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VIP主页-->maestro-000-->maestro2-003
比利时-法国电子杂志"Maestro(音乐大师)”在中国专栏
2-003 玛达莲娜
Maddalena
本文翻译由志愿者 江琥
如果您需要下载完整的电子杂志请进入Chimai网站 Please enter Chimai website if you need to download the full "Maestro" fanzine
“Maestro/音乐大师”第2期
目录译文
Table of Contents
Preface .................................................................................................................... 3
Maddalena................................................................................................................ 5
Six Degrees of Separation : A vain comparison between E.Morricone and J.Goldsmith ... 10
From Hercules to El Greco: Morricone and Luciano Salce ............................................ 17
I Promessi Sposi : A Masterpiece for a Classic ........................................................... 21
Pomp and Circusmtance, part II.................................................................................. 29
Five Man Army Week.................................................................................................39
Ennio Morricone and China, part II ............................................................................. 40
Queimada 45” Art...................................................................................................... 44
Ennio Morricone and Quentin Tarantino : A Love Story ..................................................47


前言 披露目标
..................................... 3-------已译
玛达莲娜.......................................... 5-------已译
六度分离:E.莫里康内和J.戈登斯密斯之间的比较........ 10-------在译中
从大力神到格列柯:莫里康和卢西亚诺 萨尔斯........... 17-------已译
约婚夫妇:一部杰出的经典力作....................... 21-------已译
壮丽和气氛
第二部分............................... 29-------在译中
五人军队..........................................39-------已译
莫里康和中国,第二部分............................ 40-------已译
凯马达45秒的艺术.................................. 44-------在译中
埃尼奥 莫里康内和昆汀·塔伦蒂诺:一个爱情故事........47-------在译中

由于本站人力所限,欢迎所有朋友和新老志愿者帮助翻译。有意者可联系站长HAN,谢谢
欢迎爱好者进入本站公众平台下载音乐大师中译本1-3期(2014增刊)和4-6期(2015增刊)
 
001-中译文
—————回顾—————
玛达莲娜
by Steven Dixon

电影评论

这是一部值得去认真对待的珍贵影片。当波兰导演耶尔齐·卡瓦莱罗维奇着手开始影片的规划的时候,他根本没有考虑去把它做成和1954年的一部同名电影的复制版。1954年的电影海报标题夸张露骨:"夜晚,她用性作为武器,对抗男人和上帝"(编者注 见参考资料-01)

当然,作为本片的编剧,卡瓦莱罗维奇导演在某种程度上也受到这富有挑逗意味的海报的启发。

卡瓦莱罗维奇拍于1971年的这部电影的主演是丽莎·佳丝托妮,一位很有声望的艺术家,在莫里康内的圈子里也很有名。

她17岁就开始了电影生涯,处女作是德克·博加德主演的战争片《勇者无惧》(1954)和她共同出演的男演员埃里克·胡夫在其演艺生涯中仅出演过海默导演的《罗宾汉的挑战》(1967),其它的均是电视作品。

作为一个编剧,导演和电影制作人,卡瓦莱罗维奇制作过几部不错的影片,例如《恶魔修道院》(1961)(又名《修女乔安娜》),但是都没有什么特别之处。可以说《玛德莲娜》表达了他作品中最著名的主题:在挣扎和重重禁锢之下讲述的禁爱故事。

《玛达莲娜》是一部独特的电影。它表现了一段禁忌之恋:一位充满诱惑力的舞女(丽莎·佳丝托妮)与一位饱受痛苦折磨的神父(埃里克·胡夫)之间的故事。这样的电影主题虽然并不新鲜,却冒很大的风险。丽莎·佳丝托妮扮演的形象,时而黑发,时而金色假发,在经常如梦一般的闪回镜头中复现,圣洁又令人难忘。

在镜头中,一位金发女子--玛德莲娜,在为一位圣人行洗脚礼。而这位圣人,即将被鞭打并拖去准备钉在十字架上。之后玛达莲娜的梦境转变成了一个现代版的噩梦:在慢镜头下,在当代的意大利的森林里,她被神父和咆哮的猎犬追逐,

这种可怕而又模模糊糊的警告并没有让她那危险的诱惑性减低半分。正如大多数意大利禁爱主题的戏剧一样,悲剧早已注定。当神父头也不回的游向大海,绝望的玛达莲娜却无法救他,梦与现实之间的悬念被揭示了出来。不久,神父消失在遥远的海平面上。

 
音乐回顾
 

信仰与负罪,正是莫里康内最爱的主题。你可以从他大师级的1970年代的作品里听出那不祥的音符。1971年的爱情悲剧,《卡里夫女人》,是众多精彩爱情悲剧的一个绝佳范例。

莫里康内对于教堂管风琴的运用始于一部风格独特的佳作:《一大把桑巴》(RCA LSP 34085),与巴西著名音乐人Chico Buarque De Hollanda合作完成。(笔者注,请见参考资料-02)该主题来自于之前重新发行的广受欢迎的镖客三部曲电影音乐(克林特·伊斯特伍德主演)。

但与这三部意大利通心粉西部片相比,它带有更多宗教性的管风琴元素。这种风格后来转化融入了莫里康内辉煌的70年代早期作品《死刑台的旋律》(1971)与《革命往事》(1971)中。

《玛达莲娜》的原声由General Music发行于1971年,非常具有震撼力。在其主题《来吧玛达莲娜》中,莫里康内展现并发展出他的独特风格。该主题长达9分钟,呈现出一系列精彩的音乐元素:布鲁诺·尼可雷令人惊艳的管风琴,穿插步伐轻快的爵士乐穿插,纷繁嘈杂的电子乐,还有Renata Cortiglioni儿童合唱团精彩的唱咏,不禁让人想起后来那部他配乐的《2000大屠杀》(1977)。

当影片序幕开始,我们看到了在一家夜总会里,跳着艳舞的玛达莲娜,舞姿充满挑逗。在这个开场的音乐中,莫里康内选择了爵士风格的音乐作为背景。在20世纪70年代早期,莫里康内对爵士/沙发音乐元素情有独钟。在1971年亨利·维尼尔导演的《大飞贼》里,莫里康内呈现出来的风格是平静与满足;而在1972年的《贼王》(米歇尔·劳普导演)里,音乐风格变得粗砺起来。在《玛达莲娜》里,他更是把爵士风格演绎得香艳狂野,狂乱不羁。

在这张电影原声专辑里有很多非主题性的音乐,莫里康内的风格依然强烈。在长达9分47秒的《天堂里的疯狂》,以及由艾达·戴洛尔索献声的《神秘情色》(9:47)中,音乐色彩斑斓而不失均衡,对于电声元素的运用也很有代表性。

 

莫里康内非常喜欢用的另一种乐器就是人声的单独吟唱,在一些电影中运用得非常频繁,很容易辨别出来,如1971年的塞尔吉奥·莱昂内导演的《革命往事》中的一些主题,以及提摩西·道尔顿1970年出演的《特别的游戏/自画像》

《玛达莲娜》配乐里最受欢迎的主题就是《Chi Mai》(意大利语:who ever 或 who never,有谁不曾)。这首曲子和《教会》主题曲齐名。当莫里康内把它重新录制在专辑《Disco 78》里并用在三集电视剧《一个英国城堡》(1978)里的时候,它才重新被大家发现并流行起来。它曾经达到过英国流行榜第二名的位置。当然,这也部分归功于它被用在了BBC出品的纪录片《大卫·洛伊德·乔治的一生》中。

在让·保罗·贝尔蒙多主演的惊悚片《职业杀手》(译者注:我国80年代引进译名是《阴谋的代价》)(1981)中,法国导演乔治·劳特纳采用该曲作为主题。甚至连"皇家宠物食品"这样的国际公司都将这首曲子用在其广告中。这首沉郁的曲子已经被多位艺术家以器乐及演唱的方式表演过多次,器乐版本包括詹姆斯·拉斯特,尼诺·罗索,演唱版本有丽莎·佳丝托妮,尔瓦,阿米·斯图尔特和杜尔塞·庞特斯。

在1977年,莫里康内将《来吧玛达莲娜》重新编排了一个时髦的迪斯科版本,使它重新焕发了青春。从宗教爵士一跃到迪斯科曲风的确是非常强烈的转变。再次受益于BBC的一档国际象棋比赛节目《大师游戏》,这首曲子受到了英国听众的欢迎。而莫里康内对于国际象棋的喜爱是众所周知的,这也可能是他允许该节目使用这首曲子的原因吧。在唱片中,《来吧玛达莲娜》被编排在B面。但我认为它比"Chi Mai"还要受欢迎。在整个欧洲它都是非常受欢迎的迪斯科金曲,甚至制作了一个12分钟的加长版本。不过当时在英国迪斯科已经慢慢退潮,而来自新科技的电声音乐开始统治乐坛,涌现出像Gary Numan(加里·纽曼),Ultravox( 超音波乐团)这样的领军人物。

唱片和CD发行

在《玛达莲娜》正式唱片发行前一年,其主题音乐就在德国以标题《Terra Magic / Goldrauch》发行了(UTV Film Records UTVRS, 1970)。其曲目和后来General Music发行的GM ZGE 50243专辑中有相同的《来吧玛达莲娜》和《Chi Mai》。

最初发行的唱片(GM ZSLGE 55063, 1971)只有5首曲子,其中3首都长达9分45秒。在这张黑胶唱片上,玛达莲娜主题是一个加长版,虽然在电影中使用的是标准版本。

在1971年,莫里康内很罕见的发布了一张合集《色彩》(《Colori》) (GM ZSLGE 55064)。有趣的是,听众发现这张唱片的编号是紧接着《玛达莲娜》的。其中新加了一首很好听的《女人,请记得》, 是《玛达莲娜》与《Chi Mai》的混编,令人耳目一新。

丽莎·佳丝托妮演唱了一个很有意思的《Chi Mai》版本(ZT 7013),恰到好处的填词凄美动人,歌词中对海洋、波涛的描写为这个忧郁的主题增加了几分诗意。也成为了后来多个演唱版本的参考基础。唱片的封套来自一张很美的剧照。

丽莎·佳丝托妮同时也演唱了另外两个版本,分别为法语和英语,其歌曲编排与意大利语版相同。现在有传言说佳丝托妮的意大利语版本被用在了影片的结尾字幕后。我们的确留意到了一些字幕的区别。我看的版本是南斯拉夫语的,但是没有听到这首歌曲。另外两首英文以及法文的版本,据我所知,从来没有以黑胶LP或者45转细碟唱片的形式发行。现在我们可以在最近由西班牙的厂牌"Saimel"发行的CD里(西班牙, 3998929, 2011)找到全部3个版本。在被埋藏多年后,《玛达莲娜》的原声音乐终于以完整的形态重见天日

 

在20世纪70年代,盗版LP黑胶唱片非常普遍。在那时,大家很难分辨哪些是正版,哪些是盗版。拿那时的POO系列盗版黑胶来说,他们出了很多莫里康内的珍稀版本的唱片,实际上是美国制造,但是却伪装成从日本进口的。很多莫里康内的POO 黑胶唱片的封底(如《要塞》,《染血山谷》),印着大幅的日本文章的照片,像是从报纸上剪下来的。那些日文文章和电影一点关系都没有,可能只是一些新闻而已。不过,有谁在乎呢?这些高品质的盗版又流传到英国,法国,比利时和德国(连伦敦迪恩街58号的著名的电影原声唱片行都长期有稳定货源)。

当美国FBI将POO发行的盗版唱片查抄后,走私者似乎销声匿迹了。但是在1989年,不知从哪里冒出一张《玛达莲娜》的专辑,是几近绝版的当时的LP黑胶唱片。不知道是否故意想鱼目混珠,唱片的封套设计,标签包括编号都是和原版一模一样。当时卖20英镑--在1989年这可不是个小数目,不过和真正原版唱片200英镑的价格比起来,还是便宜了很多的。

有一个特点是盗版商们无法伪装的,那就是自1970年以来印刷术的进步。虽然说那种亮闪闪的唱片封套压膜的确始于1970年代(尤其是厂牌Camdon发行的唱片),但是这张唱片封套上的胶膜技术也太先进了些,不需要一双内行的眼睛就能看出来这是一个现代的复制品。而对于训练有素的内行来说,封套做出来的洇染效果模糊得过头了,盘中央的内圈标签也显得太现代。

原版LP漂亮的封面设计部分来自于1971年的意大利版海报。设计者极具创意地呈现出三个如烟似幻的分身图像。

当CD横空出世,发行商们开始疯狂发行《玛达莲娜》!有总共4个不同的版本,而意大利人在1994年先声夺人:他们发行了限量版!内容包括了和原版LP相同的5首曲子,再加上同是莫里康内配乐的浪漫电影《这样的爱》(1972)的原声。

最初的CD版本的设计非常棒,封面设计来自意大利版海报,展现出那令人难忘的,深陷其中的负罪感。接下来是1997年日本厂牌Avanz发行的(SP/CRCD 20009)。对于日本发行的CD,我一向很喜欢,但是对于这张CD的第二版来说,他们花的功夫很少,里面连电影原声都没有收录。倒是首次发行了丽莎·佳丝托妮演唱的英文版本的《Chi Mai》。封面弃用了所有电影/照片的元素,转而使用了抽象设计。

西班牙的厂牌"Saimel"购买了两个最终版CD的版权。第一张发行于2002年(编号39993810),加入了三首新曲子,不过实际上只有一首是新的:8分21秒的《神秘情色》(不同于之前的原版)。另外一首《Disco 78》 版的《Chi Mai》不能算是新发行的。CD最后一首《来吧玛达莲娜》重奏版是一个完全相同的重奏版。CD的总时长58分28秒,新设计的封面很有吸引力:海滩上丽莎·佳丝托妮的身影被夕阳和海浪映成了红色。

在2011年,所谓"终极版"问世了--这是一张最值得购买的版本。长达78分14秒的美妙音乐,虽然没有收录任何现场版本,但是其它的全都有了:原版LP黑胶的所有内容;多个不同演绎版本;所有丽莎·佳丝托妮演唱的《Chi Mai》的版本,包括英语的、法语的还有意大利语的;以及澎湃有力的《来吧玛达莲娜》(12分钟完整版)。而且只有这张CD的封面设计完全复制了原版LP黑胶唱片的设计。

 
 
向志愿者江琥朋友致敬!
002-附 文章原文
—————REVIEW—————
Maddalena
by Steven Dixon

Film Review


This is a rare film that deserves to be taken seriously. When Polish director Jerzy Kawalerowicz took reigns of this project there was no way he was going to do a carbon-copy remake of the 1954 movie which bears the same name and boasted the poster tag line "A woman at night used her sex as a weapon against man and God."

That tantalising, and pleasurable poster slogan must have served as some inspiration for Kawalerowicz, who also penned the screenplay.

The original Maddalena starred Marta Toren, a very promising Swedish actress who died aged just 31.

Kawalerowicz's 1971 version stars Lisa Gastoni, a well regarded artist and popular name in Morricone circles.

She has been acting since she was 17 when she made her movie debut in the Dirk Bogarde war film They Who Dare (1954).

Her co-star tv actor Eric Woofe had only made one other film in his career, in Hammer's A Challenge for Robin Hood (1967).The remains of his work reserved for television only.

As a film maker writer/director Kawalero-wicz has made a few good movies like Mother Joan of the Angels (1961), but nothing out of the ordinary. One can safely say Maddalena is his most famous title: a laboured often duress telling of forbidden passion.

Maddalena is quite a unique film as it deals with the taboo relationship between an erotic dancer (Lisa Gastoni) and a tormented priest (Eric Woofe). Such territory in cinema is risque, though not unique. Vivid images of Lisa Gastoni's character, in both brunette and blond guise, is played out in a series of often surreal flashbacks, which are both haunting
and sacred.

Maddalena, as a blond Mary-like character, is washing the feet of a holy man; that same holy man is then being whipped and dragged ready for crucifixion. Later, Maddalena's dreams are turned into modern nightmares as she is chased through the woods in slow motion in modern day Italy by priests and baying hounds.

But these ominous warnings, vaguely terrifying as they are, do not make her any less the dangerous seductress. Ominously, as with most Italian forbidden love dramas, tragedy prevails. The suspension between reality and dream is especially felt when the priest swims compulsively far out to sea with a desperate Maddalena attempting to save him. The priest then fades away into the distant horizon.

Music Review

 

The main themes of religion and guilt are a particular favourite of Ennio Morricone. One can detect the ominous note in those early 1970s films of which Morricone was the master. The tragic romantic drama La Califfa (1971), one of his finest 70s compositions, is a strong example in a long line of brilliant tragic love dramas.

Morricone's use of the church organ that decade begun with a most remarkable and stylistic project in Chico Buarque De Hollanda's "Per Un Pugno Di Samba / A Fistful of Samba" (RCA LSP 34085), a title born from the popularity of the re-releases of the Clint Eastwood "Dollar" westerns.

The project is more sacred than spaghetti as it includes some stunning religious organ passages. Styles which would metamorphose into those splendid early 70s Morricone classics Sacco and Vanzetti (1971) and A Fistful of Dynamite (1971).

The Maddalena soundtrack, released by General Music in 1971, is a stunning one. In the main theme Come Maddalena, Morricone allows his distinctive style to grow and nurture. The main track lasts just over 9 minutes and distributes a remarkable series of diverse musical patterns: BrunoNicolai's stunning organ, those fast paced jazzy insets, the buzzing electronics, Renata Cortiglioni's marvellous children's chanting, often reminiscent of the later Morricone-scored Holocaust 2000 (1977)

When the film credits open we see Maddalena dancing erotically in a nightclub. For this opening theme, Morricone chose to base his canvas around a jazzy musical motif. In the early 70s Morricone thrives on the jazz/lounge element. In Henri Verneuil's The Burglars / Le Casse (1971), Morricone achieves this in a calm and contented manner; in Michele Lupo's A Man to Respect Un Uomo Da Rispettare (1972), Morricone uses a much harsher style; in Maddalena , he turns his jazz style into an erotic wild almost uncontrolable frenzy.

 

There are many more non-thematic themes on the film's soundtrack: Morricone's style is very strong. In the lengthy themes Pazzia in Cielo (9:47) and the Edda Dell'Orso enchanced Erotico Mistico (9:47), there is colour, balance and a symbolic use of buzzing electronics.

Another favourite device of Morricone is the use of a lone echoing soloist, a tool so often used and so easily recognised in films such as the thus far unreleased Timothy Dalton film drama Special Games / Autoritratto (1970) and some themes from Sergio Leone's A Fistful of Dynamite (1971).

The theme most people love best from the Maddalena soundtrack is Chi Mai (Whoever). This piece of music is just as famous as The Mission . It re-invented itself when Morricone re-recorded it as "Disco 78" and was used in all three episodes of the tv drama An Englishman's Castle (1978). Reaching the lofty heights of number 2 in the British pop charts was an amazing achievement with a little help thanks to its tune being used on the BBC drama The Life and Times of David Lloyd George.

French director George Lautner used it prominently in the Jean Paul Belmondo thriller Le Professionnel (1981) and it wasalso employed in an advert by the company "Royal Canin", an international dog and cat food manufacturer. This moody track has been covered by many artists in both instrumental form: James Last, Nino Rosso, and vocal format Lisa Gastoni, Milva, Amii Stewart and Dulce Pontes.

Morricone also rejuvenated the popular Come Maddalena theme in 1977 as a funky disco version. The transition from religious jazz to pumped up disco is truly magnificent.Again, Morricone's theme came to the attention of the British public thanks to BBC programme titled The Master Game, where contestants compete with each other playing the board game chess. This was probably the reason Morricone allowed its use, as his love for the game is well known. Come Maddalena was slotted on the B-side of Chi Mai , but in my mind was the much more popular theme. All around Europe it was an attractive disco hit and as a result a much longer 12" version was issued. But in the UK disco was being phased out, replaced by the powerful technology of electronics headed by major artists like Gary Numan and Ultravox.

Vinyl and CD releases

The very first release of the Maddalena theme came one year before the actual album. It originated from Germany under the title "Terra Magic / Goldrauch" (UTV Film Records UTVRS, 1970). Its contents were the same as those found on the General Music single GM ZGE 50243 (Come Maddalena ,edited version) and Chi Mai.

The original album (GM ZSLGE 55063, 1971) had only 5 tracks on it, three of those lasting 9:45. On the LP, the main Maddalena theme is extended, although in the film only the single version was used.

In 1971 also came the rare Morricone compilation album "Colori" (GM ZSLGE 55064). We note with great interest the reference number of this album immediately followed that of "Maddalena". It added the nice thematic Una Donna Di Ricordare (4:17), a kind of soothing re- working of Maddalana, plus the Chi Mai theme.

An extremely interesting vocal version of Chi Mai (ZT 7013) by the actress Lisa Gastoni with fitting and poignant lyrics about the sea and waves, adds a more poetic edge to this melancholic theme paving the way for a succession of rich vocal recordings. It came with a rather nice film photo cover.

 

Lisa Gastoni recorded an additional two vocals, in French and in English, utilising the same Morricone arrangement. Now it was rumoured Gastoni's Italian vocal was used after the film's end titles. We are aware some prints differ, my source was of Yugoslavian origin. But there were no vocals heard. The two other vocals - the French and English - to my knowledge were not released commercially on 45 or LP. Today all three can be found on the most recent of the Saimel's CDs (Spain, 3998929, 2011). There was actually quite a long gap in years before the Maddalena soundtrack in its complete form came to light.

In the 1970s, bootleg LPs were appearing quite regularly. Back then it was very difficult for anyone to distinguish what was original and what was not. For instance the POO series of bootleg LPs from the 1970s including many Ennio Morricone scarcities were actually manufactured in the UnitedStates, but were disguised as Japanese. On many of the backs of the POO LPs, which included the Morricone titles Hornets' Nest and The Hills Run Red, upon them large paragraphs of Japanese articles from newspapers were pasted. The Japanese writings had no connection to the films and were probably news reports of the time. But who knew? These high quality bootlegs were being distributed in the UK, France, Belgium and Germany (the movie soundtrack 58 Dean Street in London were receiving regular supplies).

When POO records in the USA was busted by the FBI, the bootleggers went into hiding. But in 1989 and seemingly out of nowhere came the album "Maddalena", an incredibly rare soundtrack on vinyl at the time. It is not clear whether this release was intentionally produced to disguise itself as the original same reference number, cover art and label stickers were evident. Soundtrack catalogues at the time were selling this one for£20 - a considerable sum of cash back in 1989, but a lot cheaper than the £200 an original would command.

One thing the bootleggers could not hide was the way printing techniques had changed since the 1970s. Even though shiny laminated covers were around in the 1970s (Camden records in particular) the lamination technique had advanced to such a point even the lesser trained eye could spot amodern replica. To the trained eye,the cover is incredibly blurred and the label in the centre of the disc is just a little too modern.

The wonderful cover artwork from the original LP is partly based on the original 1971 locandina poster. The creative designers have created a doppelganger image (doppelganger is a German term for ghostly double of a living person).

When compact disc broke onto the scene, distributors went 'Mad' on Maddalena ! There has been four separate releases and it was the Italians who got first bite of the cherry in 1994 as a specially numbered limited edition. The contents were the same as the original 5-track LP and this soundtrack was coupled with another splendid romantic drama Questa Specie D'Amore (1972).

The first issue CD is marvelous - displaying a haunting, guilt-ridden swirling image as taken from the Italian locandina. Next it was the turn of the Japanese in 1997 on the label Avanz (SP/CRCD 20009). I do love Japanese CDs but this one offered very little in the way to warrant a second issue, certainly no original music from the film. But it did have the Lisa Gastoni English vocal version Chi Mai , a premiere. The cover art abandons any film/photo element choosing an abstract design instead.

The Spanish label Saimel bought the rights for the two final releases. Their first in 2002 (ref.39993810) added another three tracks to CD, but in fact there is only one: Erotico Mistico (an alternate version) 8:21 as Chi Mai , the Disco 78 version was most certainly not a new theme on CD, and the Come Maddalena reprise at the end of this CD is exactly that - an identical reprise. The CD's running time is: 58:28. Attractive fresh cover art has a nice red tinted image of Lisa Gastoni on the beach

In 2011 came the 'ultimate' edition - this is the only version you would ever need to buy. 78:14 of fantastic music and although it does not contain any of the live versions, it has everything else - the original LP contents, many different versions, all the Lisa Gastoni Chi Mai vocals in English, French and Italian and the heart pumping Come Maddalena , in its complete 12" form. This 'ultimate' edition is the only CD to have its cover replicate the original LP art.

 
 
003-参考资料 Reference
01 1954年由奥古斯托 金尼纳(Augusto Genina)导演意法合拍的电影玛达莲娜
01 1954 film Maddalena directed by Augusto Genina
详情见这里
 
02 关于奇科 布阿尔克(Chico_Buarque)与莫里康内合作发行的专辑“一大把桑巴”(Per Un Pugno Di Samba)
02 The album "Per Un Pugno Di Samba" cooperated by Brazil Chico Buarque and Ennio Morricone
奇科”布阿尔克 1944年6月19日生于巴西里约热内卢。是巴西著名的歌手,作曲家,吉他演奏家和作家。在上世纪六十年代巴西军事独裁统治时期,他于1968年被捕,并于1969-1971年间被迫流亡到意大利。他在意大利逗留期间,曾发行过两个专辑,其中第2个专辑就是和莫里康内合作的《一大把桑巴》("Per Un Pugno Di Samba") (0102
1970年由RCA发行的专辑 LSP 34085 唱片“一大把桑巴”(这里

 

巴西奇科 布阿尔克(Chico Buarque)与莫里康内合作发行的专辑“一大把桑巴”(Per Un Pugno Di Samba)
曲目表
中译名
试听
   
旋转
桑巴和爱
梦想的狂欢
她没有,她是跳舞
玛丽亚的名字
一个农民的葬礼
这些和那些
你是我们的一个
尼卡诺尔
私密的回忆
现在我是认真的
这张唱片的资料显示莫里康内在其中的职位是“指挥,主要艺术家”(Conductor, Primary Artist)这里
03 本文提及的有关音乐
03 The relative music mentioned by the article
序号 No.
所在电影 The film
乐曲名 Music
试听 Listen
在上文中的描述 Description in the article
备注 Note
001
Come Maddalena (来吧 玛达莲娜)
《玛达莲娜》的原声由General Music发行于1971年,非常具有震撼力。在其主题《来吧玛达莲娜》中,莫里康内展现并发展出他的独特风格。该主题长达9分钟,呈现出一系列精彩的音乐元素:布鲁诺·尼可雷令人惊艳的管风琴,穿插步伐轻快的爵士乐穿插,纷繁嘈杂的电子乐,还有Renata Cortiglioni儿童合唱团精彩的唱咏,不禁让人想起后来那部他配乐的《2000大屠杀》(1977) 音乐页Soundtrack
002
Holocaust/大屠杀
音乐页Soundtrack
003
the burglars - Main Theme/大飞贼-主题曲
在20世纪70年代早期,莫里康内对爵士/沙发音乐元素情有独钟。在1971年亨利·维尼尔导演的《大飞贼》里,莫里康内呈现出来的风格是平静与满足;而在1972年的《贼王》(米歇尔·劳普导演)里,音乐风格变得粗砺起来。在《玛达莲娜》里,他更是把爵士风格演绎得香艳狂野,狂乱不羁。 音乐页
004
the burglars - The Daughter to the Edge/大飞贼-女儿的优势
音乐页
005
L'Incarico (02:03) /佣金
 
006
Pazzia in cielo/天堂里的疯狂
在这张电影原声专辑里有很多非主题性的音乐,莫里康内的风格依然强烈。在长达9分47秒的《天堂里的疯狂》,以及由艾达·戴洛尔索献声的《神秘情色》(9:47)中,音乐色彩斑斓而不失均衡,对于电声元素的运用也很有代表性。 Soundtrack
007
Erotico Mistico/神秘情色
Soundtrack
008
Duck You Sucker (Main Theme)/主题曲
莫里康内非常喜欢用的另一种乐器就是人声的单独吟唱,在一些电影中运用得非常频繁,很容易辨别出来,如1971年的塞尔吉奥·莱昂内导演的《革命往事》中的一些主题,以及提摩西·道尔顿1970年出演的《特别的游戏/自画像》 音乐页
009
Doricamente (Tommy Hools Band)
在本站现在已知和已有的音乐中尚未找到如文内所述的人声吟唱乐曲。此曲是Tommy Hools 乐队演唱的一段视频伴音,是否如文中所述的乐曲还不能肯定。请参见此页
010

Chi Mai

《玛达莲娜》配乐里最受欢迎的主题就是《Chi Mai》(意大利语:who ever 或 who never,有谁不曾)。这首曲子和《教会》主题曲齐名。当莫里康内把它重新录制在专辑《Disco 78》里并用在三集电视剧《一个英国城堡》(1978)里的时候,它才重新被大家发现并流行起来。它曾经达到过英国流行榜第二名的位置。当然,这也部分归功于它被用在了BBC出品的纪录片《大卫·洛伊德·乔治的一生》中。在让·保罗·贝尔蒙多主演的惊悚片《职业杀手》(译者注:我国80年代引进译名是《阴谋的代价》)(1981)中,法国导演乔治·劳特纳采用该曲作为主题。甚至连"皇家宠物食品"这样的国际公司都将这首曲子用在其广告中。这首沉郁的曲子已经被多位艺术家以器乐及演唱的方式表演过多次,器乐版本包括詹姆斯·拉斯特,尼诺·罗索,演唱版本有丽莎·佳丝托妮,尔瓦,阿米·斯图尔特和杜尔塞·庞特斯。

音乐页
Chi Mai
011
Chi mai
音乐页
012
The wind, the scream-Main titles movie version
音乐页
013
詹姆斯 拉斯特乐队/James Last Mystique
Chi Mai
这里
014
蜜尔瓦(Milva) 演唱的Chi Mai
Chi Mai
音乐页
015
来吧 玛达莲娜 迪斯科版
Come Maddalena (Disco)来吧 玛达莲娜)迪斯科版
在1977年,莫里康内将《来吧玛达莲娜》重新编排了一个时髦的迪斯科版本,使它重新焕发了青春。从宗教爵士一跃到迪斯科曲风的确是非常强烈的转变。再次受益于BBC的一档国际象棋比赛节目《大师游戏》,这首曲子受到了英国听众的欢迎。而莫里康内对于国际象棋的喜爱是众所周知的,这也可能是他允许该节目使用这首曲子的原因吧。在唱片中,《来吧玛达莲娜》被编排在B面。但我认为它比"Chi Mai"还要受欢迎。在整个欧洲它都是非常受欢迎的迪斯科金曲,甚至制作了一个12分钟的加长版本。不过当时在英国迪斯科已经慢慢退潮,而来自新科技的电声音乐开始统治乐坛,涌现出像Gary Numan(加里·纽曼),Ultravox( 超音波乐团)这样的领军人物。 versione 12'' maxi Disco 78 这里
016
"Colori" (GM ZSLGE 55064)
Una Donna Di Ricordare (女人,请记得)
在1971年,莫里康内很罕见的发布了一张合集《色彩》(《Colori》) (GM ZSLGE 55064)。有趣的是,听众发现这张唱片的编号是紧接着《玛达莲娜》的。其中新加了一首很好听的《女人,请记得》, 是《玛达莲娜》与《Chi Mai》的混编,令人耳目一新。 General Music ZSLGE 55064这里
017
Canto Moricone Vol.3 “莫里康旋律歌曲第三集”
Chi Mai (Idiota)
丽莎·佳丝托妮同时也演唱了另外两个版本,分别为法语和英语,其歌曲编排与意大利语版相同。现在有传言说佳丝托妮的意大利语版本被用在了影片的结尾字幕后。我们的确留意到了一些字幕的区别。我看的版本是南斯拉夫语的,但是没有听到这首歌曲。另外两首英文以及法文的版本,据我所知,从来没有以黑胶LP或者45转细碟唱片的形式发行。现在我们可以在最近由西班牙的厂牌"Saimel"发行的CD里(西班牙, 3998929, 2011)找到全部3个版本。在被埋藏多年后,《玛达莲娜》的原声音乐终于以完整的形态重见天日 Canto Morricone Vol. 3 (1999)这里)(Saimel Ediciones 3998929 2011版见这里
Chi Mai (French Version)
018
丽莎·佳丝托妮演唱的法语,英语,意语chi mai
chi mai (versione francese) (cantata da lisa gastoni)
丽莎·佳丝托妮同时也演唱了另外两个版本,分别为法语和英语,其歌曲编排与意大利语版相同。现在有传言说佳丝托妮的意大利语版本被用在了影片的结尾字幕后。我们的确留意到了一些字幕的区别。我看的版本是南斯拉夫语的,但是没有听到这首歌曲。另外两首英文以及法文的版本,据我所知,从来没有以黑胶LP或者45转细碟唱片的形式发行。现在我们可以在最近由西班牙的厂牌"Saimel"发行的CD里(西班牙, 3998929, 2011)找到全部3个版本。在被埋藏多年后,《玛达莲娜》的原声音乐终于以完整的形态重见天日 2011年西班牙发行的Saimel Masterworks Series, Volume 6-“Saimel Ediciones 3998929”(见这里
chi mai (versione inglese) (cantata da lisa gastoni)
chi mai (versione italiana) (cantata da lisa gastoni)
 
04 2011年西班牙发行的唱片玛达莲娜资料 Saimel Ediciones 3998929
Description in the article Lisa Gastoni recorded an additional two vocals, in French and in English, utilising the same Morricone arrangement. Now it was rumoured Gastoni's Italian vocal was used after the film's end titles. We are aware some prints differ, my source was of Yugoslavian origin. But there were no vocals heard. The two other vocals - the French and English - to my knowledge were not released commercially on 45 or LP. Today all three can be found on the most recent of the Saimel's CDs (Spain, 3998929, 2011). There was actually quite a long gap in years before the Maddalena soundtrack in its complete form came to light.
Soundtrack 中的有关资料
2011年西班牙发行的玛达莲娜专辑“Saimel Ediciones 3998929”
1
Come Maddalena (09:11) 来吧 玛达莲娜
2
Chi mai (03:33)
3
Una donna da ricordare (04:17) 女人,请记得
4
Chi mai (versione italiana)* (03:23) 意大利语版
5
Pazzia in cielo (09:47) 天堂里的疯狂
6
Maddalena (intermezzo per pianoforte) (02:47)
7
Chi mai (versione singolo) (03:26) 玛达莲娜 (钢琴插曲)
8
Erotico Mistico (09:47) 神秘情色
9
Chi mai (versione francese)* (03:24) 法语版
10
Pazzia in cielo (#2) (09:46) 天堂里的疯狂(#2)
11
Erotico Mistico (#2) (08:18) 神秘情色 (#2)
12
Chi mai (versione inglese)* (03:26) 英语版
13
Come Maddalena (versione 12" maxi Disco 78) (06:37) 来吧 玛达莲娜 (迪斯科版)
*Sung by Lisa Gastoni Total Duration: 01:17:42
 
05 推荐一个专辑-“Chi Mai 大全”
05 Recommend an album -“Chi Mai complete version”
编者注: Chi Mai 乐曲可以说是莫里康内成千上万件作品中的一朵奇葩。据笔者所知,不但在中国,就是全世界同样有很多人就是通过这首乐曲开始知道了莫里康内,并继而成为一个终身的莫里康内爱好者。上面这篇文章,除去介绍了“来吧 玛达莲娜”乐曲之外,也重点介绍了Chi Mai这首乐曲。恰好前不久笔者收集到了一个标题为“Chi Mai”的专辑,其中共有45首以Chi Mai为主旋律的乐曲。包括了四十多年来世界各国的音乐家,演奏家,歌唱家及各种乐队,经过对此曲的改编,使用各种常见和少见的吹拉,弹拨和打击乐器,以各种不同的语言演出的这首乐曲,人们从中不难感到他(她)们对于这首名曲的热爱,以及对其各种不同的解读。所以笔者将其命名为“Chi Mai 大全”。对于其爱好者来说真是一顿绝妙的音乐大餐。特借此机会介绍给大家共享
Chi Mai 大全”
序号
曲名 Name
试听
序号
曲名 Name
试听
1
acker bilk - chi mai
24
geoff love - chi mai theme 杰夫 洛夫 英国作曲家
2
ali suat t?el & serhat songur - chi mai
25
house of no regrets - chi mai “此房足矣”歌词见这里
3
amii stewart - desire (chi mai) 美国女歌手阿蜜
26
instromental - chi mai 德国詹姆斯·拉斯特乐队
4
caravelli & his orchestra - le professionnel (chi mai) 法国交响乐团
27
james last - chi mai theme 德国詹姆斯·拉斯特乐队
5
chi mai
28
james last - mystique - chi mai theme 詹姆斯·拉斯特乐队
6
chi mai ( live) 现场版
29
jean paul belmondo - chi mai 1981法国电影“职业杀手”版
7
chi mai (secondo - violins solo) 小提琴独奏
30
john zorn - chi mai 约翰·佐恩 美国前卫作曲家
8
chi mai (terzia - violins and piano solo) 小提琴和钢琴独奏
31
johny pearson & orchestra - chi mai 约翰尼·皮尔逊乐团
9
chi mai (versione francese) (cantata da lisa gastoni) 丽莎 意大利电影演员
32
london starlight orchestra - chi mai 伦敦星光交响乐团
10
chi mai (versione inglese) (cantata da lisa gastoni) 丽莎 意大利电影演员
33
maddalena - chi mai (french) 法语
11
chi mai (versione italiana) (cantata da lisa gastoni) 丽莎 意大利电影演员
34
maddalena - chi mai (italian) 意语
12
chi mai (versione singolo) 独奏
35
maddalena - desire (chi mai) 愿望
13
e. morricone & c. nistri - chi mai
36
milva - chi mai 蜜尔瓦
14
ennio morricone - chi mai
37
pure moods - chi mai 纯情绪-Virgin系列专辑
15
ennio morricone - chi mai (alternate version) 预备版
38
quadro nuevo - chi mai 德国爵士四人组
16
ennio morricone - chi mai (long version) 长版
39
richard clayderman - chi mai-intermezzo-here's to you 理查德 克莱德曼
17
ennio morricone - chi mai (nightmares on wax remix) 英国电子组合乐队
40
richard harvey & friends - chi mai 理查德·哈维
18
ennio morricone - chi mai (prima) 第一版
41
shadows - chi mai
19
ennio morricone - chi mai (short) 短版
42
spaghetti western orchestra - chi mai 意粉西方乐团
20
ennio morricone - maddalena- chi mai 玛达莲娜版
43
the city of prague philharmonic orchestra - chi mai
21
ennio morricone - theme from the life & times of david lloyd george (chi mai) 英国电视连续剧“大卫洛依乔治的一生”版
44
triology, ennio morricone - chi mai
22
escala - chi mai 英国电子弦乐四重奏乐队
45
various artists - chi mai
23
free the spirit - chi mai 美国自由精神爵士乐队
如果您需要上述2个专辑的高码率文件请发电邮联系(免费)
Please email to me if you need above 2 albums with high bitrate (Free)
 
3 amii stewart - desire (chi mai)
4 caravelli & his orchestra - le professionnel (chi mai) 9-11 chi mai (versione FR, EN, IT) (cantata da lisa gastoni) 17 ennio morricone - chi mai (nightmares on wax remix) 21 ennio morricone - theme from the life & times of david lloyd george (chi mai)
Amii stewart 美国女歌手(1956-)
caravelli & his orchestra 法国交响乐团 (1930-)
lisa gastoni 意大利电影演员(1935-)
nightmares on wax remix 英国电子组合乐队 上世纪九十年代组成
the life & times of david lloyd george 1981年英国电视连续剧“大卫洛依乔治的一生”
Amy 'Amii' Paulette Stewart (born January 29, 1956) is an American R&B/disco/dance-pop singer, dancer and actress most famous for her hit disco record "Knock on Wood". .( more )
Caravelli, real name Claude Vasori (12 September 1930, Paris) is a French orchestra leader, composer and arranger of orchestral music.(More)
Lisa Gastoni (born 28 July 1935 in Alassio, Province of Savona) is an Italian film actress.(More)
George Evelyn (also known as Nightmares on Wax or DJ EASE), is a DJ and electronic music composer from Leeds, England.(More)
"大卫洛依乔治的一生"是英国BBC电视台在1981年播出的一部电视连续剧.讲述二十世纪初期英国一位最为迷人和最有争议的政治领袖,英国首相大卫洛依乔治(1863-1945)的故事。它由莫里康以"Chi Mai"的主旋律重新配乐,播出后这首乐曲在英国受到了热烈的欢迎,并奠定了它在全球乐坛中的不朽地位 (见这里
22 escala - chi mai
23 free the spirit - chi mai
24 geoff love - chi mai theme
27-28 james last - chi mai theme
29 jean paul belmondo - chi mai
Escala 英国电子弦乐四重奏乐队。2006年起逐渐成名
free the spirit 自由精神是六十年代一个美国的爵士摇滚乐队
geoff love 杰夫 洛夫(1917-1991)英国作曲家 指挥
james last 詹姆斯·拉斯特(1929-)德国轻音乐大师
jean paul belmondo 让-保罗·贝尔蒙多(1933-) 法国演员
Escala (formerly known as Scala) is an electronic string quartet,[1] from London, England who rose to fame when they performed on and reached the final of the second series of Britain's Got Talent on ITV1 in May 2008.(More)
The Free Spirits were an American band who have been credited for being the first ever jazz-rock group. The band also incorporated elements of psychedelic rock, pop, and garage rock.(More)
Geoff Love (4 September 1917–8 July 1991) was a prolific British arranger and composer of easy listening and pop versions of film themes. He became famous in the late 1950s (More)(见本站此页
詹姆斯·拉斯特 ( James Last )(1929年4月17日—),原名“汉斯·拉斯特”,德国轻音乐大师,其创立的詹姆斯·拉斯特乐团与法国保罗·莫里哀乐团、英国曼陀瓦尼乐团并称为三大轻音乐乐团。(这里
让·保罗·贝尔蒙多,出生于法国塞纳河畔纳伊,法国动作片演员;他的演艺生涯是法国电影的一个缩影,他塑造的形象代表着法国人的面孔。也曾被称为“法兰西最丑的美男子”。在贝尔蒙多访问英国期间,他注意到了ChiMai这首乐曲并且非常喜欢它.他请求他的1981年新片"职业杀手"的导演乔治罗纳在该片的配乐中使用这首乐曲并使其在欧美和全世界广为人知一举成名(见本站这里
30 john zorn - chi mai
31 johny pearson & orchestra - chi mai
32 london starlight orchestra - chi mai
37 pure moods - chi mai
38 quadro nuevo - chi mai
john zorn (1953-)约翰 佐恩 美国 前卫作曲家
johny pearson 约翰:皮尔逊(1925-2011)英国作曲家
london starlight orchestra 伦敦星光交响乐团
pure moods 纯情绪-是由Virgin唱片公司自1994年开始陆续发行的一个系列新世纪音乐合辑的名称
quadro nuevo 一个德国爵士四人组
约翰·佐恩 (1953年9月2日出生在纽约市 )是美国前卫作曲家,唱片制作人,萨克斯手和多乐器演奏家。他的专辑包括各种流派,如爵士,摇滚,硬核朋克,古典音乐,极端金属,犹太音乐,电影,卡通,流行和即兴音乐等等 (More) 约翰:皮尔逊, 被称为约翰尼·皮尔森。是英国作曲家 ,乐队指挥和钢琴家 。他为很多电影和电视连续剧谱写了主题音乐 。由他领导的约翰尼·皮尔逊乐团曾发行过大量的专辑 (见这里 伦敦星光交响乐团,又名 百老汇舞台乐团,好莱坞工作室乐团 , 伦敦工作室乐团等.曾发行过很多专辑(见这里 Pure Moods is a series of compilation albums of New Age music released by Virgin Records. The series focuses on the genres of New Age, Ambient, World Music, and to a lesser extent, subdued Electropop and Smooth Jazz(Mor) 自1996年成立起,Quadro Nuevo已经在德国、奥地利、瑞士、荷兰、丹麦、意大利、德国以及美国举办了700场巡演。这个四重奏乐团在2003年5月被授予十分珍贵的德国唱片工业爵士大奖,而这已经是他们第三次获得该项荣誉(这里
39 richard clayderman - chi mai-intermezzo-here's to you
40 richard harvey & friends - chi mai
41 shadows - chi mai
42 spaghetti western orchestra - chi mai
43 the city of prague philharmonic orchestra - chi mai
richard clayderman 理查德·克莱德曼 法国钢琴家
richard harvey 理查德·哈维(1953-)英国音乐家
shadows 一个英国流行音乐组
spaghetti western orchestra 意粉西方乐团
the city of prague philharmonic orchestra 捷克布拉格爱乐乐团
理查德·克莱德曼(Richard Clayderman,1953年12月28日-),法国钢琴演奏家。被誉为“钢琴王子” 克莱德曼以古典音乐为基础,将古典音乐与现代音乐溶为一体。从而广受世界人民的喜爱。他是目前世界上改编并演奏中国音乐作品最多的外国艺术家,曾来中国25次(见这里 Richard Harvey (born 25 September 1953) is a BAFTA Award–winning British musician and composer. Originally of the mediaevalist progressive rock group Gryphon, he is best known now for his film and television soundtracks. (More) The Shadows are a British pop/rock group with a total of 69 UK hit-charted singles: 35 of which are credited as The Shadows and 34 as Cliff Richard and the Shadows, from the 1950s to the 2000s. The group, who were in the forefront of the UK's beat-group boom(More) 一个澳大利亚五人重奏乐队,自2004年成立至今。以演奏和改编莫里康内的作品为主 The Spaghetti Western Orchestra, formerly the Ennio Morricone Experience, is a quintet of musicians who perform music from spaghetti westerns, especially the music of Ennio Morricone.(01,02) 布拉格爱乐乐团是一家专业爱乐交响乐团。 它主要是由捷克和斯洛伐克的古典和爵士音乐家。该乐团历史悠久,组建于二战之后的1947年 is a professional philharmonic symphony orchestra. It is predominantly composed of Czech and Slovak classical and jazz musicians. The orchestra started out, after World War II, in 1947(More)
004-玛达莲娜电影片段 A clip of Maddalena(14'52" 土豆网
向志愿者江琥朋友致敬!
Salute to volunteer Jianghu!
 
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