主页-->songmusic-000-->mus001-005
|
Same
EN |
|
莫里康音乐目录
mus-001 ---> mus-005
|
|
|
|
您可以立即得到以下莫里康内爱好者必备资源的所有密码
|
1. 莫里康内谱曲的397部电影原声音乐资源(总计
5596 首 总容量2.8G )
|
2.本站历年发布过的莫里康内配乐83部最著名电影高码率视频文件
总容量64G
|
3.本站琴谱专栏的所有琴谱 (308首莫里康内谱曲的琴谱共计297M提供一次性完整下载)
|
|
|
|
|
|
|
|
mus-001
For
Il federale
/ 法西斯份子
|
|
序号
|
曲名 (中文名为本站试译)
|
WMA 收听(左击)或下载(右击)
|
001
|
Titole 主题曲
|
|
002
|
Combattimento 战斗
|
|
003
|
Manovre grotesche 奇特的演习
|
|
004
|
Tema di Bonife 博纳斐的主题
|
|
005
|
Deportazione 押送
|
|
006
|
Colloquio Delle Fragole 关于草莓的谈话
|
|
007
|
Marcio del viaggio 旅途进行曲
|
|
008
|
Equilibrismo Di Arcovazzi
E Fuga Dai Partigiani 阿科瓦吉逃离游击队
|
|
009
|
Arcovazzi e bonafe in Viaggio
阿科瓦吉和博纳斐在旅途
|
|
010
|
Tema dell'auto anfibia 水陆两用车的主题
|
|
011
|
Ritrovamento 寻找
|
|
012
|
Marcio del viaggio (reorise)
继续行进
|
|
013
|
Desiderio di Matilde 期望
|
|
014
|
Fuga di Bonafe 博纳斐逃跑
|
|
015
|
Pullman in Avaria 出故障的汽车
|
|
016
|
Inseguimento 追捕
|
|
017
|
Campo minato 在雷区
|
|
018
|
Tema di Bonife (reprise)
博纳斐的主题(继续)
|
|
019
|
Arcangelo Brdacci 阿康罗 巴达奇
|
|
020
|
Bonafe al convento 博纳斐在女修道院
|
|
021
|
La fine del Viaggio 旅途终点
|
|
022
|
Finale 终了曲
|
|
|
|
mus-002
For a fistful of dollars / 荒野大镖客
|
|
001
|
Titoli
|
|
002
|
Almost dead
|
|
003
|
Square dance
|
|
004
|
The chase
|
|
005
|
The result
|
|
006
|
Without pity
|
|
007
|
Theme from a fistful of dollars
|
|
008
|
A fistful of dollars suite
|
|
|
|
mus-003
I Malamondo
|
|
|
001
|
LE FACCE TITOLI DI TESTA
|
|
002
|
PENSO A TE (F. MIGLIACCA)
|
|
003
|
L'ULTIMA VOLTA
|
|
004
|
QUESTI VENT' ANNI MIEI(FRANCO
TORTI, GUIDO CASTALDO)
|
|
005
|
LA PRIMA VOLTA
|
|
006
|
STANCHEZZA
|
|
007
|
MULLA DA FARE
|
|
008
|
BIANCO E NERO
|
|
009
|
MUSCOLI DI VELLUTO
|
|
010
|
SENZA FRENO
|
|
011
|
PARTY PROIBITO
|
|
012
|
WALZER BOSSA NOVA
|
|
013
|
DACHAU
|
|
014
|
S.O.S.
|
|
015
|
TWIST DELLE ZITELLE
|
|
016
|
I DISPARI
|
|
017
|
LA CITY
|
|
018
|
MATRICOLE
|
|
019
|
SOSPESI NEL CIELO
|
|
|
|
mus-004
For
a few dollars more / 黄昏双镖客
|
|
001
|
LA RESA DEI CONTI
|
|
002
|
OSSERVATORI OSSERVATI
|
|
003
|
IL VIZIO DI UCCIDERE
|
|
004
|
IL COLPO
|
|
005
|
ADDIO COLONNELLO
|
|
006
|
PER QUALCHE COLLARO IN PIU/For
a Few Dollars More
|
|
007
|
POKER D' ASSI
|
|
008
|
CARILLON
|
|
|
|
mus-005
The
good,The bad and The ugly / 好,坏,丑
|
|
001
|
THE GOOD,THE BAD AND THE
UGLY
|
|
002
|
THE SUNDOWN
|
|
003
|
THE STRONG
|
|
004
|
THE DESERT
|
|
005
|
THE CARRIAGE OF THE SPIRITS
|
|
006
|
MARCIA
|
|
007
|
THE STORY OF A SOLDIER
|
|
008
|
MARCIA WITHOUT HOP
|
|
009
|
THE DEATH OF A SOLDIER
|
|
010
|
THE ECSTASY OF GOLD
|
|
011
|
THE TRIO
|
|
|
|
|
|
您可以立即得到以下莫里康内爱好者必备资源的所有密码
|
1.
莫里康内谱曲的397部电影原声音乐资源(总计
5596 首 总容量2.8G )
|
2.本站历年发布过的莫里康内配乐83部最著名电影高码率视频文件
总容量64G
|
3.本站琴谱专栏的所有琴谱 (308首莫里康内谱曲的琴谱共计297M提供一次性完整下载)
|
|
|
|
|
|
|
|
Ennio
Morricone Mini biography:
A classmate of director Sergio Leone with whom he would form one of
the great director/composer partnerships (right up there with Eisenstein
& Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio
Morricone studied at Rome's Santa Cecilia Conservatory, where he specialised
in trumpet. His first film scores were relatively undistinguished,
but he was hired by Leone for Per un pugno di dollari (1964) on the
strength of some of his song arrangements. His score for that film,
with its sparse arrangements, unorthodox instrumentation (bells, electric
guitars, harmonicas, the distinctive twang of the jew's harp) and
memorable tunes, revolutionised the way music would be used in Westerns,
and it is hard to think of a post-Morricone Western score that doesn't
in some way reflect his influence. Although his name will always be
synonymous with the spaghetti Western, Morricone has also contributed
to a huge range of other film genres: comedies, dramas, thrillers,
horror films, romances, art movies, exploitation movies -making him
one of the film world's most versatile artists. He has written nearly
400 film scores, so a brief summary is impossible, but his most memorable
work includes the Leone films, Gillo Pontecorvos _Battaglia di Algeri,
La (1965)_ , Roland Joffé's The Mission (1986), Brian De Palma's The
Untouchables (1987) and Giuseppe Tornatore's Nuovo cinema Paradiso
(1988), plus a rare example of sung opening credits for Pier Paolo
Pasolini's Uccellacci e uccellini (1966). It must be stressed that
he is *not* behind the work of the entirely separate composers Bruno
Nicolai and Nicola Piovani despite allegations made by more than one
supposedly reputable film guide! |
|
|