ±ãÈÃËûÈ¥ËÀ.
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Set
during the Mexican Revolution, a man known only as "The Dutchman"
has a plan, and brings in four of his old acquaintences, including
an old army buddy and a silent Japanese swordsman, to help him out
by promising a $1000 reward if it succeeds. The plan turns out to
be a fool's mission: rob a train carrying $500,000 in gold that's
guarded by dozens of heavily armed soldiers and passes through a
steady stream of military checkpoints. Naturally, his friends agree
to go along with the scheme. (Here)
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±¾Õ¾¼òÒë:
ÔÚÄ«Î÷¸ç¸ïÃüʱÆÚ£¬Ò»¸ö±»³Æ×÷¡°ºÉÀ¼ÈË¡±µÄÈËÓÐÒ»¸ö¼Æ»®£¬²¢ÇÒÈÃËûµÄËĸöÀÏÏàʶ°ï棬ÆäÖаüÀ¨Ò»¸öÀϾüÈ˺ÍÒ»¸ö³ÁĬµÄÈÕ±¾½£¿Í£¬ËûÐíŵËûÃǼƻ®³É¹¦ºóÓÐ1000ÃÀÔªµÄ»Ø±¨¡£Õâ¸ö¼Æ»®ÏÔµÃÊÇÒ»¸öÓÞ´ÀµÄÈÎÎñ£ºÇÀ½ÙÒ»Á¾×°ÓмÛÖµ500000ÃÀÔªµÄ»Æ½ð²¢±»Ò»»ï×°±¸ÓÐÎäÆ÷µÄ¾üÈË»¤ÎÀµÄ´©ËóÓÚÂçÒï²»¾øµÄ¾üʼì²ìµãµÄ»ð³µ¡£µ±È»£¬ËûµÄÅóÓÑͬÒâÓëËûÒ»Æð²ÎÓë¼Æ»®.(ErikÒë)
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NA-6916
(6920) Una
breve stagione / A
Brief Season
(Renato Castellani)
/ (Ö±Òë
Ò»¸ö¶Ì¼¾)
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Johnny, a
young American working in the Stock Exchange in Rome, and Luisa,
a Swedish girl living in that city with her parents, meet and
fall in love. A young man in a hurry, Johnny uses a client's funds
in a losing speculation and winds up in jail. A guard is accidentally
killed when he manages to escape. With what could be a day or
a year before his re-capture, the lovers enjoy to the full their
"brief season" of romance and passion in the Italian
countryside and at a luxury hotel.(Here)
(Italian)
Luisa , figlia di nordici, e John Philips, nato negli USA, entrambi
trapiantati a Roma, si incontrano e si innamorano. Lei fa la traduttrice
simultanea, lui il ¡°trombettiere¡± per un agente di Borsa e, giocando
al rialzo, finisce in carcere.In
un tentativo di fuga provoca involontariamente la morte di un
agente e raggiunge, gemente, Luisa. Dopo due giorni d'amore, circondati
dai carabinieri, si danno la morte. ¨¨ il film pi¨´ mortuario e
disperato di R. Castellani, nonostante i passaggi gioiosi, i momenti
ariosi. Come se, nel cantare ancora una volta il mito e il sogno
della giovinezza incorrotta, non riuscisse pi¨´ a capire i giovani,
tanto cambiati rispetto ai loro coetanei del primo dopoguerra.
I 2 protagonisti ¨C che parlano l'italiano dei doppiatori ¨C sono
fiacchi; il racconto su tre piani temporali s'indebolisce man
mano che procede.(Here)
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