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002-附
文章原文
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—————REVIEW—————
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Maddalena
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by
Steven Dixon
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Film
Review
This is a rare film that deserves
to be taken seriously. When Polish director Jerzy Kawalerowicz
took reigns of this project there was no way he was
going to do a carbon-copy remake of the 1954 movie which
bears the same name and boasted the poster tag line
"A woman at night used her sex as a weapon against
man and God."
That
tantalising, and pleasurable poster slogan must have
served as some inspiration for Kawalerowicz, who also
penned the screenplay.
The
original Maddalena starred Marta Toren, a very promising
Swedish actress who died aged just 31.
Kawalerowicz's
1971 version stars Lisa Gastoni, a well regarded artist
and popular name in Morricone circles.
She
has been acting since she was 17 when she made her movie
debut in the Dirk Bogarde war film They Who Dare (1954).
Her co-star tv actor Eric Woofe had only made one other
film in his career, in Hammer's A Challenge for Robin
Hood (1967).The remains of his work reserved for television
only.
As
a film maker writer/director Kawalero-wicz has made
a few good movies like Mother Joan of the Angels (1961),
but nothing out of the ordinary. One can safely say
Maddalena is his most famous title: a laboured often
duress telling of forbidden passion.
Maddalena
is quite a unique film as it deals with the taboo relationship
between an erotic dancer (Lisa Gastoni) and a tormented
priest (Eric Woofe). Such territory in cinema is risque,
though not unique. Vivid images of Lisa Gastoni's character,
in both brunette and blond guise, is played out in a
series of often surreal flashbacks, which are both haunting
and sacred.
Maddalena, as a blond Mary-like character, is washing
the feet of a holy man; that same holy man is then being
whipped and dragged ready for crucifixion. Later, Maddalena's
dreams are turned into modern nightmares as she is chased
through the woods in slow motion in modern day Italy
by priests and baying hounds.
But these ominous warnings, vaguely terrifying as they
are, do not make her any less the dangerous seductress.
Ominously, as with most Italian forbidden love dramas,
tragedy prevails. The suspension between reality and
dream is especially felt when the priest swims compulsively
far out to sea with a desperate Maddalena attempting
to save him. The priest then fades away into the distant
horizon.
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Music
Review
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The
main themes of religion and guilt are a particular favourite
of Ennio Morricone. One can detect the ominous note in
those early 1970s films of which Morricone was the master.
The tragic romantic drama La Califfa (1971), one of his
finest 70s compositions, is a strong example in a long
line of brilliant tragic love dramas.
Morricone's use of the church organ that decade begun
with a most remarkable and stylistic project in Chico
Buarque De Hollanda's "Per Un Pugno Di Samba / A
Fistful of Samba" (RCA LSP 34085), a title born from
the popularity of the re-releases of the Clint Eastwood
"Dollar" westerns.
The project is more sacred than spaghetti as it includes
some stunning religious organ passages. Styles which would
metamorphose into those splendid early 70s Morricone classics
Sacco and Vanzetti (1971) and A Fistful of Dynamite (1971).
The Maddalena soundtrack, released by General Music in
1971, is a stunning one. In the main theme Come Maddalena,
Morricone allows his distinctive style to grow and nurture.
The main track lasts just over 9 minutes and distributes
a remarkable series of diverse musical patterns: BrunoNicolai's
stunning organ, those fast paced jazzy insets, the buzzing
electronics, Renata Cortiglioni's marvellous children's
chanting, often reminiscent of the later Morricone-scored
Holocaust 2000 (1977)
When the film credits open we see Maddalena dancing erotically
in a nightclub. For this opening theme, Morricone chose
to base his canvas around a jazzy musical motif. In the
early 70s Morricone thrives on the jazz/lounge element.
In Henri Verneuil's The Burglars / Le Casse (1971), Morricone
achieves this in a calm and contented manner; in Michele
Lupo's A Man to Respect Un Uomo Da Rispettare (1972),
Morricone uses a much harsher style; in Maddalena , he
turns his jazz style into an erotic wild almost uncontrolable
frenzy.
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There are
many more non-thematic themes on the film's soundtrack: Morricone's
style is very strong. In the lengthy themes Pazzia in Cielo (9:47)
and the Edda Dell'Orso enchanced Erotico Mistico (9:47), there
is colour, balance and a symbolic use of buzzing electronics.
Another favourite device of Morricone is the use of a lone echoing
soloist, a tool so often used and so easily recognised in films
such as the thus far unreleased Timothy Dalton film drama Special
Games / Autoritratto (1970) and some themes from Sergio Leone's
A Fistful of Dynamite (1971).
The theme
most people love best from the Maddalena soundtrack is Chi Mai
(Whoever). This piece of music is just as famous as The Mission
. It re-invented itself when Morricone re-recorded it as "Disco
78" and was used in all three episodes of the tv drama An
Englishman's Castle (1978). Reaching the lofty heights of number
2 in the British pop charts was an amazing achievement with a
little help thanks to its tune being used on the BBC drama The
Life and Times of David Lloyd George.
French director
George Lautner used it prominently in the Jean Paul Belmondo thriller
Le Professionnel (1981) and it wasalso employed in an advert by
the company "Royal Canin", an international dog and
cat food manufacturer. This moody track has been covered by many
artists in both instrumental form: James Last, Nino Rosso, and
vocal format Lisa Gastoni, Milva, Amii Stewart and Dulce Pontes.
Morricone also rejuvenated the popular Come Maddalena theme in
1977 as a funky disco version. The transition from religious jazz
to pumped up disco is truly magnificent.Again, Morricone's theme
came to the attention of the British public thanks to BBC programme
titled The Master Game, where contestants compete with each other
playing the board game chess. This was probably the reason Morricone
allowed its use, as his love for the game is well known. Come
Maddalena was slotted on the B-side of Chi Mai , but in my mind
was the much more popular theme. All around Europe it was an attractive
disco hit and as a result a much longer 12" version was issued.
But in the UK disco was being phased out, replaced by the powerful
technology of electronics headed by major artists like Gary Numan
and Ultravox.
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Vinyl
and CD releases
The
very first release of the Maddalena theme came one year
before the actual album. It originated from Germany under
the title "Terra Magic / Goldrauch" (UTV Film
Records UTVRS, 1970). Its contents were the same as those
found on the General Music single GM ZGE 50243 (Come Maddalena
,edited version) and Chi Mai.
The original album (GM ZSLGE 55063, 1971) had only 5 tracks
on it, three of those lasting 9:45. On the LP, the main
Maddalena theme is extended, although in the film only
the single version was used.
In 1971 also came the rare Morricone compilation album
"Colori" (GM ZSLGE 55064). We note with great
interest the reference number of this album immediately
followed that of "Maddalena". It added the nice
thematic Una Donna Di Ricordare (4:17), a kind of soothing
re- working of Maddalana, plus the Chi Mai theme.
An extremely interesting vocal version of Chi Mai (ZT
7013) by the actress Lisa Gastoni with fitting and poignant
lyrics about the sea and waves, adds a more poetic edge
to this melancholic theme paving the way for a succession
of rich vocal recordings. It came with a rather nice film
photo cover.
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Lisa Gastoni
recorded an additional two vocals, in French and in English,
utilising the same Morricone arrangement. Now it was rumoured
Gastoni's Italian vocal was used after the film's end titles.
We are aware some prints differ, my source was of Yugoslavian
origin. But there were no vocals heard. The two other vocals
- the French and English - to my knowledge were not released
commercially on 45 or LP. Today all three can be found on the
most recent of the Saimel's CDs (Spain, 3998929, 2011). There
was actually quite a long gap in years before the Maddalena
soundtrack in its complete form came to light.
。
In the 1970s, bootleg LPs were appearing quite regularly. Back
then it was very difficult for anyone to distinguish what was
original and what was not. For instance the POO series of bootleg
LPs from the 1970s including many Ennio Morricone scarcities
were actually manufactured in the UnitedStates, but were disguised
as Japanese. On many of the backs of the POO LPs, which included
the Morricone titles Hornets' Nest and The Hills Run Red, upon
them large paragraphs of Japanese articles from newspapers were
pasted. The Japanese writings had no connection to the films
and were probably news reports of the time. But who knew? These
high quality bootlegs were being distributed in the UK, France,
Belgium and Germany (the movie soundtrack 58 Dean Street in
London were receiving regular supplies).
When POO records in the USA was busted by the FBI, the bootleggers
went into hiding. But in 1989 and seemingly out of nowhere came
the album "Maddalena", an incredibly rare soundtrack
on vinyl at the time. It is not clear whether this release was
intentionally produced to disguise itself as the original same
reference number, cover art and label stickers were evident.
Soundtrack catalogues at the time were selling this one for￡20
- a considerable sum of cash back in 1989, but a lot cheaper
than the ￡200 an original would command.
One thing the bootleggers could not hide was the way printing
techniques had changed since the 1970s. Even though shiny laminated
covers were around in the 1970s (Camden records in particular)
the lamination technique had advanced to such a point even the
lesser trained eye could spot amodern replica. To the trained
eye,the cover is incredibly blurred and the label in the centre
of the disc is just a little too modern.
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The wonderful
cover artwork from the original LP is partly based on the original
1971 locandina poster. The creative designers have created a doppelganger
image (doppelganger is a German term for ghostly double of a living
person).
When compact disc broke onto the scene, distributors went 'Mad'
on Maddalena ! There has been four separate releases and it was
the Italians who got first bite of the cherry in 1994 as a specially
numbered limited edition. The contents were the same as the original
5-track LP and this soundtrack was coupled with another splendid
romantic drama Questa Specie D'Amore (1972).
The first issue CD is marvelous - displaying a haunting, guilt-ridden
swirling image as taken from the Italian locandina. Next it was
the turn of the Japanese in 1997 on the label Avanz (SP/CRCD 20009).
I do love Japanese CDs but this one offered very little in the
way to warrant a second issue, certainly no original music from
the film. But it did have the Lisa Gastoni English vocal version
Chi Mai , a premiere. The cover art abandons any film/photo element
choosing an abstract design instead.
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The
Spanish label Saimel bought the rights for the two final
releases. Their first in 2002 (ref.39993810) added another
three tracks to CD, but in fact there is only one: Erotico
Mistico (an alternate version) 8:21 as Chi Mai , the
Disco 78 version was most certainly not a new theme
on CD, and the Come Maddalena reprise at the end of
this CD is exactly that - an identical reprise. The
CD's running time is: 58:28. Attractive fresh cover
art has a nice red tinted image of Lisa Gastoni on the
beach
In 2011 came the 'ultimate' edition - this is the only
version you would ever need to buy. 78:14 of fantastic
music and although it does not contain any of the live
versions, it has everything else - the original LP contents,
many different versions, all the Lisa Gastoni Chi Mai
vocals in English, French and Italian and the heart
pumping Come Maddalena , in its complete 12" form.
This 'ultimate' edition is the only CD to have its cover
replicate the original LP art.
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003-参考资料
Reference
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01
1954年由奥古斯托 金尼纳（Augusto
Genina）导演意法合拍的电影玛达莲娜
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01
1954 film Maddalena directed by Augusto Genina
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02 关于奇科
布阿尔克（Chico_Buarque）与莫里康内合作发行的专辑“一大把桑巴”(Per
Un Pugno Di Samba）
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02
The album "Per Un Pugno Di Samba" cooperated
by Brazil Chico Buarque and Ennio Morricone
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| 奇科”布阿尔克 1944年6月19日生于巴西里约热内卢。是巴西著名的歌手，作曲家，吉他演奏家和作家。在上世纪六十年代巴西军事独裁统治时期，他于1968年被捕，并于1969-1971年间被迫流亡到意大利。他在意大利逗留期间，曾发行过两个专辑，其中第2个专辑就是和莫里康内合作的《一大把桑巴》("Per
Un Pugno Di Samba") （01，
02） |
1970年由RCA发行的专辑
LSP 34085 唱片“一大把桑巴”（这里）
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巴西奇科
布阿尔克（Chico
Buarque）与莫里康内合作发行的专辑“一大把桑巴”(Per
Un Pugno Di Samba)
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曲目表
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中译名
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试听
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| 旋转 |
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| 桑巴和爱 |
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| 梦想的狂欢 |
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| 她没有，她是跳舞 |
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| 玛丽亚的名字 |
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| 一个农民的葬礼 |
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| 您 |
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| 这些和那些 |
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| 你是我们的一个 |
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| 尼卡诺尔 |
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| 私密的回忆 |
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| 现在我是认真的 |
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这张唱片的资料显示莫里康内在其中的职位是“指挥，主要艺术家”(Conductor,
Primary Artist)（这里）
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03
本文提及的有关音乐
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03
The relative music mentioned by the article
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序号
No.
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所在电影
The
film
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乐曲名
Music
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试听
Listen
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在上文中的描述
Description
in the article
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备注
Note
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001
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Come
Maddalena (来吧 玛达莲娜）
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《玛达莲娜》的原声由General
Music发行于1971年，非常具有震撼力。在其主题《来吧玛达莲娜》中，莫里康内展现并发展出他的独特风格。该主题长达9分钟，呈现出一系列精彩的音乐元素：布鲁诺·尼可雷令人惊艳的管风琴，穿插步伐轻快的爵士乐穿插，纷繁嘈杂的电子乐，还有Renata
Cortiglioni儿童合唱团精彩的唱咏，不禁让人想起后来那部他配乐的《2000大屠杀》（1977） |
音乐页，Soundtrack |
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002
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Holocaust/大屠杀
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音乐页，Soundtrack |
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003
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the
burglars - Main Theme/大飞贼-主题曲
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在20世纪70年代早期，莫里康内对爵士/沙发音乐元素情有独钟。在1971年亨利·维尼尔导演的《大飞贼》里，莫里康内呈现出来的风格是平静与满足；而在1972年的《贼王》（米歇尔·劳普导演）里，音乐风格变得粗砺起来。在《玛达莲娜》里，他更是把爵士风格演绎得香艳狂野，狂乱不羁。 |
音乐页 |
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004
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the
burglars - The Daughter to the Edge/大飞贼-女儿的优势
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音乐页 |
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005
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L'Incarico
(02:03) /佣金
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006
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Pazzia
in cielo/天堂里的疯狂
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在这张电影原声专辑里有很多非主题性的音乐，莫里康内的风格依然强烈。在长达9分47秒的《天堂里的疯狂》，以及由艾达·戴洛尔索献声的《神秘情色》(9:47)中，音乐色彩斑斓而不失均衡，对于电声元素的运用也很有代表性。
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Soundtrack |
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007
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Erotico
Mistico/神秘情色
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Soundtrack |
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008
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Duck
You Sucker (Main Theme)/主题曲
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莫里康内非常喜欢用的另一种乐器就是人声的单独吟唱，在一些电影中运用得非常频繁，很容易辨别出来，如1971年的塞尔吉奥·莱昂内导演的《革命往事》中的一些主题，以及提摩西·道尔顿1970年出演的《特别的游戏/自画像》 |
音乐页 |
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009
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在本站现在已知和已有的音乐中尚未找到如文内所述的人声吟唱乐曲。此曲是Tommy
Hools
乐队演唱的一段视频伴音，是否如文中所述的乐曲还不能肯定。请参见此页 |
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010
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Chi
Mai
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《玛达莲娜》配乐里最受欢迎的主题就是《Chi Mai》（意大利语：who
ever 或 who never，有谁不曾）。这首曲子和《教会》主题曲齐名。当莫里康内把它重新录制在专辑《Disco
78》里并用在三集电视剧《一个英国城堡》（1978）里的时候，它才重新被大家发现并流行起来。它曾经达到过英国流行榜第二名的位置。当然，这也部分归功于它被用在了BBC出品的纪录片《大卫·洛伊德·乔治的一生》中。在让·保罗·贝尔蒙多主演的惊悚片《职业杀手》（译者注：我国80年代引进译名是《阴谋的代价》）(1981)中，法国导演乔治·劳特纳采用该曲作为主题。甚至连"皇家宠物食品"这样的国际公司都将这首曲子用在其广告中。这首沉郁的曲子已经被多位艺术家以器乐及演唱的方式表演过多次，器乐版本包括詹姆斯·拉斯特，尼诺·罗索，演唱版本有丽莎·佳丝托妮，蜜尔瓦，阿米·斯图尔特和杜尔塞·庞特斯。
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音乐页 |
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Chi
Mai
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011
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Chi mai
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音乐页 |
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012
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The
wind, the scream-Main titles movie version
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音乐页 |
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013
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詹姆斯 拉斯特乐队/James
Last Mystique
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Chi Mai
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这里 |
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014
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蜜尔瓦(Milva)
演唱的Chi
Mai
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Chi
Mai
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音乐页 |
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015
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来吧 玛达莲娜 迪斯科版
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Come
Maddalena (Disco)来吧 玛达莲娜）迪斯科版
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在1977年，莫里康内将《来吧玛达莲娜》重新编排了一个时髦的迪斯科版本，使它重新焕发了青春。从宗教爵士一跃到迪斯科曲风的确是非常强烈的转变。再次受益于BBC的一档国际象棋比赛节目《大师游戏》，这首曲子受到了英国听众的欢迎。而莫里康内对于国际象棋的喜爱是众所周知的，这也可能是他允许该节目使用这首曲子的原因吧。在唱片中，《来吧玛达莲娜》被编排在B面。但我认为它比"Chi
Mai"还要受欢迎。在整个欧洲它都是非常受欢迎的迪斯科金曲，甚至制作了一个12分钟的加长版本。不过当时在英国迪斯科已经慢慢退潮，而来自新科技的电声音乐开始统治乐坛，涌现出像Gary
Numan（加里·纽曼），Ultravox( 超音波乐团)这样的领军人物。 |
versione
12'' maxi Disco 78 （这里） |
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016
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"Colori" (GM ZSLGE 55064) |
Una Donna Di Ricordare (女人，请记得)
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在1971年，莫里康内很罕见的发布了一张合集《色彩》（《Colori》）
(GM ZSLGE 55064)。有趣的是，听众发现这张唱片的编号是紧接着《玛达莲娜》的。其中新加了一首很好听的《女人，请记得》，
是《玛达莲娜》与《Chi Mai》的混编，令人耳目一新。 |
General
Music ZSLGE 55064（这里） |
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017
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Canto
Moricone Vol.3 “莫里康旋律歌曲第三集” |
Chi
Mai (Idiota)
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丽莎·佳丝托妮同时也演唱了另外两个版本，分别为法语和英语，其歌曲编排与意大利语版相同。现在有传言说佳丝托妮的意大利语版本被用在了影片的结尾字幕后。我们的确留意到了一些字幕的区别。我看的版本是南斯拉夫语的，但是没有听到这首歌曲。另外两首英文以及法文的版本，据我所知，从来没有以黑胶LP或者45转细碟唱片的形式发行。现在我们可以在最近由西班牙的厂牌"Saimel"发行的CD里(西班牙,
3998929, 2011)找到全部3个版本。在被埋藏多年后，《玛达莲娜》的原声音乐终于以完整的形态重见天日。 |
Canto
Morricone Vol. 3 (1999)（这里）(Saimel
Ediciones 3998929 2011版见这里） |
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Chi
Mai (French Version)
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018
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丽莎·佳丝托妮演唱的法语，英语，意语chi
mai
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chi
mai (versione francese) (cantata da lisa gastoni)
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丽莎·佳丝托妮同时也演唱了另外两个版本，分别为法语和英语，其歌曲编排与意大利语版相同。现在有传言说佳丝托妮的意大利语版本被用在了影片的结尾字幕后。我们的确留意到了一些字幕的区别。我看的版本是南斯拉夫语的，但是没有听到这首歌曲。另外两首英文以及法文的版本，据我所知，从来没有以黑胶LP或者45转细碟唱片的形式发行。现在我们可以在最近由西班牙的厂牌"Saimel"发行的CD里(西班牙,
3998929, 2011)找到全部3个版本。在被埋藏多年后，《玛达莲娜》的原声音乐终于以完整的形态重见天日。 |
2011年西班牙发行的Saimel
Masterworks Series, Volume 6-“Saimel Ediciones 3998929”（见这里） |
| chi
mai (versione inglese) (cantata da lisa gastoni) |
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| chi
mai (versione italiana) (cantata da lisa gastoni) |
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04
2011年西班牙发行的唱片玛达莲娜资料
Saimel Ediciones 3998929
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Description
in the article
Lisa
Gastoni recorded an additional two vocals, in
French and in English, utilising the same Morricone
arrangement. Now it was rumoured Gastoni's Italian
vocal was used after the film's end titles. We
are aware some prints differ, my source was of
Yugoslavian origin. But there were no vocals heard.
The two other vocals - the French and English
- to my knowledge were not released commercially
on 45 or LP. Today all three can be found on the
most recent of the Saimel's CDs (Spain, 3998929,
2011). There was actually quite a long gap in
years before the Maddalena soundtrack in its complete
form came to light.
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2011年西班牙发行的玛达莲娜专辑“Saimel
Ediciones 3998929”
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1
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Come Maddalena (09:11) 来吧
玛达莲娜 |
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2
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Chi
mai (03:33) |
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3
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Una donna da ricordare (04:17) 女人，请记得 |
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4
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Chi mai (versione italiana)* (03:23) 意大利语版 |
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5
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Pazzia
in cielo (09:47) 天堂里的疯狂 |
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6
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Maddalena (intermezzo per pianoforte) (02:47) |
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7
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Chi
mai (versione singolo) (03:26) 玛达莲娜
（钢琴插曲） |
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8
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Erotico
Mistico (09:47) 神秘情色 |
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9
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Chi
mai (versione francese)* (03:24) 法语版 |
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10
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Pazzia in cielo (#2) (09:46) 天堂里的疯狂(#2) |
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11
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Erotico Mistico (#2) (08:18)
神秘情色
(#2) |
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12
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Chi
mai (versione inglese)* (03:26) 英语版 |
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13
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Come Maddalena (versione 12" maxi Disco 78)
(06:37) 来吧 玛达莲娜 （迪斯科版） |
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*Sung
by Lisa Gastoni Total Duration: 01:17:42
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05
推荐一个专辑-“Chi
Mai 大全”
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05
Recommend
an album -“Chi Mai complete version”
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| 编者注：
Chi Mai 乐曲可以说是莫里康内成千上万件作品中的一朵奇葩。据笔者所知，不但在中国，就是全世界同样有很多人就是通过这首乐曲开始知道了莫里康内，并继而成为一个终身的莫里康内爱好者。上面这篇文章，除去介绍了“来吧
玛达莲娜”乐曲之外，也重点介绍了Chi
Mai这首乐曲。恰好前不久笔者收集到了一个标题为“Chi
Mai”的专辑，其中共有45首以Chi
Mai为主旋律的乐曲。包括了四十多年来世界各国的音乐家，演奏家，歌唱家及各种乐队，经过对此曲的改编，使用各种常见和少见的吹拉，弹拨和打击乐器，以各种不同的语言演出的这首乐曲，人们从中不难感到他（她）们对于这首名曲的热爱，以及对其各种不同的解读。所以笔者将其命名为“Chi
Mai 大全”。对于其爱好者来说真是一顿绝妙的音乐大餐。特借此机会介绍给大家共享 |
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“Chi
Mai 大全”
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序号
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曲名
Name
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试听
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序号
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曲名
Name
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试听
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1
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acker
bilk - chi mai |
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24
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geoff
love - chi mai theme
杰夫 洛夫 英国作曲家 |
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2
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ali
suat t?el & serhat songur - chi mai |
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25
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house
of no regrets - chi mai “此房足矣”歌词见这里 |
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3
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amii
stewart - desire (chi mai) 美国女歌手阿蜜 |
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26
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instromental
- chi mai 德国詹姆斯·拉斯特乐队 |
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4
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caravelli
& his orchestra - le professionnel (chi mai)
法国交响乐团
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27
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james
last - chi mai theme 德国詹姆斯·拉斯特乐队 |
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5
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chi
mai |
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28
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james
last - mystique - chi mai theme 詹姆斯·拉斯特乐队 |
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6
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chi
mai ( live) 现场版 |
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29
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jean
paul belmondo - chi mai 1981法国电影“职业杀手”版 |
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7
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chi
mai (secondo - violins solo)
小提琴独奏 |
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30
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john
zorn - chi mai 约翰·佐恩 美国前卫作曲家
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8
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chi
mai (terzia - violins and piano solo)
小提琴和钢琴独奏 |
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31
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johny
pearson & orchestra - chi mai 约翰尼·皮尔逊乐团 |
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9
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chi
mai (versione francese) (cantata da lisa gastoni)
丽莎 意大利电影演员
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32
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london
starlight orchestra - chi mai 伦敦星光交响乐团 |
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10
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chi
mai (versione inglese) (cantata da lisa gastoni)
丽莎
意大利电影演员
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33
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maddalena
- chi mai (french) 法语 |
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11
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chi
mai (versione italiana) (cantata da lisa gastoni)
丽莎 意大利电影演员
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34
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maddalena
- chi mai (italian) 意语 |
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12
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chi
mai (versione singolo) 独奏 |
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35
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maddalena
- desire (chi mai) 愿望 |
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13
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e.
morricone & c. nistri - chi mai |
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36
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milva
- chi mai 蜜尔瓦 |
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14
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ennio
morricone - chi mai |
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37
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pure
moods - chi mai 纯情绪-Virgin系列专辑 |
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15
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ennio
morricone - chi mai (alternate version)
预备版 |
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38
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quadro
nuevo - chi mai 德国爵士四人组 |
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16
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ennio
morricone - chi mai (long version) 长版 |
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39
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richard
clayderman - chi mai-intermezzo-here's to you 理查德
克莱德曼 |
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17
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ennio
morricone - chi mai (nightmares on wax remix) 英国电子组合乐队
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40
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richard
harvey & friends - chi mai 理查德·哈维 |
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18
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ennio
morricone - chi mai (prima)
第一版 |
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41
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shadows
- chi mai |
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19
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ennio
morricone - chi mai (short) 短版 |
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42
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spaghetti
western orchestra - chi mai 意粉西方乐团 |
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20
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ennio
morricone - maddalena- chi mai 玛达莲娜版 |
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43
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the
city of prague philharmonic orchestra - chi mai |
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21
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ennio
morricone - theme from the life & times of david
lloyd george (chi mai) 英国电视连续剧“大卫洛依乔治的一生”版 |
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44
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triology,
ennio morricone - chi mai |
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22
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escala
- chi mai 英国电子弦乐四重奏乐队 |
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45
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various
artists - chi mai |
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23
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free
the spirit - chi mai 美国自由精神爵士乐队 |
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如果您需要上述2个专辑的高码率文件请发电邮联系(免费）
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Please
email to me if
you need above 2 albums with high bitrate (Free)
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3
amii stewart - desire (chi mai)
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4
caravelli & his orchestra - le professionnel
(chi mai) |
9-11
chi mai (versione FR, EN, IT) (cantata da lisa gastoni) |
17
ennio morricone - chi mai (nightmares on wax remix) |
21
ennio morricone - theme from the life & times
of david lloyd george (chi mai) |
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Amii
stewart 美国女歌手（1956-）
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caravelli
& his orchestra 法国交响乐团
（1930-）
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lisa
gastoni 意大利电影演员（1935-）
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nightmares
on wax remix 英国电子组合乐队 上世纪九十年代组成
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the
life & times of david lloyd george
1981年英国电视连续剧“大卫洛依乔治的一生”
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Amy
'Amii' Paulette Stewart (born January 29, 1956)
is an American R&B/disco/dance-pop singer,
dancer and actress most famous for her hit disco
record "Knock on Wood". .( more
)
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Caravelli,
real name Claude Vasori (12 September 1930, Paris)
is a French orchestra leader, composer and arranger
of orchestral music.(More)
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Lisa
Gastoni (born 28 July 1935 in Alassio, Province
of Savona) is an Italian film actress.(More)
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George
Evelyn (also known as Nightmares on Wax or DJ
EASE), is a DJ and electronic music composer from
Leeds, England.(More)
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"大卫洛依乔治的一生"是英国BBC电视台在1981年播出的一部电视连续剧.讲述二十世纪初期英国一位最为迷人和最有争议的政治领袖，英国首相大卫洛依乔治(1863-1945)的故事。它由莫里康以"Chi
Mai"的主旋律重新配乐,播出后这首乐曲在英国受到了热烈的欢迎,并奠定了它在全球乐坛中的不朽地位
（见这里）
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22
escala - chi mai
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23
free
the spirit - chi mai
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24
geoff
love - chi mai theme
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27-28
james last - chi mai theme
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29
jean
paul belmondo - chi mai
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Escala
英国电子弦乐四重奏乐队。2006年起逐渐成名
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free
the spirit 自由精神是六十年代一个美国的爵士摇滚乐队
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geoff
love 杰夫 洛夫(1917-1991)英国作曲家
指挥
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james
last 詹姆斯·拉斯特（1929-）德国轻音乐大师
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jean
paul belmondo 让-保罗·贝尔蒙多（1933-）
法国演员
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Escala
(formerly known as Scala) is an electronic string
quartet,[1] from London, England who rose to fame
when they performed on and reached the final of
the second series of Britain's Got Talent on ITV1
in May 2008.( More)
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The
Free Spirits were an American band who have been
credited for being the first ever jazz-rock group.
The band also incorporated elements of psychedelic
rock, pop, and garage rock.(More)
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Geoff
Love (4 September 1917–8 July 1991) was a prolific
British arranger and composer of easy listening
and pop versions of film themes. He became famous
in the late 1950s (More)（见本站此页）
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詹姆斯·拉斯特 （ James
Last ）（1929年4月17日—），原名“汉斯·拉斯特”，德国轻音乐大师，其创立的詹姆斯·拉斯特乐团与法国保罗·莫里哀乐团、英国曼陀瓦尼乐团并称为三大轻音乐乐团。（这里）
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让·保罗·贝尔蒙多，出生于法国塞纳河畔纳伊，法国动作片演员；他的演艺生涯是法国电影的一个缩影，他塑造的形象代表着法国人的面孔。也曾被称为“法兰西最丑的美男子”。在贝尔蒙多访问英国期间,他注意到了ChiMai这首乐曲并且非常喜欢它.他请求他的1981年新片"职业杀手"的导演乔治罗纳在该片的配乐中使用这首乐曲并使其在欧美和全世界广为人知一举成名（见本站这里）
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30
john zorn - chi mai
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31
johny pearson & orchestra - chi mai
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32
london starlight orchestra - chi mai
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37
pure moods - chi mai
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38
quadro nuevo - chi mai
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john
zorn （1953-）约翰 佐恩 美国 前卫作曲家
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johny
pearson 约翰：皮尔逊（1925-2011）英国作曲家
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london
starlight orchestra 伦敦星光交响乐团
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pure
moods 纯情绪-是由Virgin唱片公司自1994年开始陆续发行的一个系列新世纪音乐合辑的名称
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quadro
nuevo 一个德国爵士四人组
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| 约翰·佐恩
（1953年9月2日出生在纽约市 ）是美国前卫作曲家，唱片制作人，萨克斯手和多乐器演奏家。他的专辑包括各种流派，如爵士，摇滚，硬核朋克，古典音乐，极端金属，犹太音乐，电影，卡通，流行和即兴音乐等等
(More) |
约翰：皮尔逊，
被称为约翰尼·皮尔森。是英国作曲家 ，乐队指挥和钢琴家 。他为很多电影和电视连续剧谱写了主题音乐
。由他领导的约翰尼·皮尔逊乐团曾发行过大量的专辑 （见这里）
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伦敦星光交响乐团，又名
百老汇舞台乐团，好莱坞工作室乐团 ， 伦敦工作室乐团等.曾发行过很多专辑（见这里） |
Pure
Moods is a series of compilation albums of New Age
music released by Virgin Records. The series focuses
on the genres of New Age, Ambient, World Music,
and to a lesser extent, subdued Electropop and Smooth
Jazz(Mor) |
自1996年成立起，Quadro
Nuevo已经在德国、奥地利、瑞士、荷兰、丹麦、意大利、德国以及美国举办了700场巡演。这个四重奏乐团在2003年5月被授予十分珍贵的德国唱片工业爵士大奖，而这已经是他们第三次获得该项荣誉（这里） |
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richard
clayderman - chi mai-intermezzo-here's to you
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richard
harvey & friends - chi mai
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41
shadows - chi mai
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42
spaghetti
western orchestra - chi mai
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43
the city of prague philharmonic orchestra - chi
mai
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richard
clayderman 理查德·克莱德曼 法国钢琴家
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richard
harvey 理查德·哈维（1953-）英国音乐家
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shadows
一个英国流行音乐组
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spaghetti
western orchestra 意粉西方乐团
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the
city of prague philharmonic orchestra
捷克布拉格爱乐乐团
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| 理查德·克莱德曼（Richard Clayderman，1953年12月28日－），法国钢琴演奏家。被誉为“钢琴王子”
克莱德曼以古典音乐为基础，将古典音乐与现代音乐溶为一体。从而广受世界人民的喜爱。他是目前世界上改编并演奏中国音乐作品最多的外国艺术家，曾来中国25次（见这里） |
Richard
Harvey (born 25 September 1953) is a BAFTA Award–winning
British musician and composer. Originally of the
mediaevalist progressive rock group Gryphon, he
is best known now for his film and television soundtracks.
(More) |
The
Shadows are a British pop/rock group with a total
of 69 UK hit-charted singles: 35 of which are credited
as The Shadows and 34 as Cliff Richard and the Shadows,
from the 1950s to the 2000s. The group, who were
in the forefront of the UK's beat-group boom(More) |
一个澳大利亚五人重奏乐队，自2004年成立至今。以演奏和改编莫里康内的作品为主
The
Spaghetti Western Orchestra, formerly the Ennio
Morricone Experience, is a quintet of musicians
who perform music from spaghetti westerns, especially
the music of Ennio Morricone.(01,02) |
布拉格爱乐乐团是一家专业爱乐交响乐团。
它主要是由捷克和斯洛伐克的古典和爵士音乐家。该乐团历史悠久，组建于二战之后的1947年
is a professional philharmonic symphony orchestra.
It is predominantly composed of Czech and Slovak
classical and jazz musicians. The orchestra started
out, after World War II, in 1947(More)
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