Plot Comment: If you want to know what marxism-madrakism is, don't miss this movie! A great example of smart and politicized Italian cinema of the seventies, a real cult in my opinion. The main character is a sort of modern times psychopathic robin-hood whom works as a clerk in a bank, but is allergic to money! At a certain point he is so exasperated that he decides that he must mine rich people's private property in order to give a shock to their lives. His main target is a rich butcher (Ugo Tognazzi), but he decides not to steal his money, but things that he needs more: his butcher knife, tool of his trade, his hat, his woman... In the meantime, he enters the dark world of delinquency meeting a professional thief which he manages to blackmail so that he can help him in his misdoings. Between the world of marxist idealism and pure delinquency, the whole story is fantastic and unreal, with references to Fromm's "Life between having and being". The character would like to "have" (money and things) but in the same moment he also wants to "be" (save his personality), but he undesrtands that it's impossible ("This is the problem!", he repeats) . The final is also fantastic, with the thief's funeral in which a great Gigi Proietti gives us a monologue on the importance of thiefs in society. A must for lovers of the genre (Here)

剧情本站简译 本片中佩特里要探讨的是资本主义社会金钱和财产的作用问题。影片中两个主人公处在敌对状态：一个是富裕的肉商，另一个是银行会计。当会计开始看出他的顾客在财政上耍花招时，他便离开了银行，开始了一连串的偷盗活动，想借此遇到那个肉商。那个肉商向会计证明，会计是永远达不到他那样的富有程度的之后便把会计杀死了。影片主人公们的两段很长的独白对佩特里来说是开创了剧作结构和导演的新象征主义-表现主义道路。同佩特里喜欢喜剧效果相关的这一创作原则产生了一部充满矛盾的影片，影评界对此有不同反应。1973年在威尼斯的“意大利电影节"上当这部影片遭到观众反对时，佩特里对意大利评论界极为不满。他指责意大利评论界控制了观众，他在全意大利掀起了远远超出这部影片的争论。(这里)

Plot Written and directed by Italian filmmaker Alberto_Bevilacqua, Questa Specie D'Amore (This Kind of Love) illustrates the difficulties one runs into when one attempts detached intellectualism. Ugo_Tognazzi plays the son of a 1930s-era anti-fascist (also played by Tognazzi) who had suffered mightily for his beliefs. Wishing to cut himself off from all feelings and building huge walls around his true feelings.compassion lest he be tormented in the same manner as his father, Tognazzi rushes into a marriage with the spoiled daughter (Jean_Seberg) of a wealthy nobleman. The misery attending this mismatch leads Tognazzi to desert his sheltered new lifestyle and return to his father's home town. Throughout the film, flashbacks are used to show the events that led Tognazzi into

剧情本站简译 影片由意大利 阿尔贝托 贝维拉库阿导演.这部电影举例说明当一个人陷入一种试图超越理智的行为时是非常困难的.雨果 唐纳吉在片中扮演一个20世纪30年代时期的反法西斯主义者(也由他扮演)的儿子. 他父亲为了他的信仰已经遭受过极大的痛苦,因此他希望避免自己的各种影响以免使他的儿子也遭受同样的痛苦.唐纳吉急于同一个富有的贵族女儿结婚,这种不匹配的愿望导致唐纳吉要求放弃他的受保护的生活方式并回到他父亲的家乡.影片使用了大量的闪回镜头,从而使得唐纳吉的真实感受似乎处于一座巨大的城墙包围之中

Plot This is a very hard film to review fairly in its currently available format--an English-dubbed videotape from Finland. La Violenza: Quinto Potere (titled The Sicilian Checkmate on the tape) is an extremely talky courtroom drama steeped in Italian politics of the period, and therefore is pretty hard going for an Anglophone audience unfamiliar (as am I) with the topic. Taking place almost entirely during a murder trial, the film details in significant detail the deep roots sunk by organised crime in the business and political life of Sicily. There are a few flashbacks which include what little 'action' the film includes, but the vast majority of the film is a lengthy indictment of mafia corruption..

剧情本站简译 两名黑手党成员利用炒搂条款的漏洞进行犯罪活动,在庭讯中所有的证人慑于黑手党的权势而不得不保持沉默,罪犯因而无罪释放.