No.
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Name and Director (IT/CN)
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Note
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42'02"+40'24"+41'35'+41'15"
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Story
of a young woman, Mrs. McBain, who moves from New Orleans to frontier
Utah, on the very edge of the American West. She arrives to find
her new husband and family slaughtered, but by who? The prime suspect,
coffee-lover Cheyenne, befriends her and offers to go after the
real killer, assassin gang leader Frank, in her honor. He is accompanied
by Harmonica on his quest to get even. Get-rich-quick subplots and
intricate character histories intertwine with such artistic flair
that this could in fact be the movie-to-end-all-movies.(Here) |
ҵһ¡Ѿʮȥˡʮ꣬Ϊһ룬ҲѴ׳껪֮꣬ᣬҲѽޱ䣬˸̾мӣδȻȻ⡰¡ȴ飬ᡣ쵽ӰضӰԢҲȤֻϧӰûİ棬ЩĻȴڼʲݣÿÿϷһЩ£һĶᡣЩ´ʣϸĹڣ˶һ֪֮жԸҲԵǰΪ˽һȥ»꣬ھѰ뿪ʱ·һܣżȻһƳһйVCD飬DZʶʹ£ͣ²˳ַһСVCDص䡱顣г߰ٲӰĹ½ܣĵķڿˡ¡⣬ȥҳ֣ҿΪ꾡һƪڽ£ϸ....վҳ
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(Italian) Northon,
un gangster ritiratosi dagli affari, vuole vendicare la morte di
sua sorella Helen, sposata a Frank Cline, scomparso durante il trasporto,
via mare, di due milioni di dollari in oro, appartenenti all' "Organizzazione",
della malavita. Per riuscire nel suo intento, Northon si allea con
"5 cents" - un messicano - e affronta, con relativo successo,
la lotta che gli muovono "Il Santo" e la sua banda. Successivamente
recupera l'oro dall'imbarcazione affondata e scopre a bordo della
medesima, il cadavere di Frank Cline. "Il Santo" interviene,
deciso a uccidere Northon e "5 cents" e a impadronirsi
dell'oro: ma il tentativo fallisce. Poich Northon tra i sicari
de "Il Santo", trova il responsabile della morte di Helen,
lo uccide. Compiuta la sua vendetta, il gangster rinuncia, in favore
di "5 cents", alla sua parte dell'oro ritrovato (Here)
Un ex gangster vuole vendicare l'assassinio della sorella e fare
luce sulla scomparsa del marito di lei, avvenuta durante il trasporto
per mare di un grosso carico d'oro. Dopo essersi scontrato con una
potente organizzazione mafiosa interessata al recupero del malloppo,
trover l'omicida e compir la sua vendetta. (Here)
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վ: һǰڰijԱҪΪıø.÷Ҳһдƽĺ¹ʧ.ͨ,һǿĺڰOŲҵ,ʵĸԸ,ҵ˶ʧĻƽ.
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NA-6803
(6821) Corri
uomo corri / Big
Gundown 2: Run, Man, Run
(Sergio
Sollima) / ɱ2/ǹ2
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Several
competing groups and mavericks (including the lead character Cuchillo)
are hunting a gold treasure of $3,000,000. The gold was reserved
for the Mexican revolution.(Here)
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վ: һĽɫǿ壩ѲһֵԪĻƽ𱦲.ЩƽΪī
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This
film is a social commentary about the mindless violence that is
perpetuated on impressionable youth by television. Lorenz (Carla_Gravina)
has three young children who are victims of a media who wishes to
turn out terrorists. She contends with her monstrous offspring and
student revolts until she can't take it anymore. Lorenz takes matters
into her own hands by planting a bomb in the factory of her estranged
husband. The director attempts to illustrate the effect that Big
Brother has on the lives of people and how they are subjected to
behavioral conditioning beyond their control.(Here) |
վ:
һ侭ֵäĿ֪ıΪ۵Ƭ. ĺ,Щϣֲ¼ýܺ...... |
NA-6805
(6819) E
per tetto un cielo di stelle /
A Sky Full of Stars for a Roof
(Giulio
Petroni) / ݶ
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Two
drifters meet, and soon become travelling companions. But one of
them, Tim (Gemma), is being chased by a crazed killer and his band
of gunmen to settle an old score. The two (Adorf being the other)
are chased through the west, encountering scrape after scrape until
the killers catch up and the score is settled for good.(Here)
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վ: ܿΪ˵İ¡
еһڱһɱɱ....
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(German)
Zum Inhalt: Ein Industrieller versucht, mithilfe eines Werbetricks
den Absatz seines Dosenfleischprodukts "Eat it!" zu erhohen.
Dabei stoBt er auf ein unkultiviertes Individuum, das sich streng
an zwei Lebensaufgaben halt: Unmengen an Nahrung zu sich nehmen
und sich fleischlicher Gelste hingeben. Der Firmeninhaber sieht
die Chance, den Wilden zu Werbezwecken einzusetzen und behauptet
fortan, dass sein Produkt ein Aphrodisiakum ist. Zum Entsetzen verliert
bald darauf der sonderbare Mann seine "Talente", sodass
der gesch?ftige Industrielle ihn ersetzt und daraufhin feststellen
muss, dass sein neuer Werbetrager nach dem immensen Verzehr von
Fleisch die Gestalt einer Kuh annimmt (Here)
A groovy soundtrack to a weird movie C 1969's Mangieala, aka Eat
It, a film about efforts to sell a canned meat product as an aphrodisiac
and a ravenous sex machine of a character exploited in that effort
C which somehow sets the stage for Ennio Morricone's sweetness soaked
score! (Here)
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վ: һҵΪIJƷ,ڹͷ,˵ĹͷԺYAOһǵ... |
20120308
ҶѷһͼٵĹĹͷƷ"Eat it!"ȻһûɶļһسԶԼ֡ǿҡ
˿һᣬӶ˵ƷĴˣұ֤˵IJƷһCHUNҩھźͽţС츳ʧȥġҪһﲢҲòµĹһģĸţ״⡭
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Ecce
Homo is a 1968 Science Fiction/Thriller film directed by Bruno Gaburro
(Here)
Sopravvissuta a una spaventosa guerra nucleare, che ha distrutto
il genere umano, una famiglia di tre persone - Jean, la moglie Anna
e Patrick, loro unico figlio - vive in una vecchia roulotte in riva
al mare,
nutrendosi di pesce e rifornendosi di qualche indispensabile attrezzo
nella vicina, morta citt. Un giorno, appaiono due altri esseri
umani: Quentin, intellettuale, e Len, ex-militare. Anzich esserne
contento, per, Jean, che le radiazioni hanno reso impotente, odia
la loro presenza: apparentemente perch essa ha distrutto la pace
della sua piccola comunit, in realt, perch profondamente geloso
di sua moglie. Il suo astio verso i due intrusi aumenta, allorch,
ascoltando di nascosto una loro conversazione, sente dichiarare
da Quentin la necessit di fecondare Anna, perch da lei possa avere
origine il nuovo genere umano. Approfittando di un viaggio in citt,
Anna e Len si amano. Al loro ritorno, Jean impone al giovane e al
suo compagno di andarsene: per tutta risposta, Len lo uccide e si
libera anche di Quentin, costringendolo a vivere in solitudine.
Un giorno, andato il piccolo Patrick a fargli visita, Quentin apprende
che Anna e Len hanno deciso di andarsene: per impedirglielo, appicca
il fuoco a un camioncino, loro unico mezzo di trasporto. Furente,
Len lo insegue per ucciderlo, ma anche Quentin armato, e a morire
il giovane. Disperata, Anna si annega. Quentin e Patrick sono
ora gli ultimi abitanti della terra. (Here)
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վ: һ鹹ĿƻþӰ.һȫսԺ,Ψһʣһ̲ϵľϳеһԷ˺ӰԼǵһ.Dz˳ƽ,ѧ;͡.,֮ͷصijͻ..... |
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One night
during World War I a German U-boat lands three people in the Orkney
Islands. When two are captured, Colonel Foreman of British intelligence
tricks one of them, Meyer, into revealing that the third person
landed was an infamous German spy known as Fraulein Doktor, whose
mission is to kill British Field Marshal Lord Kitchener. Fraulein
Doktor learns that the field marshal is aboard the H.M.S. Hampshire
, and the Germans sink the ship, killing Kitchener and the 700
men aboard. Her mission completed, Fraulein Doktor injects herself
with morphine. Meyer, meanwhile, has told Foreman about another
of Fraulein Doktor's deeds: disguised as a housemaid, she won
the confidence of Dr. Saforet, the French lesbian inventor of
a powerful poison gas formula; murdered her; and stole the formula
for the Germans. Colonel Foreman sends Meyer back to Germany as
a counterspy, and Colonel Mathesius, the German spy chief, having
discovered the plan, encourages Meyer to kill Fraulein Doktor.
Although Meyer is attracted to the beautiful spy, he carries out
his assignment and returns to England. The Fraulein's "death,"
however, has been staged by the Germans, and she is already at
work on a two-fold suicidal mission. She poses as a Spanish aristocrat
and dupes the Belgian ambassador into allowing her to organize
a Red Cross train to aid wounded Allies at the front; then smuggles
aboard four spies to steal Allied offensive plans from a Belgian
chateau. Meanwhile, Colonel Foreman has begun to suspect that
Fraulein Doktor is not dead, and he takes Meyer along with him
to investigate the hospital train. Though Meyer recognizes Fraulein
Doktor in her nurse's uniform, he has become too infatuated to
expose her, and her mission is a success. The Germans make use
of the stolen plans to launch a counterattack against the Allies
employing the insidious poison gas. After the German victory Colonel
Foreman and Meyer arrive at a railway station where Fraulein Doktor
is treating wounded soldiers. Foreman realizes that he has found
the infamous spy, but he is shot dead by Meyer, who, in turn,
is killed by a German patrol. Fraulein Doktor laughs maniacally
and then breaks into sobs. Meyer's death, her addiction to morphine,
and her fanatical patriotism have taken a heavy toll.(Here)
A woman spy
working for the Germans during World War I participates in seducing
and using French and British civilian and military personnel by
which she aids in the bungling of the Allied effort to defeat
Germany. Of particular interest and importance to her is deciphering
which ship Lord Kitchener will be sailing on for conference in
Russia. Afterwards she aids a German U-boat to sink the Hampshire
with Kitchener on it taking his life and nearly all on board.
Later she steals a formula for Mustard gas which the Germans use
to great effect against the Allies on the battlefield. (Here)
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վ: ӰƬһսڼӢ֮ļս.һȵĵ¹ŮرӢִаɱӢԪ˧ѫ.֮αװһŮӶȡ˷ŮѧҵĶ䷽,ʹ˾˳صʧ.鱨չ˴۸ӵĶ,Ӣչ˵ɱ..... |
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Somewhat overshadowed
by Joseph Losey's 1975 film on the same subject, the 1968 Italian/Bulgarian
biopic Galileo is a worthwhile picture in its own right. Irish
stage and screen actor Cyril Cusack is well-cast as Galileo Galilei,
famed astronomer and unintentional icon-buster. Stirring up controversy
with his theory that the Earth is not the center of the Universe,
Galileo is given a going-over by the Vatican legal system. The
highlight: "Nevertheless, it does move!" A bit too verbose
in its climactic courtroom scenes, Galileo nonetheless does full
justice to its protagonist. The musical score is by Ennio Morricone,
of The Good, the Bad and the Ugly fame.(Here)
After his
encounter with Giordano Bruno in 1592, Galileo convinces himself
that the sun, and not the earth, is at the center of universe.
The Church considers Galileo's theory a heresy, but he continues
his studies in Florence, until he's arrested and tried. Standing
before the inquisition court in 1633, he will sign a solemn abjuration.
Galileo Galilei and the Church: a controversial and hard subject
faced by Liliana Cavani in this TV movie (which was later screened
in movie theaters), which portrays Galileo's drama when he opposed
himself to a conservative and obscurantist church. Cavani focuses
on the contrasts, and powerfully proposes his story with dramatic
intensity. (Here)
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վ: 1968ͱǺĵһƬ.٤ʮѧҡѧҺѧ.֤˵,ⴥ̻Ľ,Ӷܵٸڽ̲Ʋ.ʮֱҵ.,Ȼ˵:
"()ȷʵڶ"
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NA-6810
(6804) I
cannoni di San Sebastian
/
The Guns of San Sebastian
(Henri
Verneuil) /˫/ɽ/һ佫
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Leon Alastray
is an outlaw who has been given sanctuary by Father John, whom
he then escorts to the village of San Sebastian. The village is
deserted, with its cowardly residents hiding in the hills from
Indians, who regularly attack the village and steal all their
supplies. When Father John is murdered, the villagers mistakenly
think the outlaw is the priest. Alastray at first tells them he
is not a priest, but they don't believe it, and an apparent miracle
seems to prove they are correct. Eventually, he assists them in
regaining their confidence and defending themselves.(Here)
In this French/Italian
co-production set in Mexico in 1746, Alastray (Anthony Quinn),
a gunman on the run from the law, happens upon a Franciscan priest,
Father Joseph (Sam Jaffe), while in flight.
Father Joseph shows mercy on the fugitive and allows Alastray
to stay with him, but when the locals find out that Joseph is
harboring criminals, he's run out of town; Alastray travels with
him, disguised as a monk.
While approaching what appears to be a deserted village, Father
Joseph is killed by a sniper, and Alastray heads into town. He
is met by Teclo (Charles Bronson), a half-breed who calls the
village home.
It seems that a band of savage Yaqui Indians have been terrorizing
the town and have a special hatred for men of faith; they intend
to continue laying waste to the village until the residents beg
for mercy and renounce Christianity. The Village leaders want
to make Alastray their new spiritual leader, and despite his great
reluctance, he agrees, mostly as a means of maintaining his cover.
But when Alastray tries to organize the building of a much needed
dam, as well as obtaining a stash of weapons so that the citizens
may defend themselves, the Yaquis return in force, leading to
a decisive confrontation. Guns for San Sebastian also features
Anjanette Comer and Silvia Pinal. (Here)
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վ: ʥ˹ٰһƫƧӡڰ˴ׯ.ų,ܵͽַ.ѵİ˹ٰ,װԼ.
֮: άִһǿĶƬ½1746꣬һֳīΪ˶һƫƧС䣬ȴشΪʦҲͽƾͼƣֿıͽᣮڴƬݳȻݱƿɳ¡()
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The story
is a puzzling one- it begins in London,England where students
are controlled by a dictatorship Government where sex is outlawed.The
film was supposed to have been banned in Italy and destroyed,but
do they really do that to films these days? Nonetheless,the set
designs are truly stunning,especially the second half of the film
where the runaway lovers end up living in the Italian mountains
in a colourful 'funked-up' igloo! ..... Please note this film
has never been shown on TV anywhere, the film was seen in an Italian
Film Archive.(Here)
(Italian)
Tommaso, salito a bordo di un avveniristico treno, arriva in una
grande citt si trova subito sperduto ed estraneo. Accettando
l'invito di un individuo, viene ospitato in un grande edificio
dove alcuni docenti stanno sottoponendo gli allievi a un incessante
martellamento di slogan per renderli ubbidienti. Quando Bea tenta
di ribellarsi, mediante un tranello, viene catturata e messa a
morte. Tommaso decide di scappare.
Faenza gioca
la carta della metafora politica e racconta un domani che ha i
difetti dell'oggi. Ma il ritratto datato. Quanto al titolo,
la formula dell'acido solfidrico.(Here)
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Clip
8'23"
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Concert
live in venace
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վ:
һɷѶݵ˷ѽijʵӰ,漰,ƻõȸ,һĿѧҽһʹƶΪ.ӰʼӢ.ѧDZһõ,Եⱻֹ,ѧı,һӵһ羰ɽ.ⲿӰIJͷװ˾̾.漰Ӱ䵱ʱĶͳԼƬеı,ӳǰֵĪޱɫð¼ݶ,֮Ҳδӳ,ĵӰ.ⲿŵӰֻĪڵֶ.Īڵֻ,վҳ.һƪӢ(Ǹ)
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תһƪºIJͼ(Ǹ)
Reprint a review article and its illustration
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Ive
recently re-watched an Italian film entitled H2S and directed
by Roberto Faenza. Despite
being very little known, I think this film is very inspiring
for fashion, graphic and interior designers. Shot
in 1968, H2S was banned a few days after it was released
since it was considered as too violent. The
film could be considered as a sort of manifesto of the late
60s student protests that also tackles themes such as consumerism,
power, technocracy and mind-control. In
the film Tommaso (Denis Gilmore), a young man clad in a
rather bizarre and anachronistic outfit in bold and bright
colours, arrives at his new art college in London where
he meets a dictatorial lecturer accompanied by the college
founder, an elderly lady (wonderful Paolo Poli). The
first lecture is delivered to a class of obedient and tamed
students, all dressed in white outfits. A
rebellion led by a brave girl follows but, soon after, catastrophe
ensues and Tommaso takes refuge in the mountains with Alice
(Carole Andr). Together
they live for a while in a sort of hippy cottage with walls
covered in aluminium foil and furniture reminiscent of Claes
Oldenburgs papier-mach sculptures. Tommaso
goes back to the college towards the end of the film with
a criminal plan in mind, but finds it is now ruled by the
assistant of the lecturer, a mad scientist (Lionel Stander
C remember the barman in Sergio Leone's C'era una volta
il West?) who uses hydrosulfuric acid (H2S) for his experiments
to control humans and animals.
The
film went through a long and extenuating trial and was released
in 1971 when it didnt seem to be as relevant as when it
was shot. Faenza released in 1977 Forza Italia! (Go Italy!
believe it or not, the title anticipated in a way the name
of Berlusconis party before it mutated into the People
of Freedom coalition), a docufilm that criticised the political
class ruling in Italy (the Christian Democrats) and their
abuses of power. The film was seized by the authorities
a few days after the leader of the Christian Democratic
Party Aldo Moro was kidnapped by the Red Brigades and banned
for over 15 years (before being killed, Moro actually suggested
in one of his diaries to go and see the film to understand
the lack of scruples of his political colleagues...). H2S
explores different themes, from student demos and anger/rebellion
to surrealism, politics, sci-fi and futuristic inspirations.
White aseptic atmospheres, white outfits and metallic silvery
shades prevail (see also the futuristic vehicle Tommaso
uses to get to the London-based college View this photo)
throughout the film hinting at a cold and mechanic future
full of fear and anxieties.Faenzas film also boasts some
interesting connections with A Clockwork Orange (1971):
both films feature disturbing, violent images and look at
a dystopian future. During his trip to the college, Tommaso
is given a pair of bizarre glasses and headphones that look
a bit like the contraption used to torture Alex in Kubricks
film (though Tommasos glasses are supposed to allow him
to enter some bizarre virtual dimension, so they're not
used to torture him). Besides in the Professors office
there is a chair shaped like a woman that calls to mind
the piece of furniture in the Korova Milkbar (was Faenza
inspired by Allen Jones human furniture?). In H2S when
Tommaso goes back to the college after his hippy escapade
with Alice, he is submitted to a sort of punishing treatment
like Alex, though in this case the experimental therapy
is not the Ludovico technique, but consists in strapping
him to a strange vibrating device (shaped like the stylised
body of a woman) and in forcing him to watch a video showing
a pair of sensual red lips moving and repeating words such
as order, legality, well-being, happiness. Faenzas
film was shot before A Clockwork Orange, but it wasnt released
outside Italy, so its unlikely that Kubrick actually saw
H2S, even though its impossible to deny there are some
connections between the two films (Faenza may have read
Anthony Burgess A Clockwork Orange yet a book is always
different from its adaptation for the big screen...).
Music
fans seem to know this film pretty well since the score
was composed by Ennio Morricone and also includes Luna
Canadese sung by Edda DellOrso (bizarrely enough Morricone
never regretted doing the score for this obscure film and
still plays its main theme during his concerts, while scores
for cult films la Diabolik were totally abandoned by the
maestro). The film has also got some very interesting graphics:
the closing titles feature chaotic representations of letters
and numbers while an abstract red and blue painting (reminding
the students that the Greek word "Techn" means
Art, therefore, according to Tommaso's lecturer, technocracy
is the way forward) hangs in the lecture hall of the college.
Colours strike the imagination hitting the retina and the
senses turning some of the stronger scenes into the projections
of the main characters visionary and confused imagination.
Architecturally speaking the spaces used in the film are
also amazing: there are no ordinary benches in the lecture
hall, but cubicles (that disturbingly anticipate the cubicles
in our call centres...); rooms often have aluminium walls
and there is even a strange rotating platform on which a
priest celebrates a final doomed wedding. Bizarre and grotesque
set decorations have in this film the same purpose of the
strange props in Elio Petris La decima vittima, since they
are used by the director as a sort of satire against society.There
are also some interesting fashion connections: Franco Carretti
(the costume designer for many films by Elio Petri and Sergio
Leone and current owner of the ABC costume shop in Miami)
designed the costumes for this film that were made by the
Tirelli tailoring house. One of the most striking outfit
remains the bride dress seen at the very end of the film.
While this bizarre rocket-shaped metallic wedding dress
looks futuristic and perfectly matches with the aluminium
room where the wedding takes place, it still retains some
connection with classicism and in particular with Greek
mythology (see also the laurel wreath around the head, like
Apollo for example, God of healing and the arts - and a
connection to the "techn = art" concept often
repeated in the film). This outfit actually came to my mind
after seeing some designs by Craig Green. Though the main
inspirations for this young British designers collection
came from the Bauhaus, '60s robots and Russian folk tales,
with hints at Walter van Beirendonck (Green worked at his
studio as an intern) and Bernard Wilhelm, one outfit from
his collection seems to reference this amazing costume from
Faenza's H2S. I
wonder if this film will ever be re-released: as bizarre
as it may look in 2011, I think its eerie magic could still
inspire many artists, designers and directors.(Here)
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NA-6812
(6818) Il
grande silenzio / The
Great Silence (Sergio
Corbucci) / ѩ
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Bounty
killers led by Loco prey on outlaws hiding out in the snowbound
Nevada mountains. After Pauline's husband becomes Loco's latest
victim, she hires a gunman for revenge; Silence, mute since his
throat was cut as a child (Here) |
վ:
һĴͽӴܵڻݴѩɽɽ,һЩͽɱǰ.յɷҲЩͽɱ,ǹΪɷ..... |
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While
a Mexican revolutionary lies low as a U.S. rodeo clown, the cynical
Polish mercenary who tutored the idealistic peasant tells how he
and a dedicated female radical fought for the soul of the guerrilla
general Paco, as Mexicans threw off repressive government and all-powerful
landowners in the 1910s. Tracked by the vengeful Curly, Paco liberates
villages, but is tempted by social banditry's treasures, which Kowalski
revels in. (Here)
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վ:
1910īʱ,һӶīũλƽĵļ,ר͵ѹ.Ȼũ,ȴڰIJƱջ.....
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(Italian) Vittorio, Adolfo e Luciano sono amici da
quando frequentavano l'Accademia d'Arte Drammatica negli anni del
dopoguerra. Poi le loro strade si sono divise: Adolfo se ne andato
in Brasile dove, come attore, ha ottenuto un grande successo; Vittorio,
rimasto in Italia, diventato un divo del cinema e del teatro;
Luciano, regista e autore di teatro, impegnato politicamente nel
partito comunista, fa il critico, il giornalista e lo studioso.
Adolfo, sentendo la nostalgia dell'Italia e dei suoi amici, manda
un telegramma a Vittorio e Luciano preannunciando il suo ritorno.
Durante il viaggio egli ripercorre mentalmente la vita trascorsa
con i suoi compagni sognando di riformare il gruppo e riprendere
la vita di prima. Ma sia Vittorio che Luciano non sono quelli di
una volta: pur accettando l'attuale situazione sentono che essa
non la vera realt; gli appelli di un vecchio amico, Luca, rinchiuso
in una casa di cura, sono per loro il richiamo all'autenticit che
cercano. Quando tutti e tre si ritrovano, durante una lunga discussione,
capiscono che qualcosa si spezzato fra di loro. L'arrivo di Luca
tronca sul nascere una lite.(Here) |
վ:
ά£¬ŵҪõ,սһһϷѧԺѧϰ.ҵԺŸǰ̣ȥ˰ΪһԱȡ˺ܴijɹ;
ά˶Ϊ˵Ӱı; ¬ŵΪһλ,ۼ,ߺѧ.عʱ,ȴʵг˺ܴѺ....
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The Nun of
Monza is the story of a Spanish nun named Virginia de Leyva (Anne
Heywood). As Mother Superior, her convent is the picture of saintliness.
That is until a young nobleman (Antonio Sabata) takes refuge there
after killing a man. Then, all hell breaks loose. All those who
inhabit the habit give in to temptation while hysteria and hypocrisy
abound. The Mother is accused of breaking her vows and must endure
harsh punishments including tortures both physical and psychological.
One of the earliest examples of the Italian nunsploitation genre.(Here)
Luciano Odorisio's
Italian-made exploitation film La Monaca di Monza travels into
the deepest and darkest recesses of a Catholic convent, where
a nobleman (Alessandro Gassman) and a nun (Myriem Roussel) engage
in a passionate love affair. Little can they foresee the dangerous
and calamitous consequences that this will yield -- consequences
involving betrayal, vengeance, and homicide.(Here)
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վ:
Ůһи
ŮĹ. ΪԺԺ,Ժһʥͼ.ֱһĹ,ɱ˺,ĸֽ.ϰЪ˹α.
Ҫϵ˫ĥ.... |
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The
commander of a failed 1928 Arctic airship expedition is remembering
the events of the "Italia" airship flight, crash and subsequent
rescue efforts. The "ghosts" of people involved in the
events appear in his memories to assist him in determining his guilt
in the affair. The reminiscences are mixed with the real action:
the flight of the "Italia", the air rescue operation from
Kings Bay airfield, the expedition of the "Krassin" ice-breaker.
A sort of human touch is added by the ever beautiful C.C. playing
Malmgren's girlfriend.(Here) |
һʵʷı̽Ӱ,ӰƬԸ߶ַչڽصʷֵηش,ک˲ͬ,ͬ,شǰֵͬĹ,빲ĸ¼.ĪָǡݵطԼԱ,ڵĹ,ʹǶڰйڵڼصĿ̽Ȥ.Ƭ1972ӢƬ,ֵһ.Ϊʹ߽һ˽ʷ,վҳظĶʷԹο. |
The
reply from Austria friend Mr. Michael Caletka on June
18, 2015
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ⲿӰйʰͶ˹汾ǰĪ
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5)
The Red Tend (La tenda rossa)
This
is the very rare case, that a movie has 2 scores. It tells
the story of the run to the south-pole, had an international
cast, but had a Russian director and was partly filmed
in Russia. For the worldwide distribution of the film
the score was the one we know by Morricone, except for
Russia. They replaced his music by a score of Russian
composer Aleksandr Zatsepin for the Russian market.
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A liberal-thinking
author watches his wife as she attempts to seduce his best friend
at a dinner party. She ends up taking on another man as well,
and the writer has an affair with the another dinner guest. Soon
the three men and two women are entangled in a confusing series
of partner-swapping sex sprees where everyone's morals are challenged
in the wake of the sexual revolution.(Here)
This movie
has a very involved plot, concerning an affectionate foursome
who meet for dinner as often as they can. One is a writer who
has a complex about being left out of things; another is his wifw,
beautiful and frigid. Then there is an actor who has a strong
inclination towards voyeurism, and a spinster friend who is not
unpleasant to look at, and who has a mania for telling dirty stories
and jokes. The wife and the actor end up in bed together, but
that isnt really what the actor wants because he cannot see what
is taking place. So of his to get into bed with the wife and then
he is happy once more, watching. So the foursome became a fivesome:
and trouble starts, especially when the poet turns out to be partial
to either sex, and the husband decides to write a play about his
wife (Here)
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վ:
һעķһͼĺ.ͬҲһĿȾ.ܿ˺ŮһԻĿ֮.ÿ˵ĵܵԸȳս |
ע:
ⲿӳԸ˳ĵӰĪڵֶע.Īڵֻ,վҳ |
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Bernardo
Bertolucci was obviously influenced by the films of Jean-Luc Godard
and the worldwide political upheavals of 1968 while assembling his
feature-film Partner. This unorthodox adaptation of Dostoevsky's
The Double studiously avoids traditional linear storytelling and
exposition techniques. Pierre Clementi stars as a repressed young
student who concocts a radical alter ego for himself. As the student's
two faces argue polemics, Bertolucci uses the opportunity to take
freewheeling critical potshots at all forms of political ideology.
Not all of Partner makes sense, but the film will command the viewer's
interest from beginning to end. (here) |
Ƭݱ³(Bernardo
Bertolucci)ִĵӰƬ. ӰıԶ˹˼Ү˹С˵˫˸("The Double".
1846). ˼Ү˹Ĵѧʷӵ֮һƷе"˫˸ѧʷһصķ羰³ڵӰľʦԼ˳ӰƬӰ졣ͬʱҲܵ˼塢¾Լ1968ɨŷѧ˶Ӱ죬½һθԼеһңķѶε֮.
"˫˸"һֳ,۹ŽⶼԱ.ڵйʵиż.ӰƬ˲ϣصϷ,
էƬƺʹ˸еѶ,ȴϲо³Ӱ,Ī,Լоѧ,ѧDzɲһƷ.ݼйμվҳ
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This film
of violence and gangsterdom opens with an attack on the post office
at the terminal station in Rome. The raid succeeds and the two
gangsters, Enrico and Mario, run off, machine guns in their hads.
The police are hot on their trail with forensic research methods,
and when the gangsters try to repeat their luck on a supermarket,
Mario is arrested. Enrico then threatens two jewellers brothers
with death unless they assist in a crime. By this time, the public
is asking questions about the repeated violences, and public opinion
is on the side of the police .(Here)
(Italian)
Evaso dal carcere dov'era stato rinchiuso per rapina, Mario Corda
si mette alla ricerca del suo complice Enrico che, dopo aver commesso
altri misfatti, gli ha ucciso la moglie. Rendimento finale di
conti. con Gli implacabili uno dei 2 film neri che Cassavetes
interpret a Roma tra il '68 e il '69. Factotum dei generi d'azione,
De Martino governa bene le sequenze spettacolari, ma i personaggi
non hanno spessore.(Here)
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վ:
ⲿͺڰӰһζʾֵĹʼ.ͽƺ´Ӿǹ.ٴһݹʼʱ,±.
ƶ鱦ֵܽв,Э......
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A detective gets involved with the beautiful daughter of an old
friend. The daughter turns out to be a jewel thief, who in turn
gets the detective involved in a caper in Austria.(Here) |
վ:
һ̽˼ֵ,ѵŮԭһ鱦.ڰµһ...
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NA-6821
(6706) Scusi, facciamo l'amore / Listen,
Let's Make Love
(Vittorio
Caprioli) / (ֱ )
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In
this drama, a Neapolitan lad travels to Milan to attend his father's
funeral. His father was a gigolo, and the young man decides to continue
the family profession and begins looking for rich women to prey
upon. He is successful, but then he finds himself caught in a bidding
war between a wealthy steel heiress and an rich old homosexual.
Though the homosexual wins, the gigolo decides to make it with the
heiress. Time passes and he ends up falling for a beautiful woman.
Unfortunately, he discovers that she is his half sister. He then
remembers a bit of advice from one of his father's friends who said
"It's better for a young man to attach himself to a rich homosexual."
The young gigolo heeds that advice (Here) |
վ:
һDz˹Сǰμ.
ĸһ, ˾̳иҵ,ʼѰҸеŮΪԼ. Ȼ˳ɹ,ԼȴһԣĸҵŮ̳˺һеͬľս֮..... |
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A
strange visitor in a wealthy family. He seduces the maid, the son,
the mother, the daughter and finally the father before leaving a
few days after. After he's gone, none of them can continue living
as they did. Who was that visitor ? Could he be God ? (Here) |
һʱҵļͣȫҲŮٶ̰˵ִżҲߡ֮ΪǿҵĿ飬ȫԼԼѹøˡڻվѸ⳯Įȥ˵ӷԵλйѰã˵Ůʧǣ˵ĶӷɣڻСµƷŮӦʥ飬ڰĤݡ
ͬ벻еġԡΪģһҪĻԢԣ˻뿪磬չʾڽ̸ֲεìܺӰ,Ҳʾ·ɳվ.ӰʷвŻһλ,ⲿӰɷΪǰԡĻƽ.һƬʾṹϽѧ.ֱַ临ӱ֤ݣΪִľ.йĽܼҪӰμվ |
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NA-6823
(6809) Tepepa / Long
Live the Revolution (Giulio
Petroni) (ֱ )
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In Mexico,
at the beginning of the twentieth century, a man is to be executed
by Cascorro's men. Doctor Henry Price, en Englishman, arrives
in his car and saves him. The nickname of the man is Tepepa and
he was a hero of the Revolution. Tepepa asks doctor Price way
he saved him and the answer is chilly: to have the pleasure to
kill him himself. And he aims his gun at him. (Here)
An English
doctor saves a Mexican revolutionary leader (Tepepa) from the
firing squad in order to exact personal revenge for the death
of his fiance. But things are not so simple, as the revolutionary
is a popular man with the masses and his version of events throws
doubt as to his guilt in the matter. The doctor is not swayed
but, as political hostilities are renewed, both men are engulfed
in the increasing violence and find themselves pursued by the
ruthless Colonel Carrosco who is determined to recapture Tepepa
and make an example of him to the peons who see him as a hero
(Here)
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վ: ʮͳҶī,һҪ,һк
˹Ӣҽ. ˵ĴºŽ,һλӢ. ƥҽΪʲôҪ,شDZ, ҽ˵ҪԼɱ.Ǿͷ־
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NA-6824
(6822) Un bellissimo novembre / That
Splendid November (Mauro
Bolognini) / ټ/͵
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The
Italian title for That Splendid November is Un_Belissima_Novembre,
but it might as well have been "Belissima Gina". That's
because the film's main attraction is Gina_Lollobrigida, whose well-proportioned
chassis diverts the audience's attention from the turgid plot. The
story concerns a large Sicilian family whose patriarch is an advocate
of self control. The hypocrisy of this stance is illustrated in
a number of scenes involving sex, gluttony and greed. Adapted from
a novel by Ercole Patti, That Splendid November was released in
the US in 1971, three years after it made the European theatrical
rounds.(Here) |
վ:
Ǹʮһ¡ǡټҲǡļȡΪӰҪǼ
(Gina Lollobrigida)ȳƵνڵעӿŵתƹǹһӴĹ.ǵ峤һλҿƵijߡαƵ̬ȴһЩ漰ԣʳ̰ijҴ.
ӰıErcole PattiС˵Ǹʮһ¡1971Уŷ糡š
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NA-6825
(6906) Un tranquillo posto della campagna / A
Quiet Place in the Country (Elio
Petri) / Ƨ/һƬĵط
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Leonardo (Franco
Nero) is a painter who retreats to a house in the country to regain
his lost inspiration. He is plagued by the presence of an erotic
apparition. The gorgeous ghost soon moves the painter to the point
he wishes to carry on a relationship with her. Leonardo is several
bristles shy of a brush as he sinks deeper into insanity. When
his fianc arrives for a visit, she is murdered and chopped into
little pieces by the troubled artist. Vanessa Redgrave and Gabriella
Grimaldi also star in this story of madness and horror. (Here)
(Italian)
Pittore di successo in crisi creativa, dilaniato dalla volont
di contestazione e dalle richieste del mercato, ha un rapporto
schizofrenico di amore/odio con la donna che gli fa da amante,
amministratrice e infermiera e, per sfuggirla, si rifugia in una
villa veneta disabitata cercando la compagnia di un fantasma.
Film sulla pittura (sulla pop art, usando i quadri dell'americano
Jim Dine), sulla ricerca disperata della bellezza perduta, sulla
morte dell'arte, sui rapporti tra arte e realt, prima di ogni
altra cosa un giro di boa tecnico: di tecnica narrativa, di montaggio,
di ritmi, di effetti speciali, di fotografia. Senza l'esperienza
maturata sarebbero forse impensabili i successivi film (Here)
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վ: һͿֲĵӰ.
ɶࣨʸ »ݣһ. Ϊ˻ָ,ص¾ס.ܵһɫĥ. ܿҵ˻Ҳϣֹϵ.ɶľܴܵĴ̼.δ̽ʱ,ҵɱг....
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NA-6826
(6912) Vergogna schifosi / Dirty
Angels (Mauro
Severino) (ֱ ʹ)
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Three young
people arrive in the city from the provinces to make their fortunes.
They become firmly established in their work and social life.
They have behind them important people who use them to make money
but also provide them with affluence. But their new-found rich
existence is shattered when menacing letters start arriving through
the post. The letters threaten each with death. The three decide
that the letters are being sent by a fourth friend who left the
provinces with them, but was later abandoned by them. They find
him and bring him back into the group to find out if he is the
one who is sending the letters. The find that he is playing a
very cunning game, and so they decide that he must die. (Here)
(Italian)
Tre ricchi giovani milanesi vengono ricattati da un misterioso
personaggio che invia loro messaggi registrati e li accusa d'aver
provocato la morte di un tedesco durante un'orgia. Individuato
il colpevole in un loro amico pittore, i tre l'uccidono scoprendo
poi che non si trattava di un vero ricatto, ma solamente di uno
scherzo. (Here)
Super obscure
Italian giallo starring Roberto Bisacco and Marilia Branco. Wide
screen, English subtitled presentation. Highly obscure and very
rare sperimental and anomalous thriller, substancially linked
to and inspired by the 1968 protest movement, supported by an
awesome soundtrack by Italian maestro Ennio Morricone featuring
the sublime Edda Dell'Orso's voice and I cantori moderni di Alessandro
Alessandroni. Never issued on DVD shamefully and almost forgotten,
it's a movie where Morricone's amazing work adds more power to
motion pictures since Morricone's delirious soundtrack was sourced
directly from cinematic centripetal moves of shots, focused on
some obsessive key themes and enriched by plenty of pop aesthetics
and design. The mainly urban set is an incredibly deserted and
ghostly Milan during August. Featuring Roberto Bisacco, a blonde-haired
(!) Lino Capolicchio and the gorgeous Brazilian actress Marilia
Branco, who married Adolfo Celi.
(Here)
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վ: ˴ũ,Ϊ˸ıǵ.
ڵõȶĹ,ΪDZҪǮ,ͬʱҲṩ˸ԣ. ǵڽӵһŶ,
Ҫɱÿһ.жſDZµĵĸѷ.Ǿȥҵ,ȷʵд,ôǾʹһǵ.ǷںŪթϷ,Ǿɱ.....
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